DC Books' catalog primarily includes books in Malayalam literature, and also children's literature, poetry, reference, biography, self-help, yoga, management titles, and foreign translations.

    The first step is an easy one – kill a simple, villager named Luwan. When Luwan suddenly faces an enemy straight out of the folklore, he is left dumbfounded by the mystery why they are after him. As he makes a daring run to survive, journeying through the unknown world outside his village, new mysteries emerge, some closely concerning him. Riddled with questions and hunted by legendary assassins, and by the nonhumans made of the darkest element in the nature, Luwan makes a dangerous journey through the incredible empire of Inkredia.

    The story reflects the social, political and religious scene in Bengal at the turn of the century. The forces that were operating in Bengal at that time were one of the intense nationalism and revival of ancient spiritual values and also that of liberal western thought. What makes Gora a great prose epic is not only its social content but also its brilliant story of self-searching, of resolution, of conflicts and of self discovery.

    However, her plans are rudely interrupted when she finds out about the man Shagun is going to marry.

    Originated at digital platform of Facebook, the famous face of TV news, anchor Ravish Kumar has started writing micro fiction in a limited space of Facebook and twitter. The politics of our times figures as Metaphor in the loving exchange between characters. Laprek is a story of Love in cities. It is a story of Cities in love. रेम हम सबको बेहतर शहरी बनाता है। हम शहर के हर अनजान कोनों का सम्मान करने लगते हैं। उन कोनों में ज़िंदगी भर देते हैं... आप तभी एक शहर को नए सिरे से खोजते हैं जब प्रेम में होते हैं... और प्रेम में होना सिर्फ हाथ थामने का बहाना ढूँढना नहीं होता। दो लोगों के उस स्पेस में बहुत कुछ टकराता रहता है। 'लप्रेक' उसी कशिश और टकराहट की पैदाइश है।

    The plot of the novel reveals the various dimensions of life in the backdrop of the Sannyasi Rebellion—such as the plight of the people wrecked by lack of food and hunger that drove them to the brink of cannibalism, the militant rebels, and women’s participation alongside their husbands. It is considered one of the most remarkable works of Bangla language and Indian literature. The rebellion was fought by the sannyasi’s or monks and the common multitudes who took up arms against the tyranny of the British colonisers and their excesses, especially taxes in such a time of privation. Bankim also gave us the song ‘Vande Mataram’ which became the rallying call for rebels. The first two stanzas eventually became the National song of India. One of the gems of Indian Literature, ‘Anandmath’ carries a deep sentiment of nationalism which was the essence of the freedom struggle.

    Maddy is an award-winning TV anchorwoman. Jack is the head of her network. To the world, theirs is a storybook marriage. But behind the doors of their lush Georgetown home a different story emerges.Maddy has always tried to deny Jack's subtle put-downs, control, and jealousy. She has no bruises, only the daggers of fear, humiliation, and isolation--as powerful as the gun or the fist, the wounds as deep. It seems impossible that a woman the nation idolizes lives in degradation and fear. Maddy's secrets are well kept, even from herself.Maddy's healing begins when she joins the First Lady's Commission on Violence Against Women. There, she hears eerily familiar stories from terrified wives and girlfriends. And there she comes to know Bill Alexander, a distinguished diplomat. Bill suspects that something is terribly wrong in Maddy's marriage and begs her to open her eyes.As she takes the first steps toward freedom, a remarkable series of events unfolds... a stranger from Maddy's past reappears... White House headlines bring the nation to a standstill... and a devastating tragedy forces Maddy to realize how much has been taken from her. Faced with the most difficult choice of her life, Maddy finds a strength she never knew she had and a gift that will change her life forever.With wisdom and compassion, bestselling novelist Danielle Steel reminds us that no one is exempt from the effects of abuse, in its subtlest forms. But at its core, Journey is a book about hope, about change, and about daring to be free.

    This time around, the ladies are a bit older, a lot richer, but not particularly wiser nor more endearing than Bushnell's earlier heroines. Lipstick Jungle weaves the stories of Nico O'Neilly, Wendy Healy, and Victory Ford, numbers 8, 12, and 17 on The New York Post's list of "New York's 50 Most Powerful Women." But this is 21st Century New York, and to get ahead and stay ahead, these women will do anything, including jeopardizing their personal and professional relationships. Take for example Nico, editor-in-chief of Bonfire magazine, who betrays her boss to rise to the top of the entire magazine division at media mega-giant Splatch-Verner. As president of Paradour Pictures, Wendy may be poised to win an Oscar for her 10-year labor-of-love, Ragged Pilgrims, but her marriage is in shambles and her children care more about a $50,000 pony than their mother. And for single, 43-year-old fashion designer Victory, pleasing tough critics may be more important than ever finding the real relationship she's convinced herself she doesn't need. This racy tale of women behaving badly manages to shrewdly flip the tables to show us how gender roles are essentially interchangeable, given the right circumstances. Whether that was Bushnell's intent when crafting this wicked tale is another story. --Gisele Toueg Q: Were Victory, Wendy, and Nico inspired by any real-life women? A: The characters and situations in Lipstick Jungle were inspired by the real-life women I know and admire in New York City. As with Sex and the City, I spent a lot of time thinking about where women were today, and what I noticed was that there was a fascinating group of women in their forties who were leading non-traditional lives. They were highly successful and motivated, they often had children, and usually were the providers for their families, and yet, they didn't fit the old stereotype of the witchy businesswoman. Indeed, so many of these women were the girls next door, the girls who reminded me of my best friends when I was a kid and we used to fantasize about the great things we were going to do in life. Like the women in Sex and the City, the Lipstick Jungle women are charting new lives for themselves, redefining what it means to be a woman when you really are as powerful, or more powerful, than a man. Of course, you probably want specifics, so I will say that there was a moment when it all clicked. Tina Brown used to write a terrific column in the Washington Post, and one of the things she was always mentioning was how there was a group of powerful women who were meeting and lunching at Michael's restaurant. They'd been working for over twenty years, their children were now in their early teens and didn't need them every minute, and now, in their forties or early fifties, they had time to strive for new career goals and to spend more time with their girlfriends. I thought, "Aha--that's the Lipstick Jungle." Q: What kind of research did you do to cover fashion, film, and publishing in one book? A: To research fashion, film and publishing, I did what I always do--I talked to my girlfriends! Of course, it helps that I've worked in magazine publishing and have had my share of experience with Hollywood. I'm also lucky enough to have a couple of girlfriends who are top designers, who offered to help me out with the specific details. I still remember the afternoon when one of my girlfriends and I sat down to talk--she was over eight months pregnant, and I was worried that we were going to have to run to the hospital!

    Kalki Krishnamurthy, recipient of India's highest literary honour - the Sahitya Akademi Award. Believed by some to be one of the first historical novels in Tamil it was originally serialized in the weekly Kalki magazine for about 12 years. This was later published as a novel. Along with Ponniyin Selvan, this is widely regarded as one of the greatest novels ever written in Tamil Set in 7th century south India against the backdrop of various historical events and figures. The novel created widespread interest in Tamil history when it was being published in the 1940s. Honour, love and friendship form important themes that run through the course of the novel that would be tough to point out who the real hero of the novel is. Mahendravarman I, the Pallava emperor plays an important role in the first half of the story while his son Narasimhavarman comes into his own as the novel progresses. The plot revolves around the historical events of the Chalukya king Pulakesi II playing a siege of Kanchi and Narasimhavarman avenging this by attacking Vatapi the capital of the Chalukyas. The novel is divided into four volumes.

    The novel was Cobalt Blue, the story of a brother and sister who fall in love with the same man, and how a traditional Marathi family is shattered by the ensuing events – a work that both shocked and spoke to Marathi readers.

    

    Haunted by illness and obsessed with death, he moves to Mumbai from his village Udali, breaking away from his feudal roots. He encounters young men frustrated by the system but refuses to become one of them. Suddenly, he takes a fancy to education and pursues masters in Arts, without his family knowing about it.Bidhar is the story of a pessimist who struggles to move on in life.

    It is the story of notorious gangsters like Haji Mastan, Karim Lala, Varadarajan Mudaliar, Chhota Rajan, Abu Salem, but above all, it is the story of a young man who went astray despite having a father in the police force. Dawood Ibrahim was initiated into crime as a pawn in the hands of the Mumbai police and went on to wipe out the competition and eventually became the Mumbai police’s own nemesis.The narrative encompasses several milestones in the history of crime in India, from the rise of the Pathans, formation of the Dawood gang, the first ever supari, mafia’s nefarious role in Bollywood, Dawood’s move to Karachi, and Pakistan’s subsequent alleged role in sheltering one of the most wanted persons in the world. This story is primarily about how a boy from Dongri became a don in Dubai, and captures his bravado, focus, ambition, and lust for power in a gripping narrative. The meticulously researched book provides an in-depth and comprehensive account of the mafia’s games of supremacy and internecine warfare.

    Akbar's amazing story of three generations of a Muslim family —based on his own—and how they deal with the fluctuating contours of Hindu-Muslim relations. Telinipara, a small jute mill town some 30 miles north of Kolkata along the Hooghly, is a complex Rubik's Cube of migrant Bihari workers, Hindus and Muslims; Bengalis poor and 'bhadralok'; and Sahibs who live in the safe, 'foreign' world of the Victoria Jute Mill. Into this scattered inhabitation enters a child on the verge of starvation, Prayaag, who is saved and adopted by a Muslim family, converts to Islam and takes on the name of Rahmatullah. As Rahmatullah knits Telinipara into a community, friendship, love trust and faith are continually tested by the cancer of riots. Incidents—conversion, circumcision, the arrival of the plague of electricity—and a fascinating array of characters: the ultimate Brahmin, Rahmatullah's friend Girija Maharaj; the worker's leader, Bauna Sardar; the storyteller, Talat Mian; the poet-teacher, Syed Ashfaque; the smiling mendicant, Burha Deewana; the sincere Sahib, Simon Hogg; and then the questioning, demanding third generation of the author and his friend Kamala, interlink into a narrative of social history as well as a powerful memoir. Blood Brothers is a chronicle of its age, its canvas as enchanting as its narrative, a personal journey through change as tensions build, stretching the bonds of a lifetime to breaking point and demanding, in the end, the greatest sacrifice. Its last chapters, written in a bare-bones, unemotional style, are the most moving as the author searches for hope amid raw wounds with a surgeon's scalpel.

    With a beautiful, terrified woman. On the 40th floor of a deserted office building. By the psyshopath they call "The Butcher."DON'T LOOK DOWNBecause you're an ex-mountain climber. Because a fall from Everest left you with a bad leg... and a paralyzing fear of heights.DON'T LOOK DOWNBecause he has slaughtered the guards and short-circuited the elevators. Because the stairways are blocked, and for you and the woman with you, there's only one escape route.DON'T LOOK DOWNBecause 600 feet of empty space are looking back at you."A real breath-taker... should hold you glued to its pages till the wee small hours." --West Coast Review of Books