See the sample for the complete and navigable table of contents.

    This is a city perilously under siege from tourism, but its people refuse to give it up—indeed they love it with a passion. This book is a fascinating window into the world of ordinary Venetians and the strange and unique place they call home.

    when, finally reconciled to the inevitable, they returned to Italy one last time.Which, as they say, is another story.Also includes chapters on the idiosyncrasies of the Italian language and the Italian driving experience.

    The Elvis Is Alive Museum in Wright City, Missouri. The Velvet Museum (“Velveteria”) in Portland, Oregon. A 13-foot Styrofoam scale model of Stonehenge. The Largest Ball of Twine in Cawker City, Kansas . . . or is it in Darwin, Minnesota? Roadside attractions are the staples of the American road trip. Many are slowly disappearing from our highways and byways. Are they culture or kitsch? Are their creators artists or innovators? Listeners are invited along for the ride to decide for themselves.

    This book brings together some of his nastiest and most irreverent pieces. Witty, sharp and brutally honest, this collection is certain to delight and provoke readers of all ages.

    The first book in the series featured 45 stories of women who have committed the act of murder. Hell Hath No Fury 2: More Women Who Kill follows that up with 43 more stories of murder committed by the fairer sex. Part 1 contains 33 stories of women who have murdered children. Part 2 has five stories of women who have murdered either husbands, boyfriends or significant others. Part 3 consists of five more assorted stories of women who kill. Part 4 contains an overview of some possible motives and reasons for the murders.

    Five other tales describe folk in Britain's lowest professional class between the late-1950s and 60s.

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.

    With the help of Luigi, his guide and companion, he travels through Italy--Rome, Gamberale, Matera, Miglionico, Alessandria, even Mussolini's hometown of Predappio--and discovers the tragic legacy of the Second World War that is still affecting the Old Country. He visits ancient castles and village churches, samples superb Italian cuisine, haggles at the open air market at Porta Portese, enjoys and Alessandria siesta, and frequents "coffee bars", where beggars discuss politics with affluent Italian locals. He finds lost-lost cousins during the day and performs with an amateur jazz group during the night. Along the way, he discovers deeply moving stories about his family's past and learns answers to question that have plagued him since childhood.More that just a spiritual account of one man's ancestral search, Dances With Luigi is also a stunning portrait of la bella Italia--both old and new--that is painted beautifully in all of its glamour, history, and contradiction.

    “Ethshar” is the invented world that has been the setting for almost a dozen novels from the pen of Lawrence Watt-Evans. Its inhabitants don’t call it that; they call it “the World.” For readers, though, that’s not specific enough. The dominant nation on the World is the Hegemony of the Three Ethshars, while the largest, richest city, where most of the stories are set, is Ethshar of the Spices, so “Ethshar” is close enough. The name itself comes from words meaning “safe harbor.” You don’t need to have read any of the novels to enjoy the stories herein; each one should stand alone. And if you've read the novels, you will enjoy this return to the world of Ethshar with 11 stories... This is the first time they have all been collected in one book!

    A world of speakeasies and dancing girls where a gambler or bootlegger is perfectly normal and respectable in every way. Those familiar with "Guys and Dolls" know what to expect!

    shirt makers; tying a Windsor knot to making a pot of tea; Victoria sponge to fish pie, and the rules of cricket to Gilbert and Sullivan operas.

    Sicily, 1862. In the newly united Italy, Judge Surra arrives in Montelusa to take charge of the local court, in a town where conflict has been kind to a select few. At first, Surra is baffled by the quaint local customs: cryptic anonymous notes, mutterings in the street, tasty - if tasteless - gifts of disembodied animal heads. However, buoyed by his twin passions for justice and fine dining, Surra is determined to settle into island life, no matter who stands in his way. Distilling his customary humour and tension into this miniature masterpiece, Andrea Camilleri casts an ironic eye on the corruption and charm of a turbulent small town, testing his naïve but noble hero against the darkest arts of the Mafia.This story is available in print as a part of the collection Judges, published by MacLehose Press.

    Sionil José's most widely anthologized fiction, is a moving story of a friendship. An American and a Filipino go to the Cordilleras to look at the rice terraces which were built by the Filipino's ancestors. There, they find the meaning of their friendship, how it defines the relationship between the colonizer and the colonized.As the Philippines' most widely translated author, F. Sionil José's reputation rests largely on his epic work—the Rosales novels, which span a hundred years of Philippine history and encompass four generations. His short stories, however, are just as memorable for their unerring depiction of the Filipino condition. This collection includes some of the earliest stories he wrote from the late forties to the early fifties. In these stories, he already maps out the boundaries of his literary geography and plumbs the depths of the Filipino character, at the same time hewing to the continuing theme of almost all of his work: the Filipino's often futile search for social justice and a moral order.F. Sionil José's fiction is now translated into 27 languages including Tagalog. Random House has just completed putting out the Rosales saga. Fayard of France has already released four of his five Rosales novels.

    Deciding that taking a leap into the unknown was better than making no decision at all, they borrowed a little money from some good friends, packed up their belongings and headed to a mobile home site just outside Cannes. Whilst there, they would look for work with the hope of settling in the region. What no one bothered to tell France’s newest arrivals was that the people they were about to be interviewed by and eventually work for were all blisteringly, yet deliciously mad. Whilst minding his own business in the garden belonging to one of these certifiable lunatics, Brent gets adopted by a dog with his own obsession, maintaining the author's theory that sanity is an extremely rare commodity in the south of France.