Each one hoped to be the last to leave. Now they're just hoping to stay alive. It seems the island isn't deserted after all. Contestants and crew members are disappearing, but they aren't being eliminated by the game. They're being taken by the monstrous half-human creatures that live in the jungle. The men will be slaughtered. The women will be kept alive as captives. Night is falling, the creatures are coming, and rescue is so far away. . .

    She believes that the ghosts of the celebrity dead visit her padded cell and whisper the world's secrets in her ears. Which is a big problem for the British government, because she's the only one who can help them when an American billionaire is murdered in London in one of the strangest killings yet. The Home Secretary needs the case locked down and solved before the entrepreneur's death becomes public knowledge and economic chaos ensures. The woman he has in mind for the job might be paranoid, she might be lethal, she might half-insane and drawing a pension, but it's amazing how you can forgive that in a genius when it's a genius's help you need.Yes, the security forces need Agatha Witchley again. It's just the ghosts of Churchill, Elvis and Groucho Marx they could do without.

    But she isn’t. Myra Bloodgood was confusing mix of protective and abusive, a manipulative personality who never told the truth—about where she came from, who Ivy’s father was, or why they were living their lives on the run.Now that Ivy has been sent to Darkhaven, an island off the New England coast, to live with a rich uncle she didn’t know existed, she is forced to reckon with her mother’s past. Ivy can tell right away there are long-held family secrets buried within these walls, but when she wakes up from one of her nightmares covered in someone else’s blood, Ivy fears that whatever demons her mother battled while she was alive have come to roost in her own mind. Scared that she can no longer trust what she sees, Ivy seeks the help of a boy who thinks her episodes are connected to the sordid history of Darkhaven—but what they don’t know might kill them both.A moody and twisty gothic mystery with an impossible romance, Dreaming Darkly is an atmospheric, fast-paced page-turner written by comics veteran Caitlin Kittredge.

    It has lain in the cold and dark of the bog, waiting patiently for a host to set it free. Now, for John Cluer and his family, nothing will ever be the same again.A novelette of approximately 10,000 words.

    She had never seen Eric so angry, so consumed by pure and terrifying hatred. Then, in the heat of the moment, Eric was struck down in a traffic accident. His death was instantaneous. Shocked and relieved, Rachael had nothing left to fear. Until Eric’s body disappeared from the morgue—and Rachael was stalked by someone who looked like her dead husband…

    Shortly after they arrive, things begin to turn ominous. Stirrings in the woods and over the treetops—the brooding shape of a monolith known as the Black Rock casts its terrible pall. Paranoia and distrust grips the settlement. The escape routes are gradually cut off as events spiral towards madness. Hell—or the closest thing to it—invades Little Heaven. The remaining occupants are forced to take a stand and fight back, but whatever has cast its dark eye on Little Heaven is now marshaling its powers...and it wants them all.

    Whoever settles, never leaves. Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth century woman whose eyes and mouth are sewn shut. Muzzled, she walks the streets and enters homes at will. She stands next to children's bed for nights on end. Everybody knows that her eyes may never be opened or the consequences will be too terrible to bear. The elders of Black Spring have virtually quarantined the town by using high-tech surveillance to prevent their curse from spreading. Frustrated with being kept in lockdown, the town's teenagers decide to break their strict regulations and go viral with the haunting. But, in so doing, they send the town spiraling into dark, medieval practices of the distant past. This chilling novel heralds the arrival of an exciting new voice in mainstream horror and dark fantasy.

    Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope. Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea's husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter's actual well-being. And Chelsea is worried that her daughters will be trapped just as she is--then a mysterious illness sweeps the nation. Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity--and inspires a plan to liberate herself from her abuser.

    In an instant, she became a member of a club no one wants to belong to—a group of similar survivors known in the press as the Final Girls. Lisa, who lost nine sorority sisters to a college dropout's knife; Sam, who went up against the Sack Man during her shift at the Nightlight Inn; and now Quincy, who ran bleeding through the woods to escape Pine Cottage and the man she refers to only as Him. The three girls are all attempting to put their nightmares behind them, and, with that, one another. Despite the media's attempts, they never meet.   Now, Quincy is doing well—maybe even great, thanks to her Xanax prescription. She has a caring almost-fiancé, Jeff; a popular baking blog; a beautiful apartment; and a therapeutic presence in Coop, the police officer who saved her life all those years ago. Her memory won’t even allow her to recall the events of that night; the past is in the past.   That is, until Lisa, the first Final Girl, is found dead in her bathtub, wrists slit, and Sam, the second, appears on Quincy's doorstep. Blowing through Quincy's life like a whirlwind, Sam seems intent on making Quincy relive the past, with increasingly dire consequences, all of which makes Quincy question why Sam is really seeking her out. And when new details about Lisa's death come to light, Quincy's life becomes a race against time as she tries to unravel Sam's truths from her lies, evade the police and hungry reporters, and, most crucially, remember what really happened at Pine Cottage, before what was started ten years ago is finished.

    This exciting new anthology, perfect for airport or airplane reading, includes an original introduction and story notes for each story by Stephen King, along with brand new stories from Stephen King and Joe Hill.Stephen King hates to fly. Now he and co-editor Bev Vincent would like to share this fear of flying with you.Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you're suspended six miles in the air, hurtling through space at more than 500 mph and sealed up in a metal tube (like—gulp!—a coffin) with hundreds of strangers. All the ways your trip into the friendly skies can turn into a nightmare, including some we'll bet you've never thought of before... but now you will the next time you walk down the jetway and place your fate in the hands of a total stranger.Featuring brand new stories by Joe Hill and Stephen King, as well as fourteen classic tales and one poem from the likes of Richard Matheson, Ray Bradbury, Roald Dahl, Dan Simmons, and many others, Flight or Fright is, as King says, "ideal airplane reading, especially on stormy descents... Even if you are safe on the ground, you might want to buckle up nice and tight."

    He had no body to go back to. But who murdered him? The serial killer terrorizing the city--or someone closer? True had no enemies, at least none that he knew of.To discover the truth, James True must track down his killer. The initial horror of True's experience is followed by an even greater terror . . . . his family are the murderer's next targets.Without a body, True has no substance and no real power. No one can see him, no one can hear him, and no one except his murderer even knows his spirit still exists.How can he save his family?

     Her chance at a new life is going to kill her. When Gillian and her family move into the old house on Harvest Street, it's too good to be true. The rent's dirt cheap, and it's right next door to the University she’s going to be attending. With her recently widowed mother on board, there’s a ready and willing babysitter for her five year old daughter Sarah. Who could ask for anything more? When Gillian’s mother Maureen discovers a family connection to the house they see it as Providence. They’re meant to live here! But then… odd things start to happen. Sarah loves the swing in the backyard and her new friends—twin girls only she can see. The odd becomes foreboding when Nana Maureen can’t sleep in her room. She’s constantly woken up by creaking floors, nightmares of being strangled, and the smell of rotting flesh. The family has always been loving and close, but now the atmosphere between them is tense. Small disagreements explode into rage. What on earth is happening to them? They don't know about the evil that descended upon the house. How, almost a century ago, dashed dreams rose again into a rage— a murderous rage. A rage that still breathes in the very walls of this home. This is how it began and how it will end. At Crawley House.

    Then there is light, there are voices, and they feed... Swarming from their prison, they multiply and thrive. To scream, even to whisper, is to summon death.Deaf for many years, Ally knows how to live in silence. Now, it is her family's only chance of survival. To leave their home, to shun others, to find a remote haven where they can sit out the plague. But will it ever end? And what kind of world will be left?

    That's what his mother always told him.Now, he is a true crime writer, with one grisly success--and movie adaptation--to his name, along with a series of subsequent lesser efforts that have paid the bills but not much more. But now he is being offered the chance for the big break: To move into the house--what the locals call "The Devil House"--in which a briefly notorious pair of murders occurred, apparently the work of disaffected 1980s teens. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected--back into his own work and what it means, back to the very core of what he does and who he is.

    Partying is the perfect way to let loose from the stress of life and school, and Lylah hopes that hitting the dance floor with Chace, her best friend, will bring them closer together. She's been crushing on him since they met. If only he thought of her the same way...The girls are touching up their makeup and the guys are sliding on their coats when the doorbell rings. No one is there. An envelope sits on the doormat. It's an anonymous note addressed to their friend Sonny. A secret admirer? Maybe. They all laugh it off.Except Sonny never comes home. And a new note arrives:YOUR TURN