This new collection of stories from the multi-award-winning author of Doomsday Book and To Say Nothing of the Dog contains:A Letter from the ClearysAt the RialtoDeath on the NileThe Soul Selects Her own SocietyFire WatchInside JobEven the QueenThe Winds of Marble ArchAll Seated on the GroundLast of the WinnebagosTen stories - which have all won the Hugo Award, the Nebula Award or both - are compulsory reading for the serious science fiction fan.

    Stories were to be about 250 words long; first prize was a check and a crate of oranges.Two to three thousand stories began to show up annually in Tallahassee, and National Public Radio regularly broadcast the winner. But, more important, the Micro form turned out to be contagious; stories of this "lack of length" now dot the literary magazines. The time seemed right, then, for this anthology, presenting a decade of contest winners and selected finalists. In addition, Stern commissioned Micros, persuading a roster of writers to accept the challenge of completing a story in one page.Jesse Lee Kercheval has a new spin on the sinking of the Titanic; Virgil Suarez sets his sights on the notorious Singapore caning; George Garrett conjures up a wondrous screen treatment pitch; and Antonya Nelson invites us into an eerie landscape. Verve and nerve and astonishing variety are here, with some wild denouements.How short can a Micro be, you wonder. Look up Amy Hempel's contribution, and you'll see.Includes:Poet's husband by M. GilesCough by Harry HumesDaydream by R. AllenWrong channel by R. FernandezHarmony by J. Williams20by20 by L. BrewerYour fears are justified by R. DeMarinisAt the point by B. McCaddonHalo by M. McFeeMockingbird by L. BerryChanging the channel by E.E. MillerWanting to fly by S. DunningEclipsed by R. ShusterNew Year by P. PainterSurvivors by K. AddonizioAnti-Cain by V. SuarezPainted devils by F. ChappellHoneycomb by N.R. SingerBaby, baby, baby by F. CamoinAn old story by J. KelmanConception by T. FlemingAll this by J. AvallonStone belly girl by J. Granger Worry by R. WallaceYou can't see dogs on the radio by L. WendlingTrue story of Mr. and Mrs. Wong by M. ChinFlu by S. DybekThe bridge by R. EdsonKennedy in the barrio by J.O. CoferGrief by R. CarlsonMount Olive by M.A. LoveHurray for Hollywood by G. GarrettThis is how I remember it by Betsy KemperNovember by U. HegiCarpathia by J.L. KerchevalChickens by E. MagarrellMayor of the sister city speaks to the chamber of commerce in Klamath Falls, Oregon, on a night in December in 1976 by M. MartoneConfirmation names by M. LippoHostess ; Housewife by A. HempelLand's end by A. NelsonLast supper in the Cabinet Mountains by D. BottomsStrongman by W. White-RingDiverging paths and all that by M. O'HaraA gentleman's C by P. PowellOf exposure by J. HolmanTea leaves by J. BurrowayWe eat our peas for the souls in Purgatory by A. McPetersWaiting by P. McNallyBut what was her name? by D. RaffelGuadalupe in the Promised Land by Sam ShepardMorning news by J. SternMolibi by L. HancockWallet by A. Woodman

      Cutting between clear-eyed realism and tongue-in-cheek magical realism, Chen’s stories coalesce into a portrait of a people striving for openings where mobility is limited. Twins take radically different paths: one becomes a professional gamer, the other a political activist. A woman moves to the city to work at a government call center and is followed by her violent ex-boyfriend. A man is swept into the high-risk, high-reward temptations of China’s volatile stock exchange. And a group of people sit, trapped for no reason, on a subway platform for months, waiting for official permission to leave.   With acute social insight, Te-Ping Chen layers years of experience reporting on the ground in China with incantatory prose in this taut, surprising debut, proving herself both a remarkable cultural critic and an astonishingly accomplished new literary voice.Lulu --Hotline girl --New fruit --Field notes on a marriage --Flying machine --On the street where you live --Shanghai murmur --Land of big numbers --Beautiful country --Gubeikou spirit

    In stories as darkly comic as they are unflinching, people isolated by geography, emotion, or circumstance cut imperfect paths to peace—they have no other choice. A Russian mail-order bride in Finland is rendered silent by her dislocation and loss of language, the mother of a severely disabled boy writes him postcards he'll never read on a cruise ship held hostage by pirates, and an Iowa actuary wanders among the reincarnations of those she's known in her 127 lives. Horrocks' women find no simple escapes, and their acts of faith and acts of imagination in making do are as shrewd as they are surprising.

    In story after story, she illumines the moment a life is forever altered by a chance encounter or an action not taken, or by a simple twist of fate that turns a person out of his or her accustomed path and into a new way of being or thinking. A poet, finding herself in alien territory at her first literary party, is rescued by a seasoned newspaper columnist, and is soon hurtling across the continent, young child in tow, toward a hoped-for but completely unplanned meeting. A young soldier, returning to his fiancée from the Second World War, steps off the train before his stop and onto the farm of another woman, beginning a life on the move. A wealthy young woman having an affair with the married lawyer hired by her father to handle his estate comes up with a surprising way to deal with the blackmailer who finds them out. While most of these stories take place in Munro's home territory - the small Canadian towns around Lake Huron - the characters sometimes venture to the cities, and the book ends with four pieces set in the area where she grew up, and in the time of her own childhood: stories "autobiographical in feeling, though not, sometimes, entirely so in fact." A girl who can't sleep imagines night after wakeful night that she kills her beloved younger sister. A mother snatches up her child and runs for dear life when a crazy woman comes into her yard.

    Destroyed oil rigs, mysteriously reborn, clamber from the sea and onto the land, driven by an obscure but violent purpose. An anatomy student cuts open a cadaver to discover impossibly intricate designs carved into a corpse's bones—designs clearly present from birth, bearing mute testimony to . . . what?Of such concepts and unforgettable images are made the twenty-eight stories in this collection—many published here for the first time. By turns speculative, satirical, and heart-wrenching, fresh in form and language, and featuring a cast of damaged yet hopeful seekers who come face-to-face with the deep weirdness of the world—and at times the deeper weirdness of themselves—Three Moments of an Explosion is a fitting showcase for one of our most original voices.

    From Brian James Freeman and Richard Chizmar of the acclaimed Cemetery Dance Publications, Dark Screams: Volume One reaches across genres to take readers beyond the precipice of mortal toil and into the glimmering void of irreality and beyond.  WEEDS by Stephen King When a meteorite lands on his property, Jordy Verrill envisions an easy payday. Unfortunately for Jordy, this is no ordinary rock—and the uncompromising force inside has found its first target.  THE PRICE YOU PAY by Kelley ArmstrongNever pay more than you owe. Sounds like easy advice to follow. But for Kara and her childhood friend Ingrid, some debts can never be repaid . . . especially those tendered in blood.  MAGIC EYES by Bill Pronzini Edward James Tolliver has found a weary sort of asylum among the insane. He knows he’s not one of them—but how can he tell anyone about the invaders without sounding that way?  MURDER IN CHAINS by Simon Clark Imagine awaking to find yourself in an underground vault, chained by the neck to a murderous lunatic, a grunting goliath who seems more animal than man. What would you do to save yourself?  THE WATCHED by Ramsey Campbell Little Jimmy gets a glimpse of the cold truth when he finds out that it’s not always what you see that can get you into trouble; it’s who knows what you see.

    A painter who owes his small success to a man he despises, discovers that his passivity has cost him the love that might have set him free. A writer of modest talents encounters the old love who once betrayed him; now she repels him, yet the unfinished novel she leaves in his hands may surpass anything he could ever produce himself. An American poet in Rome finds herself forced to choose between her lover and a world so alien it takes her voice away. A print maker, who has reached a certain age, enters so deeply into the magical world of her imagination that she can never find her way back. In captivating, luminous prose, Martin explores the trials and rewards of human relationships and creative endeavor with all the ease and insight of a writer at the top of her form.

    Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight "realism"-if such a thing exists-is not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples. The writers featured in The Book of Other People include: Aleksandar Hemon Nick Hornby Hari Kunzru Toby Litt David Mitchell George Saunders Colm Tóibín Chris Ware, and more

    Set in Michigan’s north woods, in Ohio’s interior, on islands, in casinos, and in distant cities, these stories are linked by the gone and not forgotten: former spouses, dead parents, and missing children. In pursuit of love and its redemptions, these are pilgrims haunted by memory, dogged by desire, made radiant by romance and its denouements.With the elegant prose of Frederick Busch and the Irish sensibility of William Trevor, Lynch masterfully creates a world where mirage and apparition are commonplace, where people searching for connection and old comforts find them both near at hand and oddly out of reach.

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    In “Floor Plans,” a woman at the end of her marriage tests her power when she inadvertently befriends the neighbor trying to buy her apartment. In “Appetite,” a sixteen-year old grieving her mother’s death experiences first love and questions how much more heartbreak she and her family can endure. In “Dinosaurs,” a recent widower and a young babysitter help each other navigate how much they have to give—and how much they can take—from the people around them. Through stories that are at once empathetic and unexpected, these women and girls defiantly push the boundaries between selfishness and self-possession. With a fresh voice and bold honesty, Back Talk examines how narrowly our culture allows women to express their desires.

    In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

    "Power and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Shirley Jackson's lifetime, unites "The Lottery:" with twenty-four equally unusual stories. Together they demonstrate Jackson's remarkable range--from the hilarious to the truly horrible--and power as a storyteller.