As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle’s snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a “safe space” app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter.With nuanced emotional precision, gritty humor, and compassionate insight into the intimacy of queer and immigrant communities, the stories in Afterparties deliver an explosive introduction to the work of Anthony Veasna So.

    Carré’s elegant short stories read like the gothic, family narratives of Flannery O’Connor or Carson McCullers, but told visually. Poetic rhythms — a coin flip, a circling ferris wheel — are punctuated by elements of melancholy fantasy pushed forward by character-driven, naturalistic dialogue. The stories in Heads Or Tails display a virtuosic breadth of visual styles and color palettes, each in perfect service of the story, and range from experimental one-pagers to short masterpieces like The Thing About Madeline (featured in The Best American Comics 2008), to graphic novellas like The Carnival (featured in David Sedaris and Dave Eggers’ 2010 Best American Nonrequired Reading, originally published in MOME).

    

    Within its pages, note such sights as: a study of the motives and strategies used by the participants in the game of Clue, including the seduction of Miss Scarlet by Colonel Mustard; the Barnum Museum, a fantastic, monstrous landmark so compelling that an entire town finds its citizens gradually and inexorably disappearing into it; a bored dilettante who constructs an imaginary woman - and loses her to an imaginary man! - and a legendary magician so skilled at sleight-of-hand that he is pursued by police for the crime of erasing the line between the real and the conjured.

    Some of the celebrated tales contained in this unique volume include the world's first detective stories -- "The Murders in the Rue Morgue" and "The Purloined Letter", and three stories sure to make a reader's hair stand on end -- "The Cask of Amontillado", "The Tell-Tale Heart", and "The Masque of the Red Death".The work includes a new introduction by Stephen Marlowe, author of "The Memoirs of Christopher Columbus" and "The Lighthouse at the End of the World."Besides the five stories already mentioned, it also contains: "The Balloon-Hoax", "Ms. Found in a Bottle", "A Descent into a Maelstrom", "The Black Cat", "The Pit and the Pendulum", The Assignation", "Diddling", "The Man That Was Used Up", and the novel, "Narrative of A. Gordon Pym". These may vary with different editions.The Signet Classic Edition of "The Fall of the House of Usher and Other Tales" has over 250,000 copies in print!Librarian's note: this is a collection by the author of short stories, and one novel, Entries for each of them on their own can be found elsewhere on Goodreads, including the specific entry for the story, "The Fall of the House of Usher".

    Set in Michigan’s north woods, in Ohio’s interior, on islands, in casinos, and in distant cities, these stories are linked by the gone and not forgotten: former spouses, dead parents, and missing children. In pursuit of love and its redemptions, these are pilgrims haunted by memory, dogged by desire, made radiant by romance and its denouements.With the elegant prose of Frederick Busch and the Irish sensibility of William Trevor, Lynch masterfully creates a world where mirage and apparition are commonplace, where people searching for connection and old comforts find them both near at hand and oddly out of reach.

    Both sides of Bradbury's vaunted childhood nostalgia are also on display, in the celebratory "Uncle Einar," and haunting "The Lake," the latter a fine elegy to childhood loss. This edition features a new introduction by Bradbury, an invaluable essay on writing, wherein the author tells of his "Theater of Morning Voices," and, by inference, encourages you to listen to the same murmurings in yourself. And has any writer anywhere ever made such good use of exclamation marks!? (Illustrated by Joe Mugnaini.)Contents:· The Dwarf · ss Fantastic Jan/Feb ’54 · The Next in Line · nv Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Watchful Poker Chip of H. Matisse · ss Beyond Fantasy Fiction Mar ’54 · Skeleton · ss Weird Tales Sep ’45 · The Jar · ss Weird Tales Nov ’44 · The Lake · ss Weird Tales May ’44 · The Emissary · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · Touched with Fire [“Shopping for Death”] · ss Maclean’s Jun 1 ’54 · The Small Assassin · ss Dime Mystery Magazine Nov ’46 · The Crowd · ss Weird Tales May ’43 · Jack-in-the-Box · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Scythe · ss Weird Tales Jul ’43 · Uncle Einar · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Wind · ss Weird Tales Mar ’43 · The Man Upstairs · ss Harper’s Mar ’47 · There Was an Old Woman · ss Weird Tales Jul ’44 · The Cistern · ss Mademoiselle May ’47 · Homecoming · ss Mademoiselle Oct ’46 · The Wonderful Death of Dudley Stone · ss Charm Jul ’54

    The sketches, poems, and stories of black rural and urban life that make up Cane are rich in imagery. Visions of smoke, sugarcane, dusk, and flame permeate the Southern landscape: the Northern world is pictured as a harsher reality of asphalt streets. Impressionistic, sometimes surrealistic, the pieces are redolent of nature and Africa, with sensuous appeals to eye and ear.

    From THE WHORE OF MENSA, to GOD (A Play), to NO KADDISH FOR WEINSTEIN, old and new Woody Allen fans will laugh themselves hysterical over these sparkling gems.

    A dozen stories deal with a heartbroken widower, hunters, farmers and truck drivers living in Minnesota.

    Though she feels safe in this untamed land, Tracy still follows her late mother’s rules: Never Lose Sight of the House. Never Come Home with Dirty Hands. And, above all else, Never Make a Person Bleed.But these precautions aren’t enough to protect Tracy when a stranger attacks her in the woods and knocks her unconscious. The next day, she glimpses an eerily familiar man emerge from the tree line, gravely injured from a vicious knife wound—a wound from a hunting knife similar to the one she carries in her pocket. Was this the man who attacked her and did she almost kill him? With her memories of the events jumbled, Tracy can’t be sure.Helping her father cope with her mother’s death and prepare for the approaching Iditarod, she doesn’t have time to think about what she may have done. Then a mysterious wanderer appears, looking for a job. Tracy senses that Jesse Goodwin is hiding something, but she can’t warn her father without explaining about the attack—or why she’s kept it to herself.It soon becomes clear that something dangerous is going on . . . the way Jesse has wormed his way into the family . . . the threatening face of the stranger in a crowd . . . the boot-prints she finds at the forest’s edge.Her family is in trouble. Will uncovering the truth protect them—or is the threat closer than Tracy suspects?

    These people tell us the truth–not only about themselves, their relationships, and their lives, but about ourselves as well. A Perfect Stranger powerfully and affectingly examines the complex, intricate network of experiences that binds us to one another. These stories are tender, raw, lovely, fine–and they reaffirm Roxana Robinson’s place at the forefront of modern literature.

    A retired public school teacher, Miss Budge embarks on a series of slice-of-life adventures that take readers into the intriguing and authentic lives of Southern church women. "What our readers love about Miss Budge is that they all know her personally. In fact, they all are her in one way or another. Daphne's stories are instantly recognizable to those in a church community, and that's where the real humour and real pathos comes from. Daphne is a keen observer of the strange and wonderful subculture of 'the church lady.'" Brett Alan Dewing The Christian Courier (Canada) "Mildred Budge is a forthright, almost larger than life, woman who challenges every reader's faith walk by being transparent about her own. She reminds us that Jesus loves us the way we are but He loves us too much to leave us as we are." Julie Innes Evangel

    The father has a story to share before it’s too late. He tells his son about a courageous little girl lying in a hospital bed a few miles away. She’s a smart kid—smart enough to know that she won’t beat cancer by drawing with crayons all day, but it seems to make the adults happy, so she keeps doing it. As he talks about this plucky little girl, the father also reveals more about himself: his triumphs in business, his failures as a parent, his past regrets, his hopes for the future. Now, on a cold winter’s night, the father has been given an unexpected chance to do something remarkable that could change the destiny of a little girl he hardly knows. But before he can make the deal of a lifetime, he must find out what his own life has actually been worth, and only his son can reveal that answer. With humor and compassion, Fredrik Backman’s The Deal of a Lifetime reminds us that life is a fleeting gift, and our legacy rests in how we share that gift with others.

    They begin somewhere, too. In between, all manner of things happen: friendship, betrayal, horror and maybe even joy. For some, the End of the Road brings love and happiness, for others agony and suffering, and for a precious few, sorrow may lead to something revelatory. The potholes and pitfalls found in this anthology are many, but for every character, there is an end of the road. This road ends in a collection of short stories by 31 of the most gifted writers of our time, with stories from action and mystery superstars Russell Blake, Traci Tyne Hilton and Mike Meyer; romance stars Jeannette Raleigh, C A Newsome, Suzie O'Connell, Kathleen Steed and Anna J.McIntyre; and from cutting edge science fiction and fantasy authors Saxon Andrew, Stephen Arseneault, John Daulton, and JRC Salter; post-apocalyptic and dystopian authors Brandon Hale, Scott Langrel, Dale Roberts and Jess Mountifield. Intended for lovers of short fiction everywhere, the End of the Road is a must read for anyone intent on keeping current with the literary scene.Contributing authors:Brandon HaleRobert ThomasSaxon AndrewRussell BlakeJames RozoffAnna J. McIntyreDonna B. McNicolDale RobertsRandall MorrisJames RozoffAlison BlakeStephen ArseneaultJeanette RaleighL. S. BurtonJess MountifieldShirley BourgetC. A. NewsomeJ R C SalterMichael MeyerE. B. BoggsDavid A. CubanScott LangrelTraci Tyne HiltonJohn DaultonKathleen SteedChris WardJacques AntoineSuzie O'ConnellSherrie GiddensThomas JennerAngeline Perkins