A young adventurer succumbs to the night world of a diabolic count. A man of medicine explores his darker side only to fall prey to it. They are legendary tales that have held readers spellbound for more than a century. The titles alone -- Frankenstein, Dracula, and Dr. Jekyll and Mr. Hyde -- have become part of a universal language that serves to put a monster's face on the good-and-evil duality of our very human nature. And the authors -- Mary Shelley, Bram Stoker, and Robert Louis Stevenson -- equally mythic, are still possessed of as inventive and subversive power that can shake a reader to this day with something far more profound than fear. They gave root to the modern horror novel, and like the creatures they invented, they've achieved immortality.

    Her distraught father's desperate search reveals nothing and results in his departure from the police force.Pieter now lives in a broken down houseboat in the colourful Amsterdam neighbourhood of the Jordaan. One day, while Vos is wasting time at the Rijksmuseum staring at a doll's house that seems to be connected in some way to the case, Laura Bakker, a misfit trainee detective from the provinces, visits him. She's come to tell him that Katja Prins, daughter of an important local politician, has gone missing in circumstances similar to Anneliese.In the company of the intriguing and awkward Bakker, Vos finds himself drawn back into the life of a detective. A life which he thought he had left behind. Hoping against hope that somewhere will lay a clue to the fate of Anneliese, the daughter he blames himself for losing . . .

    She gives one of them away to wealthy Mrs Lyons and they grow up as friends in ignorance of their fraternity until the inevitable quarrel unleashes a blood-bath. 'Willy Russell is less concerned with political tub-thumping than with weaving a close-knit story about the working of fate and destiny … it carries one along with it in almost unreserved enjoyment" Guardian One of the longest-running and most successful ever West End musicals, Blood Brothers premiered at the Liverpool Playhouse in January 1983.

    Description:- The Black Prism: Book 1 of Lightbringer EVERY LIGHT CASTS A SHADOW Gavin Guile is the Prism, the most powerful man in the world. His strength, wit and charm are all that preserve a tenuous peace. But Prisms never last, and Guile knows exactly how long he has left to live. When Guile discovers he has a son, born in a far kingdom after the war that put him in power, he must decide how much he's willing to pay to protect a secret that could tear his world apart. The Blinding Knife: Book 2 of Lightbringer GAVIN GUILE IS DYING. He'd thought he had five years left - now he's got less than one. With fifty thousand refugees, a bastard son and an ex-fiancée who may have learned his darkest secret, Gavin's got problems on every side. As he loses control, the world's magic runs wild, threatening to destroy the Seven Satrapies. The old gods are being reborn and their army of colour wights is unstoppable. The only salvation may be the brother whose freedom and life Gavin stole sixteen years ago. The Broken Eye: Book 3 of Lightbringer As the old gods awaken and satrapies splinter, the Chromeria races to find the only man who might still end a civil war before it engulfs the known world. But Gavin Guile has been captured by an old enemy and enslaved on a pirate galley. Worse still, Gavin has lost more than his powers as Prism - he can't use magic at all. Without the protection of his father, Kip Guile will face a master of shadows as his grandfather moves to choose a new Prism and put himself in power. With Teia and Karris, Kip will have to use all his wits to survive a secret war between noble houses, religious factions, rebels and an ascendant order of hidden assassins called The Broken Eye.

    When the dream girl he meets on the Internet shows up as a real person, Jonah watches his totally exciting other life turn into a nightmare.

    Yeats laid the foundations for an Irish literary revival, drawing inspiration from his country's folklore, the occult, and Celtic philosophy. A writer of both poems and plays, he helped found Dublin's famed Abbey Theatre. The poems here provide an example of his life's work and artistry, beginning with verses such as "The Stolen Child" from his debut collection "Crossways "(written when he was 24) through "Why Should Not Old Men Be Mad?" from "On the Boiler," published a year prior to his death.

    Despite the seemingly insurmountable obstacles in her path, Adunni never loses sight of her goal of escaping the life of poverty she was born into so that she can build the future she chooses for herself - and help other girls like her do the same. Her spirited determination to find joy and hope in even the most difficult circumstances imaginable will “break your heart and then put it back together again” (Jenna Bush Hager on The Today Show) even as Adunni shows us how one courageous young girl can inspire us all to reach for our dreams...and maybe even change the world.

    Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

    "Even as a girl, I knew the only chance I had was to change my face... even before a fortune-teller told me so." Kyuri is a beautiful woman with a hard-won job at a "room salon," an exclusive bar where she entertains businessmen while they drink. Though she prides herself on her cold, clear-eyed approach to life, an impulsive mistake with a client may come to threaten her livelihood.Her roomate, Miho, is a talented artist who grew up in an orphanage but won a scholarship to study art in New York. Returning to Korea after college, she finds herself in a precarious relationship with the super-wealthy heir to one of Korea's biggest companies.Down the hall in their apartment building lives Ara, a hair stylist for whom two preoccupations sustain her: obsession with a boy-band pop star, and a best friend who is saving up for the extreme plastic surgery that is commonplace.And Wonna, one floor below, is a newlywed trying to get pregnant with a child that she and her husband have no idea how they can afford to raise and educate in the cutthroat economy.Together, their stories tell a tale that's seemingly unfamiliar, yet unmistakably universal in the way that their tentative friendships may have to be their saving grace.