From the very first page of the prologue, Beeding makes the very air the characters live and breathe in seem to crackle with an ominous electricity. It is surely what appealed to Alfred Hitchcock when he found in Beeding's work the inspiration for his classic, unforgettable film, 'Spellbound'.Fans of Hitchcock will want to take special notice of 'The House of Dr. Edwardes', for, unlike other adaptations, 'Spellbound' strays rather dramatically from its source material. Not only do the differences offer fascinating peeks into the great director's creative vision, they also ensure that even Hitchcock fans familiar with 'Spellbound' will find much in Beeding?s novel that will surprise and delight. The "house" of the title is in fact a lunatic asylum in France, and Dr. Edwardes is the head psychiatrist and presiding genius there. And although he is a highly esteemed, almost iconic figure in psychiatric circles, there is something clearly amiss. The novel opens with a puzzling, ominous episode in which a patient being transported to the asylum grows agitated as the car bringing him there approaches its destination. He suddenly screams "the gorge of the devil" and attacks and kills one of his supervisors. On the heels of this terrible and inauspicious arrival is another newcomer to the asylum, Dr. Constance Sedgwick. A promising but inexperienced psychiatrist, Dr. Sedgwick accepts a position on Dr. Edwardes' staff to learn at the feet of the great man. But she arrives to discover that Dr. Edwardes has taken a leave of absence to calm his nerves, and it does not take her long to discover that the house is hardly in order. It is probably evident from just that short description that this work has much to say about madness, power and terror. What is interesting is the two very different paths taken by two very different artists-Beeding and Hitchcock-to best give life to these ideas. Hitchcock, as any fan of Spellbound knows, borrowed heavily from Freudian psychoanalysis and its emphasis on dreams, repression and desire. Salvador Dali's surrealistic interpolations serve as vivid illustrations of the irrational throughout the movie. Beeding, however, owes less to Freud, displaying much closer affinities with the brooding, psychological landscapes of the Gothic novels of the eighteenth and nineteenth centuries, especially Emily Bronte's masterpiece 'Wuthering Heights'. The result is a compelling work-part mystery, part modern gothic. 'The House of Dr. Edwardes' is a gripping novel that continues to provoke and inspire readers and artists alike

    Beautiful and talented, Harriet will gain the affections of many of the men and women she meets and a bright future seems assured for her.But there is something strange about Harriet. Everyone she gets close to seems to sicken or die. Doctor Phillips has a theory: the blood of the vampire flows through Harriet's veins, and she is draining the life out of those she loves. Are the misfortunes that seem to follow Harriet merely coincidence? Or is she really afflicted with the curse of the vampire?One of the strangest novels by the prolific Florence Marryat (1837-1899), "The Blood of the Vampire" was the "other vampire novel" of 1897, appearing the same year as "Dracula." Marryat's novel is fascinating not only for its sensational plot and bizarre characters, but also because of its engagement with many of the issues that haunted the late Victorian imagination, such as race, heredity, women's roles, Spiritualism, and the occult. This edition includes the unabridged text of the exceedingly rare 1897 first edition and a new introduction by Brenda Hammack.

    We promise. Your dreams will come true. Everything you've ever wanted, we have it. This is a chance of a lifetime. Come inside. Switch with us.Angela and Terry return home after several grueling months of filming the popular television show, LET'S SWITCH HOUSES!, only to find their residence in ruin. Sure, the décor and framed photographs are the same; the color of the walls hasn't changed; the furniture sits unmoved. But something is off. Their quiet New Jersey home feels tainted. Angela can sense it. Crawling inside her. Infecting her mind. Poisoning her thoughts.Then the nightmares begin. Awful, lucid visions that cause her to question her own reality. What happened at 44 Trenton Road while she was gone? Just what did she do, that bizarre woman who claims she can communicate with the beyond? Who is she exactly? Angela aims to find out, but the further she investigates, the deeper into madness she descends. How far will she travel before she loses the trail of clues? Or worse—before she loses her mind.THE SWITCH HOUSE is a short novel for fans of supernatural thrillers with a dark twist.

    Built for his family by a 19th-century politician of impeccable rectitude, the house has kept its terrible secrets and its darkness sealed within its walls. For a hundred years, the townspeople of Alvina have prayed that the darkness inside Wild Fell would stay there, locked away from the light. Jameson Browning, a man well acquainted with suffering, has purchased Wild Fell with the intention of beginning a new life, of letting in the light. But what waits for him at the house is devoted to its darkness and guards it jealously. It has been waiting for Jameson his whole life - or even longer. And now, at long last, it has found him!

     In less than 24 hours Nate Merritt loses his job, his girlfriend, and his estranged Aunt Edna. But after Edna’s will bequeaths him a historic mansion deep in the backwoods of Louisiana, Nate hatches a daring plan: he’ll renovate the house and flip it for a tidy profit. The fact that Nate doesn’t know anything about home improvement doesn’t deter him at all. Too bad Nate doesn’t realize the mansion in question happens to be haunted. And the ghost who lives there might not be so indiscriminate about Nate’s ability. Humorous and irreverent, The House That Jack Built is a story of learning how to move on into the next chapter of life—as well as a tribute to every disastrous renovation ever attempted by a homeowner. And ghosts. Don’t forget the ghosts.

    She is surprised to find the solution to her problem has been right next to her all along.It's the Fourth of July and more than one kind of fireworks are going to explode.

    Do not expect the "usual" tale filled with blood running down the walls, demons jumping out of closets, heads pivoting while spewing pea soup or seances with levitating mediums. Instead, the horror that lived in the House in the Country began slowly and quietly. It gradually built in intensity until living there became unbearable.The author's family, normal by any criteria, began to earn an unfair reputation as "devil worshipers" and "kooks". Despite efforts by various psychics and clergymen to ease the pressure, the house eventually won. When emotional and psychic shocks turned to physical threats, it became impossible to stay. The book attempts, in diary form, to trace the trajectory of the "haunting".

    Desperate to avoid reliving the traumatic memories of his father’s death, Ryan begs for a way out.Fortunately, Grandma Wendy's best friend Dot offers to keep the siblings for the afternoon, and despite her misgivings Lisa agrees to let the old woman take them. But as all three Campbells soon discover, Dot isn’t the sweet lady she appears to be. She’s bent on revenge for her own traumatic memories—and has all the powers of hell at her command to get it.Author's note: The Witch is a novel for adults, and contains brutality, bloody violence, death, explicit language, sexual innuendo, children in peril,and terror.

    Violet is obsessed with the books of fairy tales her husband acquires, but her growing delusions see her confined in an asylum. As she recovers and is released a terrifying series of events is unleashed.

    But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

    Since his mother’s disappearance and his father’s suicide, Thomas has cared for his three brothers—conjoined triplets with separate bodies but one shared brain—and the town’s only industry, the Mill.Because of his family’s prominence, Thomas is feared and respected by the superstitious swamp folk. Granny witches cast hexes while Thomas’s childhood sweetheart drifts through his life like a vengeful ghost and his best friend, a reverend suffering from the power of tongues, is overcome with this curse as he tries to warn of impending menace. All Thomas learns is that “the carnival is coming.”Torn by responsibility and rage, Thomas must face his tormented past as well as the mysterious forces surging toward the town he loves and despises.

    Within its walls she discovers an unfinished manuscript written by the house's former tenant--an anthropologist obsessed with the ancient oak growing on a desolate corner of the property.Tied to local legends of supernatural magic, as well as documented accidents and murders, the gnarled tree takes root in Sarah's imagination, prompting her to write her own account of its unsavory history.And as the oak continues to possess her dreams and nearly almost all her waking thoughts, Sarah risks her health and her sanity to unearth a revelation planted centuries ago...

    A story of friendship set in nineteenth-century China follows an elderly woman and her companion as they communicate their hopes dreams joys and tragedies through a unique secret language

    Lovecraft. Although "Shadows Over Innsmouth" includes the said novella, the book is a collection of Innsmouth-related stories by a number of later authors and not a single story or novel. You might also consider moving your personal rating and/or review to the appropriate page if you have read only the novella. SEVENTEEN CHILLING STORIES, INCLUDING THE ORIGINAL MASTERPIECE OF HORROR: “THE SHADOW OVER INNSMOUTH” by H. P. LovecraftInspired by H. P. Lovecraft’s classic, today’s masters of horror take up their pens and turn once more to that decayed, forsaken New England fishing village with its sparkling treasure, loathsome denizens, and unspeakable evil. “ONLY THE END OF THE WORLD AGAIN” by Neil Gaiman: The community of Innsmouth performs a blood sacrifice–with shocking, terrifying results.“THE CHURCH IN HIGH STREET” by Ramsey Campbell: In the crypt of a derelict church, a sensible young man meets a bestial, unthinkable fate. “INNSMOUTH GOLD” by David Sutton: An adventurer searches for buried treasure–and discovers a slithering hell on earth.“THE BIG FISH” by Jack Yeovil: A few months after Pearl Harbor, a mobster and his floating casino lie under water, teeming with the stuff of nightmares.AND THIRTEEN MORE TERRIFYING TALES!

    Lily is gone and her twins, Miranda and Eliot, and her husband, the gentle Luc, mourn her absence with unspoken intensity. All is not well with the house, either, which creaks and grumbles and malignly confuses visitors in its mazy rooms, forcing winter apples in the garden when the branches should be bare. Generations of women inhabit its walls. And Miranda, with her new appetite for chalk and her keen sense for spirits, is more attuned to them than she is to her brother and father. She is leaving them slowly -Slipping away from them -And when one dark night she vanishes entirely, the survivors are left to tell her story."Miri I conjure you "This is a spine-tingling tale that has Gothic roots but an utterly modern sensibility. Told by a quartet of crystalline voices, it is electrifying in its expression of myth and memory, loss and magic, fear and love.