Rarely do they even leave their own rooms, in which all of their needs are met by the Machine. The Machine allows the humans to communicate "ideas" with one another, which is essentially their only activity. It doesn't stop them from leaving their rooms, but they have little desire to do so anyway. They've started to believe the Machine is omnipotent and omniscient, not to be questioned. And when it begins to malfunction, they trust that it knows what it's doing--forgetting they invented it in the first place . . .From the author of A Passage to India, A Room with a View, and other classic novels, and a sixteen-time nominee for the Nobel Prize in Literature, this remarkable science fiction story, which was included in a Science Fiction Hall of Fame anthology, was published in 1909--yet becomes more relevant and thought-provoking with each passing day of the twenty-first century.

    The kits were designed for use withlanguage arts students in 6th grade through adult levels. Students follow along on word-for-wordscripts as they listen to the recorded audio drama with full casts and sound effects. The highinterest audio production promotes enthusiastic responses from students. When used as whole-class read-along, the kits solve the age-old problem of some students not reading the assignment.Read-Along Radio Dramas may be used with all language arts areas and ability levels (English,reading, drama, ESL, special education, etc.) to improve reading, writing, listening andvisualization skills.Each kit includes:A cassette recording, a word-for-word script with duplication rights, seven or more studentactivity sheets, discussion/writing questions, answer keys, a literary terms study packet, specificteaching suggestions for the story title, strategies for teaching read-along in the secondaryclassroom, an annotated script of the original story (when major changes are made in theadaptation), and a sample lesson plan.Common classroom uses:Whole-class literature study.Learning Stations -- Individual (home school for instance) or small group activities.Models for writing and producing classroom plays.Emergency Lesson Plans -- When teacher is absent, students are engaged in appropriate activities. RELATED TITLES"The Monkey's Paw" by W. W. Jacobs"The Black Cat" by Edgar Allan Poe"Cask of Amontillado" by Edgar Allan Poe"Hop-Frog" by Edgar Allan Poe"Tell-Tale Heart" by Edgar Allan Poe"Pit & Pendulum" by Edgar Allan Poe [A Reading]"Love of Life" by Jack London"Ransom of Red Chief" by O. Henry"Lady or Tiger" by Frank Stockton [A reading]"The Last Leaf" by O. Henry"The Celebrated Jumping Frog of Calaveras County" by Mark Twain"The Strange Orchid" by H.G. Wells"The Necklace" by Guy de Maupassant"Horseman in the Sky" by Ambrose Bierce"Chickamauga" by Ambrose Bierce [A Reading]"Headfirst" by Dennis Rhodus"The Long Night" by Lowell D. Blanton"Traffic Incident" by Roger Rittner"After the Battle" by Joseph Altsheler"The Matemaker" by Dennis Rhodus"Heat Lightning" by Robert F. Carroll"The Perfect Touch" by Eli GlassTheatre of the Mind, Writing and Producing Radio Dramas in the Classroom by Don Kisner.Tell-Tale Heart (a Read-Along Radio Drama)Edgar Allan Poe, Don Kisner (Editor)

    

    News From Nowhere, one of the most significant English works on the theme of utopia, is the tale of William Guest, a Victorian who wakes one morning to find himself in the year 2102 and discovers a society that has changed beyond recognition into a pastoral paradise, in which all people live in blissful equality and contentment. A socialist masterpiece, News From Nowhere is a vision of a future free from capitalism, isolation and industrialisation. This volume also contains a wide selection of Morris's writings, lectures, journalism and letters, which expand upon the key themes of News From Nowhere.

    The philosophy of La Rochefoucauld, which influenced French intellectuals as diverse as Voltaire and the Jansenists, is captured here in more than 600 penetrating and pithy aphorisms.

    It further develops themes explored by the author in a previous work, "By His Bootstraps", published some 18 years earlier.

    Invited to the family seat--Pendragon Castle in North Wales--Batky receives a mysterious phone call warning him not to go; but he does and finds himself in a bizarre world of mysticism, romance, animal experimentation, and planned murder. His quest to solve the central mystery takes him down strange byways--old libraries and warehouse cellars, Welsh mountains, and underground tombs.

    More than a tale of possession, the novel probes disturbing depths of guilt, paranoia, and sexual obsession with an unsparing detachment.

    Like all his work, it is valuable for far more than just its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed and experienced.

    A crowd of onlookers gathered around a slave driver. The wondrous plenty of banquets where flamingos are roasted whole and wine flows like rivers. The silence of the baths and the boisterous taverns . . . Many books have dealt with the history of ancient Rome, but none has been able to bring its readers so near to daily life in the Imperial capital. This extraordinary voyage of exploration, guided by Alberto Angela with the charm of a born story- teller, lasts twenty- four hours, beginning at dawn on an ordinary day in the year 115 A.D., with Imperial Rome at the height of its power. The reader wakes in a rich patrician home and discovers frescoes, opulent furnishings and richly appointed boudoirs. Strolling though the splendors of the Roman Forum, one overhears both erudite opinions from learned orators and local ribaldry floating out from the public latrines. One meets the intense gazes of Roman matriarchs strolling the streets, looks on as a banquet is prepared, and is afforded a peek into the sexual habits and fetishes of Roman patricians and plebs. For all those who have ever dreamed of traveling back in time, Alberto Angela's narrative style will come as a welcome change to dry historical tomes. Rich in atmosphere and historical information, A Day in Ancient Rome is a voyage into a world both distant to us in time and surprisingly near in its habits, mores, and passions.

    The mythic legacy of the Scandinavians includes a cycle of stories filled with magnificent images from pre-Christian Europe. Gods, humans, and monstrous beasts engage in prodigious drinking bouts, contests of strength, greedy schemes for gold, and lusty encounters. The Norse pantheon includes Odin, the wisest and most fearsome of the gods; Thor, the thundering powerhouse; and the exquisite, magic-wielding Freyja. Their loves, wars, and adventures take us through worlds both mortal and divine, culminating in a blazing doomsday for gods and humans alike. These stories bear witness to the courage, passion, and boundless spirit that were hallmarks of the Norse world.“Kevin Crossley-Holland retells the Norse myths in clear, attractive prose . . . An excellent introduction, notes, and a glossary provide mythological and historical backgrounds and suggest parallels with myths in other parts of the world.”–The Denver Post

    Fotheringay were of a severe but confused description. So far, he could see it was a case of pure willing with him. The nature of his experiences so far disinclined him for any further experiments, at least until he had reconsidered them. But he lifted a sheet of paper, and turned a glass of water pink and then green, and he created a snail, which he miraculously annihilated, and got himself a miraculous new tooth-brush."

    But so profound is this evening between them that when Unn inexplicably disappears, Siss's world is shattered. The Ice Palace is written in prose of a lyrical economy that ranks among the most memorable achievements of modern literature.

    She could neither read nor write, and she was the reviled victim in a public rape trial, rejected by her father, and later abandoned by her husband. Nevertheless, she was one of the first women in modern times to uphold through her work and deeds the right of women to pursue careers compatible with their talents and on an equal footing with men. This edition features a new introduction by the celebrated critic and writer Susan Sontag. Anna Banti, the pen name of Lucia Lopresti, was born in Florence in 1895. Trained as an art historian, she turned to novels, stories, and autobiographical prose in the 1930s. Artemisia, her second novel, published in 1947, is the most acclaimed of the sixteen works of fiction she published during her long life, and is considered a classic of twentieth century Italian literature. Her last, harrowingly confessional novel, A Piercing Cry (Un grido lacerante), appeared in 1981. Banti also wrote art criticism and monographs on painters (Lorenzo Lotto, Fra Angelico, Velázquez, Monet), literary criticism and film reviews, and translated novels by Thackery, Colette, Alain Fournier, and Virginia Woolf. She died in Ronchi di Massa (Tuscanny) in 1985.