Christian and Muslim scriptures provide evidence about this journey.

    The Making of Exile hopes to redress this, by turning a spotlight on the specific narratives of the Sindhi Hindu community. Post-Partition, Sindh was relatively free of the inter-communal violence witnessed in Punjab, Bengal and other parts of north India. Consequently, in the first few months of Pakistan's early life, Sindhi Hindus did not migrate and remained the most significant minority in West Pakistan. Starting with the announcement of the Partition of India, The Making of Exile firmly traces the experiences of the community - that went from being a small but powerful minority to becoming the target of communal discrimination, practiced by both the state as well as sections of Pakistani society. This climate of communal antipathy threw into sharp relief the help and sympathy extended to Sindhi Hindus by other Pakistani Muslims, both Sindhi and muhajir. Finally, it was when they became victims of the Karachi pogrom of January 1948 that Sindhi Hindus felt compelled to migrate to India.The second segment of the book examines the resettlement of the community in India - their first brush with squalid refugee camps, their struggle to make sense of rapidly changing governmental policies and the spirit of determination and enterprise with which they rehabilitated themselves in their new homeland. Yet, not all Sindhi Hindus chose to migrate and the specific challenges of those who stayed on in Sindh, as well as the difficulties faced by Sindhi Muslims after the formation of Pakistan, have been sensitively documented in the final chapters. Weaving in a variety of narratives - diary entries and memoirs, press reportage, letters to editors and, advertisements, legends and poetry, dozens of interviews and a wealth of academic literature - Nandita Bhavnani's The Making of Exile is one of the most comprehensive and multifaceted studies of the Sindhi experience of Partition.

    The trilogy is the story of growing up in India. It traces Apu´s growth from childhood - cruelly poor but brightened by a passion for creativity and learning - to battered maturity. This 50th Anniversary volume, containing a foreword and working sketches by Ray presents the first authorized publication of these scripts in their entirety along with extensive interviews with Ray himself. Fresh material special to this edition includes an expansive interview with Ray by Shyam Benegal, himself a leading filmmaker with several award winning films to his credit. In the interaction between the two directors, Ray talks about early influences, the experience of making the Apu Trilogy, the importance of music and the portrayal of women in his film as well as other aspects of his craft. This edition also includes a complete filmography.

    The fragile peace between the two powers is threatened when Balaji Vishvanath Bhat, Peshwa of the Confederacy, foils the plans of Nizam Ul Mulk of the Mughal Empire, and asserts the power of the Marathas. However, little does the Peshwa know that he has dealt the Nizam an unintended wound—one with roots in his mysterious past and one that he would seek to avenge till his last breath.When the Peshwa surrenders his life to a terminal illness dark clouds gather over the Confederacy as it is threatened by a Mughal invasion as well as an internal rebellion.All the while a passive spectator, the Peshwa’s son, Bajirao Bhat, now needs to rise beyond the grief of his father’s passing, his scant military and administrative experience, and his intense love for his wife and newborn son to rescue everything he holds dear. Will the young man be able to protect the Confederacy from internal strife and crush the armies of the Empire all while battling inner demons? Will he live up to his title of Peshwa?

    These lines were composed by Mohsin Kakorvi, an Urdu poet, to celebrate not Lord Krishna's birthday but that of the Prophet Muhammad. Awadh, the author's birthplace, was steeped in this exquisite confluence of cultures. Sadly, this glorious tradition has been systematically destroyed over the past century. In many ways, Awadh stood for everything that independent India could have become, a land in which people of different faiths co-existed peacefully and created a culture that drew upon the best that each community had to offer. Instead, what we have today is a pale shadow of the harmony that once existed. Everywhere there are incidents of sectarian murder, communal propaganda and divisive politics. And there seems to be no stopping the forces that are destroying the country. In this remarkable book, which is partly a memoir and partly an exploration of the various deliberate and inadvertent acts that have contributed to the othering of the 180 million Muslims in India, Saeed Naqvi looks at how the divisions between Muslims and Hindus began in the modern era. The British were the first to exploit these divisions between the communities in the nineteenth and twentieth centuries. In the run-up to Independence, and its immediate aftermath, some of India's greatest leaders including Mahatma Gandhi, Jawaharlal Nehru, Vallabhbhai Patel, and others only served to drive the communities further apart. Successive governments, whether formed by the Congress or BJP, compounded the problem by failing to prevent (if not actively supporting) tragic events like communal riots in Gujarat (1969 and 2002), Bombay (1992, 1993), Muzaffarnagar (2013), the breaking of the Babri Masjid (1992) and so on. As a reporter, and editor, Naqvi covered all these events (with the exception of Partition), and in the book he shows us, with acuity and insight, how each of these resulted in the shaping of the discontent of the Muslim in India. Thought-provoking and troubling, Being the Other is essential reading for all those interested in understanding the forces that have shaped contemporary Indian society.

    On the night of November 26, Lashkar-e-Toiba terrorists attacked targets throughout the city, including the Taj Mahal Palace Hotel, one of the world’s most exclusive luxury hotels. For sixty-eight hours, hundreds were held hostage as shots rang out and an enormous fire raged. When the smoke cleared, thirty-one people were dead and many more had been injured. Only the courageous actions of staff and guests—including Mallika Jagad, Bob Nichols, and Taj general manager Binny Kang—prevented a much higher death toll.With a deep understanding of the region and its politics and a narrative flair reminiscent of Midnight in Peking, journalists Cathy Scott-Clark and Adrian Levy vividly unfold the tragic events in a real-life thriller filled with suspense, tragedy, history, and heroism.

    These photographs were captured during a road trip from Manali to Leh, one of the most challenging drives in the world. The photographs are accompanied by a short description of the place where they were clicked and have been arranged in the order they were clicked so as to give the reader a realistic idea of how the landscape changes during the journey from Manali to Leh.

    Jeo and Mikal are foster brothers from a small town in Pakistan. Though they were inseparable as children, their adult lives have diverged: Jeo is a dedicated medical student, married a year; Mikal has been a vagabond since he was fifteen, in love with a woman he can’t have. But when Jeo decides to sneak across the border into Afghanistan—not to fight with the Taliban against the Americans, rather to help care for wounded civilians—Mikal determines to go with him, to protect him. Yet Jeo’s and Mikal’s good intentions cannot keep them out of harm’s way. As the narrative takes us from the wilds of Afghanistan to the heart of the family left behind—their blind father, haunted by the death of his wife and by the mistakes he may have made in the name of Islam and nationhood; Mikal’s beloved brother and sister-in-law; Jeo’s wife, whose increasing resolve helps keep the household running, and her superstitious mother—we see all of these lives upended by the turmoil of war. In language as lyrical as it is piercing, in scenes at once beautiful and harrowing, The Blind Man’s Garden unflinchingly describes a crucially contemporary yet timeless world in which the line between enemy and ally is indistinct, and where the desire to return home burns brightest of all.

    Ali's target is none other than General Zia ul-Haq, dictator of Pakistan. Enlisting a rag-tag group of conspirators, including his cologne-bathed roommate, a hash-smoking American lieutenant, and a mango-besotted crow, Ali sets his elaborate plan in motion. There's only one problem: the line of would-be Zia assassins is longer than he could have possibly known.

     If there is a paradise on earth, it is definitely here, here and only here," said the early seventeenth-century Mughal Emperor Jehangir when describing the Kashmir Valley. But for nearly twenty years this delicate mountain region has been torn by a brutal conflict that has pitched idealism against Islamist militancy and military crackdown. In the tradition of Ryszard Kapuscinski, this is an intimate story told by the author, journalist, and aid worker Justine Hardy. Having lived and worked in Kashmir for many years, she draws the reader beyond the headlines into the world of In the Valley of Mist. A family portrait, the book describes a unique and gentle culture that has been shattered by the impact of insurgency, repression, and Islamic extremism in a place once famous for the warmth between its Hindu and Muslim residents. "If you want people to know do not tell stories that will make them hold their breath like in a made-up film. Tell them the truth. It is strong enough," she was told when she asked permission of her Kashmiri friends to tell this story. Revealing and disturbing, In the Valley of Mist paints Kashmir as the template for the changing face of Islam.

    They moved to America as young boys and helped tame the Wild West with not only their fists, but impeccable manners! In all that time, they kept hearing bits and pieces of a tale their mother told them. Over the years however, not to mention the loss of their mother, they lost most of the story and could only remember one major detail. A crocodile. Oh, and their third cousin the earl of course, who later became a duke, and whose duchy eventually fell to Duncan – but that’s another tale. This tale is something else entirely …Anthony Sayer had toiled for the East India Company for many years and after the death of his father was more than happy to return to England once and for all. Unfortunately, the Company had other ideas for Anthony, ones he wasn’t too thrilled to take on. Little did he know he’d be taking on so much more.Isabelle Bainbridge – better known as Isabelle Painbridge (or Hurricane Isabelle, depending on which circles one ran in) had given up any hopes of marriage. At twenty-six she was considered “on the shelf” by most of the ton and began to despair of ever finding a husband. Enter one Anthony Sayer. He was handsome, an earl and, better yet, available! But when a diary is delivered to her, its secrets turn Isabelle’s life upside down. Wishing to escape the horrible truths of the diary, she heads for India hoping to escape the scandal that will surely follow should anyone learn the book’s secrets. Unfortunately she runs into something else while abroad. Namely, one Anthony Sayer. And he isn’t exactly glad to see her. After all, Anthony has secrets of his own ...Enjoy this clean and wholesome romance full of fun, adventure, and a few critters to boot!

    It was nothing. These things happened. ‘But these things haven’t happened before. It’s August 1947, the night before India’s independence. It is also the night before Pakistan’s creation and the brutal Partition of the two countries.Asha, a Hindu in a newly Muslim land, must flee to safety. She carries with her a secret she has kept even from Firoze, her Muslim lover, but Firoze must remain in Pakistan, and increasing tensions between the two countries mean the couple can never reunite.Fifty years later in New York, Asha’s Indian granddaughter falls in love with a Pakistani, and Asha and Firoze, meeting again at last, are faced with one more – final – choice.Spanning continents and generations, Where the River Parts is an epic tale of love, loss and longing.Advance Praise for Where the River Parts:‘A perceptive story of love swept aside by history, packed with insight, compassion and piercing detail.’-Isabelle Grey, Author of Good Girls Don’t Die‘A heartbreaking story ... on a chapter of South Asian history that has often been deemed too painful to be explored fully.’-Nayomi Munaweera, Author of Island of 1000 Mirrors

    Brown teases common threads in the complex world of organized religion from the tangled mass of religious misdirection. An earnest search for truth, this text unveils both the corruptions and commonalities of Judaism, Christianity, and Islam to fill the current void of intellectual discourse on the subject. For those readers who are intrigued but skeptical of organized religion, especially strict, literal interpretation of the Bible, this book articulates many of the questions readers have about religion, and poses others of its own. It provides a comprehensive, historically based analysis of documents, traditions and institutions. The central theme is to examine Judaism, Christianity, and Islam for truth in revelation, and trace the chain of revelation to its logical conclusion. Solicitous and precise, this text captures the essence of what it means to be a person of God.

    Reconciliation: Islam, Democracy, and the West

    Other key elements of the book will include:A careful account of Obama’s decision-making process as the raid was plannedThe fascinating story of a group of CIA analysts—largely women—who never gave up assembling the tiniest clues about OBL’s whereaboutsThe untold and action-packed history of the Joint Special Operations Command (JSOC) and the SEALsAn analysis of what the death of OBL means for al Qaeda, and for Obama’s legacy. Just as Too Big to Fail captured, in riveting detail, the anatomy of this decade’s financial disaster, so too is Manhunt one of the key stories of this decade: the authoritative, immersive account of the operation that killed the man who organized the largest mass murder in American history.