J. M. Blaut persuasively argues that this doctrine is not grounded in the facts of history and geography, but in the ideology of colonialism. Blaut traces the colonizer's model of the world from its 16th-century origins to its present form in theories of economic development, modernization, and new world order.

    supplanted Great Britain as the preeminent power in the Middle EastWe usually assume that Arab nationalism brought about the end of the British Empire in the Middle East-that Gamal Abdel Nasser and other Arab leaders led popular uprisings against colonial rule that forced the overstretched British from the region.In Lords of the Desert, historian James Barr draws on newly declassified archives to argue instead that the United States was the driving force behind the British exit. Though the two nations were allies, they found themselves at odds over just about every question, from who owned Saudi Arabia's oil to who should control the Suez Canal. Encouraging and exploiting widespread opposition to the British, the U.S. intrigued its way to power-ultimately becoming as resented as the British had been. As Barr shows, it is impossible to understand the region today without first grappling with this little-known prehistory.

    The long Chinese Civil War precipitated a long regional war between China and Japan that went global in 1941 when the Chinese found themselves fighting a civil war within a regional war within an overarching global war. The global war that consumed Western attentions resulted from Japan's peripheral strategy to cut foreign aid to China by attacking Pearl Harbor and Western interests throughout the Pacific on December 7-8, 1941. S. C. M. Paine emphasizes the fears and ambitions of Japan, China, and Russia, and the pivotal decisions that set them on a collision course in the 1920s and 1930s. The resulting wars - the Chinese Civil War (1911-1949), the Second Sino-Japanese War (1931-1945), and World War II (1939-1945) - together yielded a viscerally anti-Japanese and unified Communist China, the still-angry rising power of the early twenty-first century. While these events are history in the West, they live on in Japan and especially China.

    It is a world erupting with new money and new power, changing so fast it breaks all sense of reality, home to a form of dictatorship-far subtler than twentieth-century strains-that is rapidly rising to challenge the West.When British producer Peter Pomerantsev plunges into the booming Russian TV industry, he gains access to every nook and corrupt cranny of the country. He is brought to smoky rooms for meetings with propaganda gurus running the nerve-center of the Russian media machine, and visits Siberian mafia-towns and the salons of the international super-rich in London and the US. As the Putin regime becomes more aggressive, Pomerantsev finds himself drawn further into the system.Dazzling yet piercingly insightful, Nothing Is True and Everything Is Possible is an unforgettable voyage into a country spinning from decadence into madness.