Vincent and Julie. Leo and Deirdre. Three young couples doing their best to keep the magic alive amid the nappies, bills and dirty dishes in recession-hit Dublin. When each of these husbands decides that he deserves a man cave — a space where he can get away from it all and be alone with his toys — simmering tensions come to the boil. A heartfelt comic novel about the trials of modern marriage. It's about compromise. It's about respect. It's about resisting the urge to murder your partner while they sleep.

    Fleeing her fanatical republican family, Molly O’Dowd arrives nearly penniless in London at the end of the nineteenth century. Plunged into the world of East End gambling houses and brothels, Molly invests what little money she has in a typing course, her only way out. This investment will lead her on the path to establishing herself as a woman of power and means.From the rough-and-tumble world of the London docks to the luxurious hotels and restaurants of the fashionable West End, Molly captures the temper of the times – the unrest of the labouring classes, the courage of the suffragette movement, the ravages of the First World War. Molly wins and loses in the tempestuous world of the capital but her energy and determination never flag and tides change when she meets a man who could match her in business… and in love. This rags-to-riches historical romance is perfect for fans of Lily Graham, Natalie Meg Evans and Fiona McIntosh.

    He had been savagely beaten to death with a baseball bat and brick while his children slept nearby. For his sister, Tracey Corbett-Lynch, and the rest of his family in Ireland it was just the beginning of the nightmare that would involve a custody battle for his orphaned children, an online hate campaign by Molly Martens and, ultimately, the gripping trial that would lead to her conviction, alongside her father, for his murder.My Brother Jason is the story of how this seemingly all-American girl from a picture-perfect family targeted the widowed Jason Corbett, becoming nanny to his children in a desperate bid to create the family and security she craved, thus setting in motion a series of events that would lead to Jason’s brutal killing by the woman he had once loved.Here, for the first time, Tracey Corbett-Lynch tells her family’s side of the story in a book that contains shocking revelations about Molly Marten’s history of strange behaviour and the lengths she was willing to go to in order to get custody of Jason’s children.With full access to Jason’s letters, emails, keepsakes and photographs, it is the story of how an ordinary, loving family was torn apart by the brutal murder of their beloved brother.

    Here parody does not exclude the cri de coeur any more than seriousness excludes the joke. With surrealist volatility, these poems are the result of experiments that continue for the reader during each reading. Young moves from reworkings of creation myths, the index of the Norton Anthology of Poetry, pseudo reports and memos, collaged biographies, talking clouds, and worms, to memory, mourning, sexual playfulness, and deep sadness in the course of this turbulent book.

    The paintings are in brilliant color and each features the Japanese parasol.Matsuo Basho (1644 - 1694) was born Matsuo Kinsaku during the early Edo period in Japan. During his lifetime, Basho was recognized for his work in a poetic form that was a precursor to the haiku. Over the course of time, Basho became recognized as an unparalleled master of the haiku. His work is internationally renowned, and his poems are reproduced at many historical sites in Japan.

    For the past eleven years, which is as far back as he can remember, O'Leary has been sustained by two people: his girlfriend, Mary, traumatized by O'Leary's neuroses, and Nancy Valentine, author of "Ill Fares the Land." Her memoir of an idyllic childhood in Kilbrack ends as she returns to the village after inexplicable banishment and finds it abandoned.Now Mary has left him, and O'Leary finds himself homeless and laboring under an ill-starred fate. With his treasured copy of "Ill Fares the Land," he arrives in the dilapidated village of Kilbrack and finds it hasn't been abandoned at all: thin old Downey, the pharmacist, is still dispensing medicines and advice; Nellie Maguire is still languishing in her pub; and stout Mrs. Cuthbert, still frenzied, arranges for O'Leary to marry her daughter, who has vowed to become a nun.What has happened to Kilbrack? O'Leary's coming will change everything, but in a manner no one -- in his right mind -- could foretell.

    The volume features poems from Duhamel's five previous collections, which include Smile!, The Star-Spangled Banner and Girl Soldier.

    Born in 1778, Robert Emmet, the youngest son of the State Physician of Ireland, has grown up in the heart of a prosperous and loving family, one of the most respected in Dublin city. From his parents he acquired a deep love of Ireland and a commitment to justice. From his brother Thomas he acquired an understanding of the divisions and inequalities of his country. In the historic year of 1798 Robert’s life changed from its charted course to one of rebellion. A brilliant student at Trinity, he casts aside all hopes of a scientific career, all the privileges of his class, to join the United Irishmen – a society dedicated to the union of Protestant and Catholic. But the men in Dublin Castle determined on the continuance of English rule, force him to flee to France. But even as his boat sails away from his beloved homeland, he looks back and knows he will return – to the cause of his country’s liberty, and to the beautiful girl he has fallen in love with, Sarah Curran, the daughter of Ireland’s most talented lawyer. He returns – and meets Anne Devlin, a passionate and brave Catholic country girl, who becomes his most devoted companion. Set against the background of the beauty of Ireland, the dark clouds of its past, as well as the humour and dreams of its people, this is a passionate and powerful true story of three young people, Robert Emmet, Anne Devlin, and Sarah Curran, drawn together in love, in hope, and tragedy.

    Not for the first time, the collapse of the Catholic Church in Ireland brings to mind the fall of another powerful ideology--East German communism. While Germans are engaging earnestly with their past, Scally sees nothing comparable going on in his native land. So he embarks on a quest to unravel the tight hold the Church had on the Irish.He travels the length and breadth of Ireland and across Europe, going to Masses, novenas, shrines, and seminaries, talking to those who have abandoned the Church and those who have held on, to survivors and campaigners, to writers, historians, psychologists, and many more. And he has probing and revealing encounters with Vatican officials, priests, and religious along the way.The Best Catholics in the World is the remarkable result of his three-year journey. With wit, wisdom, and compassion, Scally gives voice and definition to the murky and difficult questions that face a society coming to terms with its troubling past. It is both a lively personal odyssey and a resonant and gripping work of reporting that is a major contribution to the story of Ireland.

    Included here are many of Galway Kinnell’s best-loved and most anthologized poems. Kinnell has revised some of the poems for this new edition, and comments on his working method in a prefatory note.

    Initially conceived as a response to the 'austerity measures' implemented by the coalition government in 2011, the poems quickly began taking on a life in kind: 'cutting' themselves on levels of sentiment, structure and even subject matter. Not content to merely build a series of freethinking poems, these remarkable pieces seem eagerly and mischievously to analyze their moment of creation, then weigh their worth, then consign their excess to the recycling bin thereafter. Experience is speedy, the poems seem to say, so dizzyingly fast that the poetry will inevitably be running to catch up - often arriving at a scene the moment after the moment has gone. The effect is as funny and it is startling, beguiling as it is surprising, and makes 81 Austerities a vivid reminder that deprivation, as Leonard Cohen put it, can be the mother of poetry.

    My heart is broken and my failure is total.A bomb is born, lives and dies in a rural secondary school; Ireland becomes a dumping ground for corpses; one family’s genealogy begins in tragedy in 1574 and ends in something far worse in 2111; a strange tribal matriarchy on the banks of the River Boyne is threatened with extermination.Over the course of these stories, the world breaks down in an endless cycle of hunger, desperation, violence and domination, and we find a humanity left tender, collapsed, and full of a beautiful, primeval innocence.Fagan’s raw blend of verve, humour, imagination and warmth surges through these pages, revealing a world rendered both hopeful and disturbing, human and other, that is at once familiar and extraordinary.

    Each of these tiny stories was inspired by an event, an overheard conversation, a piece of art or just a fleeting glance of something worth thinking about further.Collected in one volume, Carson's postcards present a panoramic view of contemporary Belfast -- its coffee shops, streets and museums and airports -- and offer it to the wider world. Even as they seem to spring from a writer's solitary perspective, taken together, these observations and their distribution speak of human connectedness. Like a pleasant surprise in the mail, this collection reminds us how many friendships are born and strengthened in a story shared.Illustrated by Benjamin Phillips.

    Anthony Cronin’s account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin’s years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.

    Highly recommended."—Library Journal"Intimate and hypnotic."—Ploughshares"Levin has the skilled ear, magnificent tongue, and fierce mind of the truly prophetic."—Rain Taxi"Levin's work is phenomenological; it details how it feels to be an embodied consciousness making its way through the world."—Boston Review"Death is the new and unshakeable lens through which I see," writes Dana Levin about her third book, in which she confronts mortality and loss in subjects ranging from Tibetan Buddhist burial practices to Aztec human sacrifice. Shaped by dreams and "the worms and the gods," these poems are a profound investigation of our inescapable fate. As Louise Glück has said: "Levin's animating fury goes back deeper into our linguistic and philosophic history: to Blake's tiger, to the iron judgments of the Old Testament."They took you in an ambulance even though you were dead,they took youand my sister saidWhy are you saving her if she is dead?     shey shey—Curve of sky a crescent blade.Vultures wheeling     on thermal parapets, shunyata,     void that flays—Yak butter,     barley flour and tea: you watch him     make the paste.Dana Levin's debut volume In the Surgical Theatre won the prestigious APR/Honickman First Book Prize. She teaches creative writing at the University of New Mexico and in the Warren Wilson College MFA Program. She lives in Santa Fe, New Mexico.