They are locked up in his store because of an earthquake and by morning he knows that he can’t let them both go. Elizabeth Donovan can’t believe that her baby is about to be born on Christmas Eve, and in a small alley behind a department store at that. When the owner rescues her and helps her bring her baby into the world, she knows that she has received a Christmas miracle in more ways than one. Christmas Bride - A Very Special Christmas Baby is part of the Brides For All Seasons series - a festive collection of historical holiday romance guaranteed to warm your heart and fill your season with romantic cheer. Buy it today and enjoy the timeless gift of love!

    Bob Dylan sings about a journey ‘all the way from New Orleans to Jerusalem…’ as way of apotheizing, scrutinizing, and recognizing the world we live in. Laura Scott is on the way.”—Alan Cheuse“A story as hot, sticky, and dangerous as Midnight in the Garden of Good and Evil, seen through an imagination as kaleidoscopic as Kelly Link's.”—Steve Himmer, The Bee-Loud Glade“Something hazy is happening in Fat City. Laura Ellen Scott dials up loads of laughs amid the local color and NOLA cuisine in this madcap romp of a novel where last wishes come true, Elvis is back under newly orange clouds, coffee cups are bottomless, and street punks wear capes.”—Richard Peabody, editor Gargoyle MagazineWhat if your most fervent wish could come true, and all you had to do was…die first. Recovering from a bitter divorce, middle-aged Victor Swaim wants nothing more than to live a carefree, drunken existence in New Orleans, making capes and corsets, and lusting for Pebbles, the girl who lives across the street.But, after a series of deathbed wishes come true—including the curing of cancer, the elimination of cats, the return of Elvis (1967 vintage), the clouds turning orange, mothers growing third eyes and cups of coffee becoming bottomless—the hysteria that grows around “Death Wishing” forces Victor into action. Along with his entrepreneurial son Val and his libertine friend Martine, Victor must battle the apocalyptics who have seduced Pebbles away from her true vocation of singing the blues (very badly) while at the same time confronting his mortal identity: just what would he wish for the world without him in it?

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    Little do they know, another occupant is lurking in the haven of their own home. Will the After House be their shelter or their tomb?

    In here you'll find Verne and Wells, Tolstoy and Checkov, Stevenson and Oliphant, Kipling, Twain, Haggard and Blavatsky alongside their hosts.Come, join us for dinner and a story: Robert Louis Stevenson - Wee Davie Makes a Friend Rudyard Kipling - The High Bungalow Leo Tolstoy - The Immortal Memory Bram Stoker - The House of the Dead Mark Twain - Once a Jackass Herbert George Wells - Farside Margaret Oliphant - To the Manor Born Oscar Wilde - The Angry Ghost Henry Rider Haggard - The Black Ziggurat Helena P Blavatsky - Born of Ether Henry James - The Scrimshaw Set Anton Checkov - At the Molenzki Junction Jules Verne - To the Moon and Beyond Arthur Conan Doyle - The Curious Affair on the Embankment Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths. Interview with the author:So what makes this short story collection so special?Meikle: I love the idea that all these famous writers knew each other, and met for a meal, a drink, a smoke and some storytelling in an old London club / bar setting. It chimes almost exactly with my own idea of a good time. It's special to me in that it's a culmination of the past half dozen or so years of writing. Before this collection there were the Carnacki stories, the Holmes stories, the Challenger stories, and the collaborations with M Wayne Miller in numerous deluxe hardcovers. THE GHOST CLUB feels like an endpiece to all of that, a last celebration of everything I love about the era and the storytellers. Plus it's the most ambitious piece of work I've undertaken in my writing so far, the cause of much worrying and fretting on my part, so seeing the lovely blurbs and comments from writers I have long admired makes it extra special to me.Why should horror fans give Victorian Terror a try?Meikle: It's where we come from. The Victorian era storytelling tradition was the launching point for horror, and also for crime fiction, for science fiction, for fantasy and for much of how we see the world today. It gave us Sherlock Holmes, Dr Jeckyll, Dracula, the Invisible Man, Captain Nemo, and all manner of ghosts, spooks and spectres that still fill our entertainment of choice today. It's my way of paying homage to that tradition. This is who I am.How did you choose which authors to use in this book?Meikle: Initially all I knew was that Doyle and Stoker were founder members of the club in London. Then I found out that Henry James was in London at the same time as them and it started to come together.

     A man wakes up in the Valley of Death and realizes he's given up everything, including his memories, to attempt to kill Death so that he can bring his wife back to life. But when he fails, who will be there to rescue him? The Hunter and the Valley of Death is a profound meditation on life, death, loss, and love. Formatted as a fantasy parable on the topic of surrender, this story shows that there is only One who could kill Death--and because of him, and him alone, we say, "Oh, Death, where is your sting?"

    A gripping, chilling collection of 47 stories and six poems, dating back to Shelley and Stevenson, but also including modern masters.

    Ghosts, ghouls, incubi: all have one thing in common. They know Booth for one of their own . . .

    It will also be the ideal place to finish his new book. But the bleak Fenn House is a lonely and sometimes uncomfortable place to spend the winter. And the strangest thing is that Theo's new novel seems to be writing itself - and heading in an unplanned direction. Theo finds himself describing a young boy called Matthew who lives in constant fear of a visit from the cold-eyed men. Struggling to understand the dangerous secrets that surround him and his family, Matthew inhabits a terrifying world where people die in macabre circumstances, where they can be imprisoned without trial or reason, their identities wiped from the world forever. And then Theo discovers that Matthew and his family really existed, part of a dark and violent segment of recent history that threatens to reach across the years to tear his life apart. And somehow it all connects to the death of his cousin Charmery.

    Here are all the phantoms and ghouls of Japanese folklore: 'rokuro-kubi', whose heads separate from their bodies at night; 'jikininki', or flesh-eating goblins; and terrifying faceless 'mujina' who haunt lonely neighbourhoods. Lafcadio Hearn, a master storyteller, drew on traditional Japanese folklore, infused with memories of his own haunted childhood in Ireland, to create these chilling tales. They are today regarded in Japan as classics in their own right.

    Holing up in a hospital morgue, destined to become a school, just in time she finds a host off whom to feed. It is 12-year-old Alice Safford, the deeply-troubled daughter of a leading figure in government.

    With only her kindly nurse, Rose, and her cat Mr Tompkins for company, she knows very little of the outside world - or of her own family's shadowy past. What she does know is that she is NEVER to go outside unsupervised. And she is NEVER to over-excite herself, because of the mysterious 'condition' that she has been told she suffers from.But Charity has a secret. All her life, she has had the same strange dream - a dream of a dark corridor, hidden somewhere in the house. Then, one day, Charity stumbles across the corridor. It leads to a door . . . and suddenly she realises things are not quite what they seem.

     Emily decides to leave everything behind and start over in the west as a mail order bride. Her new husband, Levi, has children too, which makes Emily think that he will understand her and that things will go smoothly. But she couldn’t have been more wrong. Levi has been doing everything alone for several years since his wife died. He never wanted to marry again but he knows his children need a mother and he has been struggling with the burden of being a single parent. When Emily and Levi finally met, they realize they cannot see eye to eye on anything when it comes to the children, and it almost seems that everything and everyone is working to keep them apart. The newly merged family has become a disaster in waiting… especially in the harsher conditions of the west. How will Emily and Levi learn to work together and save both of their families? Or will they give up and leave their families more broken than they were in the beginning?

    For nearly a century, the work of O. Henry has delighted readers with its humor, irony and colorful, real-life settings. The writer's own life had more than a touch of color and irony. Born William Sidney Porter in Greensboro, North Carolina in 1862, he worked on a Texas ranch, then as a bank teller in Austin, then as a reporter for the Houston "Post." Adversity struck, however, when he was indicted for embezzlement of bank funds. Porter fled to New Orleans, then to Honduras before he was tried, convicted and imprisoned for the crime in 1898. In prison he began writing stories of Central America and the American Southwest that soon became popular with magazine readers. After his release Porter moved to New York City, where he continued writing stories under the pen name O. Henry. Though his work earned him an avid readership, O. Henry died in poverty and oblivion scarcely eight years after his arrival in New York. But in the treasury of stories he left behind are such classics of the genre as "The Gift of the Magi," "The Last Leaf," "The Ransom of Red Chief," "The Voice of the City" and "The Cop and the Anthem" — all included in this choice selection. A selection of the Common Core State Standards Initiative.

    His sense of isolation lies at the heart of these later works. "Billy Budd, Sailor," a classic confrontation between good and evil, is the story of an innocent young man unable to defend himself against a wrongful accusation. The other selections here--"Bartleby," "The Encantadas," "Benito Cereno," and "The Piazza"--also illuminate, in varying guises, the way fictions are created and shared with a wider society.In his introduction Frederick Busch discusses Melville's preoccupation with his "correspondence with the world," his quarrel with silence, and why fiction was, for Melville,"a matter of life and death."Bartleby --The piazza --The Encantadas --The bell-tower --Benito Cereno --The paradise of bachelors and the tartarus of maids --Billy Budd, sailor.