Watching Frankie grow into a talented and confident young girl has made Grace as happy as any mother could hope to be. Happy enough, even, to forget the past. But the past never quite goes away. Which is why a certain charismatic man also moved to Tallanville eight years ago to watch over her. But when violence threatens to shatter Grace and Frankie's idyllic home, the waiting is over. The ghosts of the past have returned. And they're hungry for blood. Now Grace must resume an identity she thought she had cast off forever, and match wits with an opponent as deadly as he is cunning. The prize: an extraordinary secret that only she can unfold. The forfeit: losing the thing more precious to her than life itself.From the Hardcover edition.

    But when a young boy disappears, it marks the beginning of a unspeakable nightmare. There are no witnesses, no clues, only a note, cleverly taunting, casually cruel. Has a cold-blooded kidnapper struck? Or is this the reawakening of a long-quiet serial killer? Now, a tough-minded investigator on her first, make-or-break case, and a local cop who fears that big city evils have invaded his small town, are hunting for a madman. Together, they must outsmart a killer who knows no bounds...and protect a town that may never feel safe again.

    Now she's decided that the only way to exorcise the ghosts of the past is to search for the truth. Beryl starts asking dangerous questions, and the answers are proving that old secrets die hard. Caught in what's become a deadly game of cat-and-mouse, her quest takes her from the rain-slick streets of Paris to the sun-drenched isles of Greece. And as she gets pulled into a world of espionage, Beryl quickly discovers that she needs help. Richard Wolf, an ex-CIA agent and a man she's only just met, is her only hope. But in a world where trust is a double-edged sword, friends become enemies, and enemies become killers . . .

    Small, dark-haired, shy but tough, a Wisconsin farm girl on the streets of Los Angeles, she roams the city with her small band of video free-lancers in their truck from ten to dawn, looking for news: accidents, robberies, murders, demonstrations — anything they can shoot and sell to the local stations or the networks. It's an exhilarating life . . . until the day two deaths shake their world.The first is the jumper. Five stories up, perched on the ledge of a hotel window, dark pants, white shirt, just standing there — and then he's gone, falling through the air towards the cameras. The second is Jason, one of Anna's cameramen. Strangely affected by the jumper, he quits the scene early that night, not to be seen again until his body turns up on the beach several hours later, shot in the head. The police wonder if it's drug-related, but Anna isn't so sure, and the more she looks into it on her own, the more the ghosts of the past — hers, Jason's, and finally the jumper's — begin to emerge, until her whole world turns as dark and dangerous as the night itself.

    His brother Peter is a servant of the rich, parking the cars of the Hamptons' elite --- and perhaps satisfying their more intimate needs as well. Then Peter's body is found on the beach. Jack knows the drowning was no accident, but someone's unlimited power and money have bought the cops, the judges, the system. Now Jack is learning a lesson in justice he never got in law school ... and his astonishing plan to beat the billionaires will have you reeling --- and cheering --- to the very last page.

    One seeking only peace. The other, violence." Tate Collier, once one of the country's finest trial lawyers, is trying to forget his past. Now a divorced gentleman farmer, land developer, and community advocate in rural Virginia, he's regrouping from some disastrous mistakes in the realms of love and the law. But controversy -- and danger -- seem to have an unerring hold on Tate. Even as he struggles to rebuild his life, his alter ego is plotting his demise.Aaron Matthews, a brilliant psychologist, has turned his talents away from curing patients to far deadlier goals. He's targeted Tate, Tate's ex-wife, Bett, and their estranged daughter, Megan, for unspeakable revenge. Matthews, ruthless and hell-bent, will destroy anything that inhibits his plans. When their daughter disappears, Tate and Bett reunite in a desperate, heart-pounding attempt to find her and to stop Matthews, a psychopath whose gift of a glib tongue and talent for coercion are as dangerous as knives and guns. Featuring an urgent race against the clock, gripping details of psychological manipulation, and the brilliant twists and turns that are trademark Deaver, "Speaking in Tongues" delivers the suspense punch that has made this author a bestseller. It will leave you speechless.

    In this masterful new novel, the killer may very well be the one you sympathize with the most... THE FIRST RULE IS NEVER BLAME THE VICTIM.They survived what no woman should ever have to endure. Now these three women have the means, the opportunity, and the perfect motive. Are they trying to get away with murder--or is someone trying to make sure that this time they don't get away at all? The Survivors Club... that's what Jillian Hayes, Carol Rosen, and Meg Pesaturo call it. They won't consider themselves victims. They are survivors. They faced the blazing headlines and helped lead the investigation that caught the man who changed their lives forever. And now that Eddie Como, the College Hill rapist, has been murdered, shot down outside a packed courthouse moments before his trial was about to begin, all three women are openly ecstatic that he's dead. They are also the prime suspects in his murder. Detective Sergeant Roan Griffin knows all too well what can drive even the best people to cross the line. But he has never seen a case quite like this one. No one doubts that the murder of Eddie Como was a professional job, especially when the gunman is killed only blocks away from the shooting.But questions taunt Griffin: Who ordered the deaths of Eddie Como and his killer? Could three ordinary women have been driven to do the unthinkable? Had someone in the Survivors Club become a killer? Griffin seeks the truth--and finds himself confronted with the leader of the Survivors Club. Jillian Hayes is beautiful, successful, cool as ice, and she harbors a pain that mirrors Griffin's own. Did the horror of what happened to her push her over the thin and desperate line that separates survival and revenge? And if it did, could he blame her--or anyone in the Survivors Club? Then another woman is brutally attacked.Suddenly, with the city on the ragged edge of panic, gripped in a media and political firestorm of controversy, cover-up, and conspiracy, the hunt is on for a ruthless and cunning killer. For Griffin, this may well be the case that shatters his career. For Jillian, the harrowing nightmare is beginning all over again. Someone is out there. Someone who wants to finish what was started. Someone who wants to make sure that no one survives the Survivors Club.

    Then, suddenly, she receives an invitation from First Lady Vanessa Merritt for an off-the-record conversation. Barrie's reporter's instincts are instantly aroused. During a furtive, emotionally charged meeting, Barrie sees that the President's beautiful wife is stunned by grief after the crib death of her infant son. Vanessa's motive for meeting Barrie seems to be to share her heartache with another woman. What Barrie overlooks in her excitement at hearing the confidences of the First Lady are the questions she should be asking: Why would Vanessa Merritt call her? And why would the President's wife hint to an unknown reporter that her child may have been murdered? Blind to everything but getting her exclusive, Barrie is determined to investigate the death of the President's child. But she soon realizes that getting her story will test her ethics and her patriotism. Would she expose information that could topple the presidency? She confronts this problem when she tracks down Gray Bondurant, a former presidential aide and war hero who shunned the politics of Washington in favor of life on a remote Wyoming ranch. And when they both begin to follow a trail of lies and intrigue right to the White House door, Barrie's exclusive puts at least three people on the firing line: the First Lady, Gray, and herself - as crimes and ambitions combine to endanger their lives and the future of the nation.

    Fleeing into the night, Billy cannot shake the horrific memory of the savage violence, nor the pursuit of a cold-blooded killer. For wherever Billy turns --- from Hollywood Boulevard to the boardwalks of Venice --- he is haunted by the chuck chuck sound of a knife sinking into flesh. As LAPD homicide detective Petra Connor desperately searches for the murderer, as the media swarms mercilessly around the story, the vicious madman stalks closer to his prey. Only Petra can save Billy. But it will take all her cunning to uncover a child lost in a fierce urban labyrinth --- where a killer seems right at home ...

    'I am The Owl,' he would whisper to himself after he had selected his prey, 'and nighttime is my time.'" Jean Sheridan, a college dean and prominent historian, sets out to her hometown in Cornwall-on- Hudson, New York, to attend the twenty-year reunion of alumni of Stonecroft Academy, where she is to be honored along with six other members of her class. There is, however, something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, died just a few days before, drowned in her pool during an early- morning swim, the fifth woman in the class whose life has come to a sudden, mysterious end. Also adding to Jean's sense of unease is a taunting, anonymous fax she has just received, referring to her daughter, Lily, a child she had given up for adoption twenty years ago, the offspring of a romance between her and a West Point cadet killed in an accident a week before graduation. She had always kept the child's existence a secret, so who has found out? And why the implied threat now? Struggling to conceal her fears, Jean arrives at the hotel where the reunion is being held. One by one she sees the other honorees, including Laura Wilcox, the class beauty, whose dazzling exterior belies the fact that her television career is sinking, and the four men who, like Jean, had spent four bitterly unhappy years at Stonecroft: Carter (formerly Howie) Stewart, an acerbic and successful playwright, once the class nerd; renowned child psychiatrist and talk-show celebrity Mark Fleischman, who has never been able to resolve the pain of his own adolescence; Gordon Amory, a media mogul, hardly recognizable as the awkward boy who was the butt of cruel jokes; Robby Brent, a popular comedian, whose caustic humor emanates from a childhood of rejection. Omnipresent is an old classmate, Jack Emerson, the chairman of the reunion, whose reasons for spearheading the event may be motivated by something other than class spirit. At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed for years by the unsolved murder of a young woman in Cornwall, who may also hold the key to the identity of the Stonecroft killer and the source of the anonymous threat to her child. She does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean his final intended victim. In Nighttime Is My Time, Mary Higgins Clark creates a riveting novel of psychological suspense, penetrating behind the pervading façade of status and respectability to depict the mind of a killer.

    She is the pride of Fort Hadley until, one morning, her body is found, naked and bound, on the firing range.Paul Brenner is a member of the Army's elite undercover investigative unit and the man in charge of this politically explosive case. Teamed with rape specialist Cynthia Sunhill, with whom he once had a tempestuous, doomed affair, Brenner is about to learn just how many people were sexually, emotionally, and dangerously involved with the Army's "golden girl." And how the neatly pressed uniforms and honor codes of the military hide a corruption as rank as Ann Campbell's shocking secret life.

    He's acquired a wife, a daughter, and a brownstone in Brooklyn, and he's tried to leave his old life of secrets and lies behind. However, when the arrest of a long-sought assassin sets off an investigation into one of Milo's oldest colleagues and exposes new layers of intrigue in his old cases, he has no choice but to go back undercover and find out who's holding the strings once and for all.In The Tourist, Olen Steinhauer---twice nominated for an Edgar Award---tackles an intricate story of betrayal and manipulation, loyalty and risk in an utterly compelling novel that is both thoroughly modern and yet also reminiscent of the espionage genre's luminaries: Len Deighton, Graham Greene, and John LeCarré.

    Oliver Wendell Holmes, and James Russell Lowell, along with publisher J. T. Fields—are finishing America's first translation of The Divine Comedy and preparing to unveil Dante's remarkable visions to the New World. The powerful Boston Brahmins at Harvard College are fighting to keep Dante in obscurity, believing that the infiltration of foreign superstitions into American minds will prove as corrupting as the immigrants arriving at Boston Harbor.The members of the Dante Club fight to keep a sacred literary cause alive, but their plans fall apart when a series of murders erupts through Boston and Cambridge. Only this small group of scholars realizes that the gruesome killings are modeled on the descriptions of Hell's punishments from Dante's Inferno. With the lives of the Boston elite and Dante's literary future in America at stake, the Dante Club members must find the killer before the authorities discover their secret.Dr. Oliver Wendell Holmes and an outcast police officer named Nicholas Rey, the first black member of the Boston police department, must place their careers on the line to end the terror. Together, they discover that the source of the murders lies closer to home than they ever could have imagined.The Dante Club is a magnificent blend of fact and fiction, a brilliantly realized paean to Dante's continued grip on our imagination, and a captivating thriller that will surprise readers from beginning to end.

    High in an office tower in the heart of the financial district, lawyers and bankers are fighting a deadline to close an $840,000,000 leveraged buyout.  Under the pressure of the crowded agenda, no one notices that a zero has been dropped from the mortgage document.  The papers are signed, cheers and applause roar from the boardroom--and the fuse of a time bomb is lit.  When it explodes, there will be hell to pay.  As the partners of Freer, Motley, the presiding law firm, will discover, they are collectively and personally liable to their client to make up the multimillion-dollar shortfall.And so begins an accelerating and dire chain of events.  Freer, Motley's senior partner is found dead, and its brightest young associate is charged with murder.  The firm needs a fall guy, and John Shepard, brilliant but arrogant--and recently passed over for partner--fills the role to perfection.  Defending John Shepard in a Boston court is going to be a career buster.  No one wants the job, and no one understands why Ed Mulcahy accepts the case, even if he is Shepard's friend--but they don't know that he's already in way too deep to walk away.On a par with Scott Turow's Presumed Innocent, The Deal is the most exciting new legal thriller from a first-time author to be published in years.  Written by a young partner with one of Boston's prestigious old firms, it is an utterly authentic view of the city's judicial system, from the ex-con informants, paid for their evidence, to the district attorney who needs a conviction for the sake of his political career.  It is also the compelling story of two young lawyers--a defendant and his attorney--realizing too late that they are up against an old-guard establishment more powerful than they could ever imagined.

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.