Book picks similar to
Joseph Had a Little Overcoat by Simms Taback
picture-books
caldecott
picture-book
children-s-books
The Hello, Goodbye Window
Norton Juster - 2005
They lovingly watch stars, play games, work garden, and listen to Poppy play harmonica. Bright simple illustrations. In many languages.
The Funny Little Woman
Arlene Mosel - 1972
. . . It's all done with a commendable amount of taste, imagination, and style."--School Library Journal (starred review)"A beautifully convincing tale."--The New York Times Book Review"Using elements of traditional Japanese art, the illustrator has made marvelously imaginative pictures."--The Horn Book"Lent's pictures are a lively blend of finely detailed, delicate drawings and rip-roaring good humor."--The Boston Globe"A good read-aloud with lots of suspense."--LearningAwards: ALA Notable Children's Book Child Study Association Book of the Year The Horn Book Fanfare
The House in the Night
Susan Marie Swanson - 2008
Naming nighttime things that are both comforting and intriguing to preschoolers - a key, a bed, the moon - this timeless book illuminates a reassuring order to the universe.
Arrow to the Sun
Gerald McDermott - 1974
A young boy searches for his father, but before he can claim his heritage he must first prove his worthiness by passing through the four ceremonial chambers: the kiva of lions, the kiva of snakes, the kiva of bees, and the kiva of lightning. Striking in its simplicity and grace, Arrow to the Sun vividly evokes the Native American reverence for the source of all life--the Solar Fire.Winner of the Caldecott
A Story, a Story
Gail E. Haley - 1970
He kept them in a box beside his throne. But Ananse, the Spider man, wanted them -- and caught three sly creatures to get them. This story of how we got our own stories to tell is adapted from an African folktale.
The Little House
Virginia Lee Burton - 1942
The house has an expressive face of windows and doors, and even the feelings of a person, so she’s sad when she’s surrounded by the dirty, noisy city’s hustle and bustle: “She missed the field of daisies / and the apple trees dancing in the moonlight.” Fortunately, there’s a happy ending, as the house is taken back to the country where she belongs.
Golem
David Wisniewski - 1996
The golem's task was to vanquish those who persecuted the Jews of Prague, and he performed it almost too well. Retold from traditional sources and accompanied by masterly cutpaper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It offers a thought-provoking look at the consequences of unleashing power beyond human control.Winner of the 1997 Caldecott Medal.
A Sick Day for Amos McGee
Philip C. Stead - 2010
Though he didn't make it into the zoo that day, he did receive some unexpected guests.Philip C. Stead's gently humorous tale of friendship and dedication is illustrated by his wife Erin E. Stead's elegant drawings, embellished with subtle hints of color.
One Fine Day
Nonny Hogrogian - 1971
When he reached the other side he was very thirsty.” The jaunty red fox stole milk from an old farm woman, lost his tail under the annoyed woman’s knife, and spent the day bargaining to get it back. Awarded the Caldecott Medal for the most distinguished picture book of 1971.
The Snowy Day
Ezra Jack Keats - 1962
Universal in its appeal, the story has become a favorite of millions, as it reveals a child's wonder at a new world, and the hope of capturing and keeping that wonder forever.The adventures of a little boy in the city on a very snowy day."Keats's sparse collage illustrations capture the wonder and beauty a snowy day can bring to a small child."—Barnes & Noble"Ezra Jack Keats's classic The Snowy Day, winner of the 1963 Caldecott Medal, pays homage to the wonder and pure pleasure a child experiences when the world is blanketed in snow."—Publisher's Weekly"The book is notable not only for its lovely artwork and tone, but also for its importance as a trailblazer. According to Horn Book magazine, The Snowy Day was "the very first full-color picture book to feature a small black hero"—yet another reason to add this classic to your shelves. It's as unique and special as a snowflake."—Amazon.com
Madeline's Rescue
Ludwig Bemelmans - 1953
One day on a walk through Paris (a "twelve little girls in two straight lines" kind of walk), Madeline slips and falls off a bridge right into the Seine. Everyone feared she would be dead, "But for a dog / That kept its head," saving her from a "watery grave." What choice do Madeline and the girls have but to take the heroic pooch home, feed her biscuits, milk, and beef, and name her Genevieve? Sadly, when Lord Cucuface gets wind of the new dog, he decrees that no dogs will be allowed in the "old house in Paris that was covered with vines," and kicks Genevieve out on the street. Madeline vows vengeance, and the girls scour Paris looking for the pup: "They went looking high / and low / And every place a dog might go. / In every place they called her name / But no one answered to the same." As we've come to expect from Bemelmans, all's well that ends well chez Clavel, and young readers will be tickled by this heartwarming, quirky dog story with a surprise finale. (Ages 4 to 8) --Karin Snelson
The Girl Who Loved Wild Horses
Paul Goble - 1978
A wild stallion becomes her friend and she decides to ride free with the herd even after she is found.
Sylvester and the Magic Pebble
William Steig - 1969
But when a lion frightens him on his way home, Sylvester makes a wish that brings unexpected results.
Why Mosquitoes Buzz in People's Ears
Verna Aardema - 1975
"Elegance has become the Dillons' hallmark. . . . Matching the art is Aardema's uniquely onomatopoeic text . . . An impressive showpiece."-Booklist, starred review.Winner of Caldecott Medal in 1976 and the Brooklyn Art Books for Children Award in 1977.
Rapunzel
Paul O. Zelinsky - 1997
Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.