A perfect servant suddenly reveals himself to be the insidious Dr. Fu Manchu. Science-fantasy wars, racism, corporate capitalism, drug addiction, and various medical and psychiatric horrors all play their parts in this mosaiclike, experimental novel. Here is William S. Burroughs at his coruscating and hilarious best.

    "The subterraneans" come alive at night, travel along dark alleyways, and live in a world filled with paint, poetry, music, smoke, and sex. Simmering in the center of it all is the brief affair between Leo Percepied, a writer, and Mardou Fox, a black woman ten years younger. Just at the moment when she is coolly leaving him, Leo realizes his passion for passion, his inability to function without it, and the puzzling futility of seeking redemption and fulfillment through writing.

    Featuring: Jack Kerouac, Allen Ginsberg, William Burroughs, Gary Snyder, Neal Cassady, Gregory Corso, Diane Di Prima, Bob Dylan, Ken Kesey, Charles Bukowski, Michael McClure, and more.

    The chief figure among the Beats, Ginsberg changed the course of American poetry, liberating it from closed academic forms with the creation of open, vocal, spontaneous, and energetic postmodern verse in the tradition of Walt Whitman, Guillaume Apollinaire, Hart Crane, Ezra Pound, and William Carlos Williams. Ginsberg's classics Howl, Reality Sandwiches, Kaddish, Planet News, and The Fall of America led American (and international) poetry toward uncensored vernacular, explicit candor, the ecstatic, the rhapsodic, and the sincere—all leavened by an attractive and pervasive streak of common sense. Ginsberg's raw tones and attitudes of spiritual liberation also helped catalyze a psychological revolution that has become a permanent part of our cultural heritage, profoundly influencing not only poetry and popular song and speech, but also our view of the world.The uninterrupted energy of Ginsberg's remarkable career is clearly revealed in this collection. Seen in order of composition, the poems reflect on one another; they are not only works but also a work. Included here are all the poems from the earlier volume Collected Poems 1947-1980, and from Ginsberg's subsequent and final three books of new poetry: White Shroud, Cosmopolitan Greetings, and Death & Fame. Enriching this book are illustrations by Ginsberg's artist friends; unusual and illuminating notes to the poems, inimitably prepared by the poet himself; extensive indexes; as well as prefaces and various other materials that accompanied the original publications.

    All, however, share a common vision: a rediscovery of this land, and the ways by which we might become natives of the place, ceasing to think and act (after all these centuries) as newcomers and invaders. Of particular interest is the full text of the ever more relevant "Four Changes," Snyder's seminal manifesto for environmental awareness.

    In the 1950s, while working as a waiter at the Los Angeles Hilton, he met another erstwhile member of the Merchant Marine, Jack Kerouac, and soon thereafter both moved north to found, along with Allen Ginsberg, Gregory Corso, and others, the San Francisco literary "renaissance" of the time.Kaufman promotes a spontaneous, prophetic verse, mixing street talk and jazz with vision. Solitudes Crowded with Loneliness contains odes to Charles Mingus, Hart Crane, Ray Charles, and Albert Camus as well as love lyrics, political rants, "Prison Poems," and the prose meditation "Second April.""Perhaps the best of the Beat poets of the 1950s ... this book collects the best of his work, which is surprising literate and moving." --National Observer"Mr. Kaufman has a genuine lyric talent and his poetry, at its best is sensuous, exciting, and charged with vitality." --Publishers Weekly(New Directions Press)

    He came of age during the Haight-Ashbury period and has been called “the last of the Beats.” His early books became required reading for the hip generation, and on its publication Trout Fishing in America became an international bestseller. An indescribable romp, the novel is best summed up in one word: mayonnaise. This new edition includes an introduction by the poet Billy Collins, who first encountered Brautigan’s work as a student in California.

    After Ikkyu is the first collection of Harrison's poems that are directly inspired by his many years of Zen practice.

    Cummings is without question one of the major poets of the 20th century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of Cummings’s wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which Cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.

    A great woman poet in second half of American century, she broke barriers of race-class identity, delivered a major body of verse brilliant in its particularity." – Allen Ginsberg"With di Prima's selected poems, Pieces of a Song . . . we have a chance to examine the powerful gifts this deeply imaginative poet has to offer us . . . ." —Jack Foley, Poetry Previews (website)"A prolific writer generally associated with the Beat Generation, di Prima deserves wider recognition." —Library Journal"She is not about to be regarded merely as a literary figurehead, but as an ongoing contributor to the arts—a presence whose voice continues to positively impact those who listen, as it has for the last half-century." —Verbicide MagazineFeminist Beat poet Diane di Prima was born in Brooklyn, New York. She attended Swarthmore College for two years before moving to Greenwich Village in Manhattan and becoming a writer in the emerging Beat movement. There, she developed friendships with poets Amiri Baraka, Allen Ginsberg, Jack Kerouac, Frank O'Hara, and Audre Lorde. After joining Timothy Leary's intentional community in upstate New York, she moved to San Francisco in 1968. One of her collections of poetry, The Poetry Deal, is also published by City Lights Publishers. Di Prima was named Poet Laureate of San Francisco in 2009. She has been awarded the National Poetry Association’s Lifetime Service Award and the Fred Cody Award for Lifetime Achievement and has also received grants from the National Endowment for the Arts, the Committee on Poetry, the Lapis Foundation, and the Institute for Aesthetic Development. St. Lawrence University granted her an honorary doctorate.

    The longest poem covers less than two pages. Yet in theme and tone her writing reaches for the sublime as it charts the landscape of the human soul. A true innovator, Dickinson experimented freely with conventional rhythm and meter, and often used dashes, off rhymes, and unusual metaphors—techniques that strongly influenced modern poetry. Dickinson’s idiosyncratic style, along with her deep resonance of thought and her observations about life and death, love and nature, and solitude and society, have firmly established her as one of America’s true poetic geniuses.

    Burroughs and Allen Ginsberg. New rare sketches and notes from the author's personal journal, forewords from two of the world's leading poets of the Beat Generation, and an introduction by David Amram, the man who collaborated with Jack Kerouac in the first-ever live poetry reading in 1957, are collected here for the first time in this revised and unique edition of Mindfield. This poetry is an affront to all that limits, restrains, or frightens. "Death I unsalute you," Gregory declares. Beyond energy and sheer brilliance, these poems offer the wisdom of a man unstuck and a mind content with the freedom of knowing truth without being afraid of it.

    A collection of quintessentially American poems, the seminal work of one of the most influential writers of the nineteenth century.

    

    In addition to including many more pieces, Tomlinson has organized the whole in chronological order.It isn't what he [the poet] says that counts as a work of art," Williams maintained, "it's what he makes, with such intensity of purpose that it lives with an intrinsic movement of its own to verify its authenticity.