An advertisement lured him to the island, offering a job renovating the old lighthouse and ramshackle buildings. What he didn't know was that he was the only applicant. None of the locals wanted the job...no one dared. Isolated and alone, Tom soon discovers why. Messages from disembodied voices; ghostly visitations and escalating horrors draw Tom deeper into the island's evil past...a darkness that forces Tom to unbury the truth and bring demons of his own into the light.

     Angel, spirit, or ghost—the Keeper doesn’t know exactly what he is. But he knows he needs to protect Michael Delacroix, a famous artist who is kidnapped and locked in a windowless room deep beneath a Napa Valley vineyard. Desperate to save the only person who knows he exists, the Keeper uses his abilities to convince two strong-willed women to search for Michael: a reporter who thinks her visions are signs from the Universe, and a nun who swears she hears the voice of God. Together they close in on the kidnapper—a psychotic killer who also hears a voice inside his head, pushing him toward murder. But once the Keeper learns the tragic reason he feels so connected to Michael, is it too late to save him? Finalist for the Claymore Award

    Inside the peculiar case, he discovers a journal, written by the renowned Robert Louis Stevenson, which divulges ominous particulars about his creation of The Strange Case of Dr. Jekyll and Mr. Hyde. It also promises to reveal a terrible secret—the identity of Jack the Ripper.Unfortunately, the journal—whose macabre tale unfolds in an alternating narrative with Rafe’s—isn’t the only relic in the trunk, and Rafe isn’t the only one to purloin a souvenir. A mysterious flask containing the last drops of the grisly potion that inspired Jekyll and Hyde and spawned London’s most infamous killer has gone missing. And it has definitely fallen into the wrong hands.

    But Arthur has not forgotten Dermot. Dead but not departed, Arthur has unfinished business and needs the help of the living.Upon his arrival at Malenfer Manor, Dermot finds himself embroiled in a mystery of murder, succession, and ambition. Dermot falls in love with the youngest Malenfer, the beautiful fey Simonne, but in his way are Simonne’s mismatched fiancé, her own connections to the spirit world, Dermot’s overwhelming guilt over the circumstances of Arthur’s death … and the curse.***Note: This book was previously published under the title "The Curse of Malenfer Manor".***

    In UNCLE SILAS (1864) Le Fanu brought up to date Mrs Radcliffe's earlier tales of virtue imprisoned and menaced by unscrupulous schemers. The narrator, Maud Ruthyn, is a 17 year old orphan left in the care of her fearful uncle, Silas. Together with his boorish son and a sinister French governess, Silas plots to kill Maud and claim her fortune. The novel established Le Fanu as a master of horror fiction.

    Though newspapers have dubbed him ‘the Torso Killer’, this murderer’s work is overshadowed by the hysteria surrounding Jack the Ripper’s Whitechapel crimes. The victims are women too, but their dismembered bodies, wrapped in rags and tied up with string, are pulled out of the Thames – and the heads are missing. The murderer likes to keep them.Mayhem is a masterwork of narrative suspense: a supernatural thriller set in a shadowy, gaslit London, where monsters stalk the cobbled streets and hide in plain sight.

    It’s now 1875, however, and there has been peace in this part of Wyoming for several years, and Ethan has settled down in the small town of Lockwood. No longer working in stealth, he is the town’s lone lawyer. When two young Sioux are lynched by a makeshift posse for a crime they may or may not have committed, Ethan knows he must act quickly to prevent a bloody retaliation from their Sioux tribe. Can he gain the trust of both his former enemy and the townspeople of Lockwood so that there is enough time to unravel the mystery of the crime and ensure justice is fairly served? In Night of the Coyote, the worlds of the old and new collide, and the clock is ticking for Ethan to prevent a further descent into violence.

    All that’s missing is a child. When Janie, an abandoned six-year-old, turns up at their hospital, Christopher forms an instant connection with her, and he convinces Hannah they should take her home as their own.But Janie is no ordinary child, and her damaged psyche proves to be more than her new parents were expecting. Janie is fiercely devoted to Christopher, but she acts out in increasingly disturbing ways, directing all her rage at Hannah. Unable to bond with Janie, Hannah is drowning under the pressure, and Christopher refuses to see Janie’s true nature.Hannah knows that Janie is manipulating Christopher and isolating him from her, despite Hannah’s attempts to bring them all together. But as Janie’s behavior threatens to tear Christopher and Hannah apart, the truth behind Janie’s past may be enough to push them all over the edge.

    In Book Three discover Highgate, perhaps the most famous cemetery in the world, renowned for its Victorian Gothic splendour, famous residents, its vampire and, of course, ghosts... NB: With sometimes harrowing scenes, this is her darkest novel yet and not for the faint-hearted!Lucy Klein, 42, is not only obsessed with Highgate, she works there too, organising tours for those with an interest in some of the finest Victorian funerary architecture in existence. Single, and on the shy side, she is nonetheless content with her life, or so she thinks. When she meets the enigmatic Zak Harborne, she realises what she's been missing and quickly falls in love. He's everything she's ever wanted...isn't he? 1972, and Emma Matthews, a 19-year-old history student, also feels as though she's on the outside. After visiting a derelict Highgate with a group of friends, she starts to feel a connection, a sense of meaning to her life, in amongst the tombstones, the crosses and the angels. Returning to Highgate over and over, she discovers both a paradise and a garden decidedly more savage.Grace Derby is just 11 when she encounters the gentleman, tall and with a tall hat, a long black coat and a cape about his shoulders. It is the 1850s and street urchins such as her are not accustomed to kindness from those belonging to the upper echelons. Proffering money for food, for her and her family, he asks nothing in return. Curious about the man with the kind blue eyes, she follows him one day... all the way to Highgate.For some, it seems, all roads lead to Highgate...

    Lovecraft...an unnerving literary experience." ~ Kirkus Reviews"Thornhorn, where the hell have you been?" ~ William Peter Blatty (author of The Exorcist) In the long and jagged shadow of Riddle Top lies a darkling mountain world—-a world of unholy mirth and madness, of gods and demons you never knew existed. Hitch a wild-ass ride with two runaway teens—-the runty but tough preacher's girl Tizzy Polk and her punk boyfriend Matthew. They might think they are Bonnie and Clyde, but they might also race headlong into an evil far greater than their own. They may come to see things darkly different and seldom seen on that bewitched mountain known below as Riddle Top. Take care, folks say in story and song. Watch your step. And beware up there where the wind doth howl like the hellhound electric. Up there, where Tizzy and Matthew come knocking on a strange door. For nobody knows what awaits once you've disturbed your disturbing host. Your hands are in his hands now. And the scariest thing of all? He's got all the time in this world. A Tale Untold by a Riddle Top Magpie Stark, poetic, haunting: Wicked Temper unfolds like a waking fever dream, a rockabilly heart of darkness. The kind you can kill but it don't stop beating. Wicked Temper is the premeditated prequel to Randy Thornhorn's The Kestrel Waters. "One of the South's wildest new voices..." ~ The Oxford American Magazine

    But a dark secret colors her life, for Delia’s most loyal companions are ghosts, as she has been gifted (or some would say cursed) with an ability to peer across to the other side.Since the great quake rocked her city in 1906, Delia has been haunted by an avalanche of the dead clamoring for her help. Delia flees to the other side of the continent, hoping to gain some peace. After several years in New York, Delia believes she is free…until one determined specter appears and she realizes that she must return to the City by the Bay in order to put this tortured soul to rest.It will not be easy, as the ghost is only one of the many victims of a serial killer who was never caught. A killer who after thirty years is killing again. And who is now aware of Delia’s existence.

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

    They built it outside the Suffolk town so it would not infect the healthy with its horrors. But the town itself is long gone, washed away by the North Sea. Only the Leper House remains, a shelter for the unwanted. A bereaved man strays there on a stormy night when the bell tolls once again beneath the waves. In a nearby house, a woman waits for history to repeat itself. When time isn’t what it seems, nor is love and nor are ghosts. And nor are we. The Leper House is a 19,000-word novella, written for Kindle Singles and available here for the first time. Andrew Taylor is a British crime and historical novelist whose books include the international bestseller, The American Boy (a Richard-and-Judy selection), and the Roth Trilogy (filmed for TV as Fallen Angel). Among his many awards are the Cartier Diamond Dagger for Lifetime Excellence in crime writing. His latest novel is The Scent of Death, winner of the 2013 Historical Dagger.

    So begins a journey that will take them down a circuitous path fraught with the unknown—and danger. Why do the Rockwells, expecting their first child, seem at once welcomed and repelled? What does it mean when Margaret starts to dream of the family that built the house in 1910? For her the house comes alive with its own sounds, sights, thoughts, and intentions. How could the death of a child ninety years before impact their lives? And why?

    She dares to fall in love.And only then do they discover the true horror of the Vallarca curse.