It has the authentic feeling that pulses from an important book. The meticulous research and psychological insights light up one of the most ghastly episodes in the history of man's inhumanity to man."Patrick Bishop, author of Fighter Boys and A Good War.The Warsaw Ghetto. 1942. Adam Duritz, a Jewish Policeman, is charged with the duty of selecting five people each day to be transported to Treblinka - or else he will be selected himself.Thomas Abendroth is a German soldier, trying his best to retain his humanity in the inhumane ghetto. Thomas befriends Adam. Both men make enemies of other people in power though.Yet, far more than his friendship with the German, Adam realises that his salvation resides in his love for Jessica Rubenstein. If he can save her, he may also save himself.Their fates - and those of others - will intertwine and be decided during a climactic evening on the streets of the ghetto, where love and tragedy abound – and collide.Warsaw is a novel which lingers long in the heart and mind. For fans of Dostoyevsky’s Crime & Punishment and Thomas Keneally’s Schindler’s Ark. Praise for A Hero of Our Time.'An elegant novel which is awash with both hope and tragedy. A Hero of Our Time is a must read for anyone interested in WWII or 19th Century Russian Literature.' (Nigel Jones, author of Countdown To Valkyrie)Praise for Raffles: The Gentleman Thief."Classy, humorous and surprisingly touching tales of cricket, friendship and crime."(David Blackburn, The Spectator).Praise for Augustus: Son of Rome.'Augustus: Son of Rome forges action and adventure with politics and philosophy. This superb story is drenched in both blood and wisdom - and puts Foreman on the map as the coming man of historical fiction'.(Saul David, Author of the Zulu Hart series)About The Author.Richard Foreman is the author of numerous best-selling Kindle books, including Augustus: Son of Rome and the Raffles series of historical crime novellas. He is also the author of A Hero of Our Time, a literary novel set during the end of the Second World War. He lives in London.

    Our hero tells of his childhood: his passion for hunting, his love of the wild landscape of Romania, his ridiculous social snobbery. He leads us through his youth, and between fantastic and colourful stories of Bucharest in the late twenties and early thirties, he dissects his own complicated, at times agonizing, development as a moral creature. We are with him as the Nazis take over Austria; as his own anti-semitism - already such a mixture of belief, caprice, and compromise - is shaken to its core. And later on we meet him as a much older man, one haunted by his own protean character, by the beautiful but tragic web of memories and events that together form his history, and by the greatest love of his life, a beautiful Jewess.

    In 1941, Marie Jalowicz Simon, a nineteen-year-old Berliner, made an extraordinary decision. All around her, Jews were being rounded up for deportation, forced labor, and extermination. Marie took off her yellow star, turned her back on the Jewish community, and vanished into the city.In the years that followed, Marie lived under an assumed identity, forced to accept shelter wherever she found it. Always on the run, never certain whom she could trust, Marie moved between almost twenty different safe-houses, living with foreign workers, staunch communists, and even committed Nazis. Only her quick-witted determination and the most hair-raising strokes of luck allowed her to survive.

    They moved to the country, or pretended to support the regime to avoid being denounced by neighbours, and tried to work out what was really happening in the Reich, surrounded as they were by Nazi propaganda and fake news. They lived in fear. Might they lose their jobs? Their homes? Their freedom? What would we have done in their place?Many ordinary Germans found the courage to resist, in the full knowledge that they could be sentenced to indefinite incarceration, torture or outright execution. Catrine Clay argues that it was a much greater number than was ever formally recorded: teachers, lawyers, factory and dock workers, housewives, shopkeepers, church members, trade unionists, army officers, aristocrats, Social Democrats, Socialists and Communists.Catrine Clay's ground-breaking book focuses on six very different characters: Irma, the young daughter of Ernst Thalmann, leader of the German Communists; Fritzi von der Schulenburg, a Prussian aristocrat; Rudolf Ditzen, the already famous author Hans Fallada, best known for his novel Alone in Berlin; Bernt Engelmann, a schoolboy living in the suburbs of Dusseldorf; Julius Leber, a charismatic leader of the Social Democrats in the Reichstag; and Fabian von Schlabrendorff, a law student in Berlin. The six are not seen in isolation but as part of their families: a brother and sister; a wife; a father with three children; an only son; the parents of a Communist pioneer daughter. Each experiences the momentous events of Nazi history as they unfold in their own small lives - Good Germans all.

    Adolf Hitler wakes up from a 66-year sleep in his subterranean Berlin bunker to find the Germany he knew entirely changed: Internet-driven media spreads ideas in minutes and fumes celebrity obsession; immigration has produced multicultural neighborhoods bringing together people of varying race, ethnicity, and religion; and the most powerful person in government is a woman. Hitler is immediately recognized . . . as an impersonator of uncommon skill. The public assumes the fulminating leader of the Nazi party is a performer who is always in character, and soon his inevitable viral appeal begets YouTube stardom, begets television celebrity on a Turkish-born comedian's show. His bigoted rants are mistaken for a theatrical satire--exposing prejudice and misrepresentation--and his media success emboldens Hitler to start his own political party and set the country he finds a shambles back to rights. With daring and dark humor, Look Who's Back skewers the absurdity and depravity of the cult of personality in modern media culture.

    How and why, then, did the Germans prolong the barbaric conflict for three and a half more years?In The German War, acclaimed historian Nicholas Stargardt draws on an extraordinary range of primary source materials—personal diaries, court records, and military correspondence—to answer this question. He offers an unprecedented portrait of wartime Germany, bringing the hopes and expectations of the German people—from infantrymen and tank commanders on the Eastern front to civilians on the home front—to vivid life. While most historians identify the German defeat at Stalingrad as the moment when the average German citizen turned against the war effort, Stargardt demonstrates that the Wehrmacht in fact retained the staunch support of the patriotic German populace until the bitter end.Astonishing in its breadth and humanity, The German War is a groundbreaking new interpretation of what drove the Germans to fight—and keep fighting—for a lost cause.

    It also chronicles the thrilling detective hunt for the diary, which disappeared after the Nuremburg Trials and remained lost for almost three quarters of a century, until Robert Wittman, a former FBI special agent who founded the Bureau’s Art Crimes Team, traced its strange journey.The authors expertly and deftly contextualize more than 400 pages of entries stretching from 1936 through 1944, in which the loyal Hitler advisor recounts internal meetings with the Fürher and his close associates Hermann Göring and Heinrich Himmler; describes the post-invasion occupation of the Soviet Union; considers the “solution” to the “Jewish question;” and discusses his overseeing of the mass seizure and cataloguing of books and artwork from homes, libraries, and museums across occupied Europe. An eyewitness to events, this narrative of Rosenberg’s diary offers provocative and intimate insights into pivotal moments in the war and the notorious Nazi who laid the philosophical foundations of the Third Reich.

     Scattered across the landscape that was Nazi Germany, the Resistance looked puny: too little, too late. And yet it was made of many heroic men and women who were not afraid to risk their lives to stand up to a regime they knew was wrong. For those who have never known life under such a regime, it is hard to grasp the daily terror that makes an act of political graffiti a capital offense, that labels resistance “treason.” Now, drawing on archival materials and on interviews with those few resisters who survived, Anton Gill brings their story to light. Here are union leaders and businessmen, priests and communists, students and factory workers; above all, here are the only people who had any real chance at more than symbolic resistance: those in the Army, the Foreign Office, the Abwehr. For these, obeying the dictates of conscience meant betraying the demands of government, and every day brought the risk of denunciation and death. ‘A sober and useful analysis of the resistance to Hitler [that] reminds us of the astonishing moral courage human beings can display...The vast majority of Germans simply did not have the bravery to stand up to Hitler – but then who among us, confronted with the brutality of that regime, would have mustered the courage?’ – Robert Harris, author of Fatherland, in The Sunday Times ‘Mr. Gill fluidly conveys the attitudes and personalities of key figures in the resistance and the links among them.’ – The New York Times Book Review ‘Gill’s illuminating study cogently argues that Hitler was not an irresistible force and that he succeeded only because he was allowed to.’ – Publishers Weekly Anton Gill has been a freelance writer since 1984, specialising in European contemporary history but latterly branching out into historical fiction. He is the winner of the H H Wingate Award for non-fiction for his study of survivors of the Nazi concentration camps, ‘The Journey Back From Hell’. Endeavour Press is the UK’s leading independent publisher of digital books.

    The story of Hitler's transformation is one of a fateful match between man and city. After opportunistically fluctuating between the ideas of the left and the right, Hitler emerged as an astonishingly flexible leader of Munich's right-wing movement. The tragedy for Germany and the world was that Hitler found himself in Munich; had he not been in Bavaria in the wake of the war and the revolution, his transformation into a National Socialist may never have occurred. In Becoming Hitler, Weber brilliantly charts this tragic metamorphosis, dramatically expanding our knowledge of how Hitler became a lethal demagogue.

    In this shocking and compelling study, historian Jan Gross pieces together eyewitness accounts as well as physical evidence into a comprehensive reconstruction of the horrific July day remembered well by locals but hidden to history. Revealing wider truths about Jewish-Polish relations, the Holocaust, and human responses to occupation and totalitarianism, Gross's investigation sheds light on how Jedwabne's Jews came to be murdered-not by faceless Nazis, but by people who knew them well.

    For readers of The Nightingale, Lilac Girls, and Sarah's Key.Austria, 1938.Kristoff is a young apprentice to a master Jewish stamp engraver. When his teacher disappears during Kristallnacht, Kristoff is forced to engrave stamps for the Germans, and simultaneously works alongside Elena, his beloved teacher's fiery daughter, and with the Austrian resistance to send underground messages and forge papers. As he falls for Elena amidst the brutal chaos of war, Kristoff must find a way to save her, and himself. Los Angeles, 1989. Katie Nelson is going through a divorce and while cleaning out her house and life in the aftermath, she comes across the stamp collection of her father, who recently went into a nursing home. When an appraiser, Benjamin, discovers an unusual World War II-era Austrian stamp placed on an old love letter as he goes through her dad's collection, Katie and Benjamin are sent on a journey together that will uncover a story of passion and tragedy spanning decades and continents, behind the just fallen Berlin Wall. A beautiful, poignant and devastating novel, The Lost Letter shows the lasting power of love.

    As founder of the Reich Chamber of Culture, gauleiter of Berlin, and architect of complex machinery of modern totalitarian propaganda, Goebbels is considered one of the most evil figures of the twentieth century. It was through his understanding of the instruments of OC public enlightenmentOCO that the dictatorship was built and maintained. Through interviews with his friends and family and with information from his own unpublished diary, a remarkable picture of Goebbels emerges.

    Franciscan friar Anton Starzmann is stripped of his place in the world when his school is seized by the Nazis. He relocates to a small German hamlet to wed Elisabeth Herter, a widow who seeks a marriage—in name only—to a man who can help raise her three children. Anton seeks something too—atonement for failing to protect his young students from the wrath of the Nazis. But neither he nor Elisabeth expects their lives to be shaken once again by the inescapable rumble of war. As Anton struggles to adapt to the roles of husband and father, he learns of the Red Orchestra, an underground network of resisters plotting to assassinate Hitler. Despite Elisabeth’s reservations, Anton joins this army of shadows. But when the SS discovers his schemes, Anton will embark on a final act of defiance that may cost him his life—even if it means saying goodbye to the family he has come to love more than he ever believed possible.

    The esteemed historian Robert O. Paxton answers this question for the first time by focusing on the concrete: what the fascists did, rather than what they said. From the first violent uniformed bands beating up “enemies of the state,” through Mussolini’s rise to power, to Germany’s fascist radicalization in World War II, Paxton shows clearly why fascists came to power in some countries and not others, and explores whether fascism could exist outside the early-twentieth-century European setting in which it emerged. The Anatomy of Fascism will have a lasting impact on our understanding of modern European history, just as Paxton’s classic Vichy France redefined our vision of World War II. Based on a lifetime of research, this compelling and important book transforms our knowledge of fascism–“the major political innovation of the twentieth century, and the source of much of its pain.”

    In fact, the perpetrators of genocide had a powerful sense of right and wrong, based on civic values that exalted the moral righteousness of the ethnic community and denounced outsiders.Claudia Koonz's latest work reveals how racial popularizers developed the infrastructure and rationale for genocide during the so-called normal years before World War II. Her careful reading of the voluminous Nazi writings on race traces the transformation of longtime Nazis' vulgar anti-Semitism into a racial ideology that seemed credible to the vast majority of ordinary Germans who never joined the Nazi Party. Challenging conventional assumptions about Hitler, Koonz locates the source of his charisma not in his summons to hate, but in his appeal to the collective virtue of his people, the Volk.From 1933 to 1939, Nazi public culture was saturated with a blend of racial fear and ethnic pride that Koonz calls ethnic fundamentalism. Ordinary Germans were prepared for wartime atrocities by racial concepts widely disseminated in media not perceived as political: academic research, documentary films, mass-market magazines, racial hygiene and art exhibits, slide lectures, textbooks, and humor. By showing how Germans learned to countenance the everyday persecution of fellow citizens labeled as alien, Koonz makes a major contribution to our understanding of the Holocaust.The Nazi Conscience chronicles the chilling saga of a modern state so powerful that it extinguished neighborliness, respect, and, ultimately, compassion for all those banished from the ethnic majority.