Yes, she is old. Yes, she sometimes forgets where she put her glasses, or her heart medication. But doesn't everyone? That doesn't give workers--paid to assist her, mind you--the right to rifle through her personal belongings, or "accidentally" forget something of hers in their pocket. It definitely does not give them the right to embezzle thousands of dollars from her family trust.Just when she is most desperate, a young neighbor takes her by surprise. Bonding over their shared love of soap operas, Jo and Toby engage in old-school reconnaissance to find answers. Together, they brave roller skates, walks along uneven ground, and even downtown parking on what may be Jo's most exciting adventure in forty years."Yes, And" is a feel-good story that explores the hearts of two misunderstood, kindred spirits, connected just when they need each other most.

    Long a celebrated West Coast cult figure, Kate Braverman now gives voice to Squandering the Blues, a distinctive and uncompromising collection of characters living out urban fairy tales and nightmares in the highly atmospheric landscape of Los Angeles.

     Brothers cease speaking to each other, husbands abandon wives and children, grown men are haunted by childhood fears. People struggle against the weight of their own history and try to reconcile themselves to their place in the world. With extraordinary insight and tenderness, Winton explores the demons and frailties of ordinary people whose lives are not what they had hoped.

    Once out of the fray -- far from our cubicles and the relentless rat race -- and back into nature, we find time to ponder bigger questions. Peelle has crafted eight stories that capture these moments: summers riding horses, life as a carnival worker, kidding season on a farm. Quiet and telling, her stories are filled alternately with supreme joy and with deep sorrow, desperation and longing, dreams born and broken -- set in landscapes where the clock ticks more slowly. Her landscapes are the kind of places you want to run away from, or to which you wish you could return, if time hadn't irrevocably changed them. A single thread runs through each of these stories, the unspoken quest to answer one of life's most primal questions: Who am I?Peelle's writing is calm and smooth on the surface -- even soothing in its descriptions of daily life on a farm, for example -- but her words can hardly contain the depth of emotion that lies beneath them. So make some time and find a big tree to sit beneath, take a deep breath, and dive into this quietly impressive collection.

    Risks and repercussions are never fully weighed. People leap and almost always land on rocky ground. May-December romances flourish in these stories, as do self-doubt and, in many cases, serious regret. Mysterious, dangerous benefactors, dead and living artists, movie stars and college professors, plagiarists, and distinguished foreign novelists are among the many different characters. No one is blameless, but villains are difficult to single out—everyone seemingly bears responsibility for his or her desires and for the outcome of difficult choices so often made hopefully and naively.

    A man crushes pills on the bathroom counter while his son watches from the hallway; missionaries clumsily navigate an uprising with barbed wire and broken glass; a boy disparages memorized scripture, facedown on the asphalt, as he fails to fend off his bully. From Kentucky to Florida to Haiti, these seemingly disparate lives are woven together within a series of nested repetitions, enacting the struggle to remain physically and spiritually alive throughout the untamable turbulence of their worlds. In a masterful blend of fiction, autobiography, and surrealism, Kyle Minor shows us that the space between fearlessness and terror is often very small. Long before Praying Drunk reaches its plaintive, pitch-perfect end, Minor establishes himself again and again as one of the most talented younger writers in America.

    This first work in a decade offers three novellas mirroring today’s face-lifted South, a zone revolutionized around freer sexuality, looser family ties, and superior telecommunications, yet it celebrates those locals who have chosen to stay local. In doing so, Local Souls uncovers certain old habits—adultery, incest, obsession—still very much alive in our New South, a "Winesburg, Ohio" with high-speed Internet.Wells Tower says of Gurganus, "No living writer knows more about how humans matter to each other." Such ties of love produce hilarious, if wrenching, complications: "Fear Not" gives us a banker's daughter seeking the child she was forced to surrender when barely fifteen, only to find an adult rescuer she might have invented. In "Saints Have Mothers," a beloved high school valedictorian disappears during a trip to Africa, granting her ambitious mother a postponed fame that turns against her. And in a dramatic "Decoy," the doctor-patient friendship between two married men breaks toward desire just as a biblical flood shatters their neighborhood and rearranges their fates.Gurganus finds fresh pathos in ancient tensions: between marriage and Eros, parenthood and personal fulfillment. He writes about erotic hunger and social embarrassment with Twain's knife-edged glee. By loving Falls, Gurganus dramatizes the passing of Hawthorne’s small-town nation into those Twitter-nourished lives we now expect and relish.Four decades ago, John Cheever pronounced Allan Gurganus "the most technically gifted and morally responsive writer of his generation." Local Souls confirms Cheever’s prescient faith. It deepens the luster of Gurganus’s reputation for compassion and laughter. His black comedy leaves us with lasting affection for his characters and the aching aftermath of human consequences. Here is a universal work about a village.

    His stories have been called “beautifully crafted” (The New York Times), “unforgettable” (San Francisco Chronicle), and “diverse and expansive” (The Washington Post). His 1989 collection, Nebraska, was widely praised, and he has published stories in literary magazines nationwide—The Atlantic, Esquire, Harper’s, Tin House, The Paris Review, and many others. In this new volume, comprising twelve new stories and seven pieces selected from Nebraska, the subjects of Hansen’s scrutiny range from Oscar Wilde to murder to dementia to romance, and display Hansen at his storytelling best: the craftsman described as “part Hemingway and part García Márquez . . . an all-American magic realist in other words, a fabulist in the native grain.” Readers will thrill to Hansen’s masterful attention to the smallest and most telling details, even as he plunges straight into the deepest recesses of desire, love, fury, and loss. Magisterial in its scope and surprising in its variety, She Loves Me Not shows an author at the height of his powers and confirms Hansen’s place as a major American writer.

    Set in and around contemporary London, these nine stories explore both the blisses and irritations of domestic life. An ambitious teenager vows never to settle for any of the adult lives she sees around her. Two old friends get tipsy at a small cafe and end up revealing more than they intended. In a boutique so exclusive that entrance requires a password, a frazzled careerwoman explores the anesthetizing effect of highly impractical clothing. And in the mesmerizing title story, a mother of three takes life one day at a time, while pushing the ominous question of whether she wants to firmly to one side.

    However, as the characters in the stories prove, misunderstanding and confusion are inherent in everyday life.

    With wisdom and sympathy and spare eloquence, she writes of their inarticulate longings for communion and grace.Yet even the saddest situations are imbued with Thompson¹s characteristic humor and a wry glimmer of hope. With Who Do You Love, readers will discover a writer with rare insight into the resiliency of the human spirit and the complexities of love.

    These fifteen compact stories are meticulously observed glimpses of everyday life that expose the ominous lurking under the ordinary. While his wife sleeps, a husband prowls the Internet, obsessed with female serial killers; a bureaucrat tries to reinvent himself, exposing goodness as artifice when he converts to Buddhism in search of power; a woman sits on the edge of the bed where her lover lies, attempting to locate a motive for his violence within her own self-doubt. Shifting between moments of violence (real and imagined) and mundane contemporary life, these stories encompass the complexity of human emotions, our capacity for cruelty as well as compassion. Not so much minimalist as stealthy, Karate Chop delivers its blows with an understatement that shows a master at work.

    With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

    Here, and in the towns beyond, the young live hard and wear the scars. Amongst them, there’s jilted Jimmy, whose best friend Tug is the terror of the town and Jimmy’s sole company in his search for the missing Clancy kid; Bat, a lovesick soul with a face like “a bowl of mashed up spuds” even before Nubbin Tansey’s boot kicked it in; and Arm, a young and desperate criminal whose destiny is shaped when he and his partner, Dympna, fail to carry out a job. In each story, a local voice delineates the grittiness of Irish society; unforgettable characters whose psychological complexities and unspoken yearnings are rendered through silence, humor, and violence.With power and originality akin to Wells Tower’s Everything Ravaged, Everything Burned and Claire Vaye Watkins’ Battleborn these six short stories and one explosive novella occupy the ghostly, melancholic spaces between boyhood and old age. Told in Barrett’s vibrant, distinctive prose, Young Skins is an accomplished and irreverent debut from a brilliant new writer.

    Across thirteen stories, this collection explores the thin border between magic and grief.