DuBois, Locke has constructed a vivid look at the new negro, the changing African American finding his place in the ever shifting sociocultural landscape that was 1920s America. With poetry, prose, and nonfiction essays, this collection is widely praised for its literary strength as well as its historical coverage of a monumental and fascinating time in the history of America.

    This memorable collection of poems exhibits Maya Angelou's unique gift for capturing the triumph and pain of being black and every man and woman's struggle to be free. Filled with bittersweet intimacies and ferocious courage, these poems are gems–many-faceted, bright with wisdom, radiant with life.

    I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life cannot matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric, the essay, and the visual in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government.Don't Let Me Be Lonely is an important new confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.

    '⦠The scallops arranged in the spider lambis were succulently decadent. A bottle of rare wine had been reduced to its essence and sprinkled over the raw bodies, and rough salt, and finely-chopped redware. The flush of the shell echoed visually the wine and the seaweed, and although there were but five scallops, they were truly sweet meat. The slices of mild green pepper were almost transparent, and they tangled artfully with shreds of young daikon, and pressure-steamed fragments of ti. Hot and crisp and oily-melting, a challenging blend. And the tea, as always, was Black Dragon tea, a hint of smoky coolness in the steam, and a consummation in the mouth. People died just to get it to these islands she had learned. She could think of many worse reasons to dieâ¦.'

    Writing “from the heart,” always with a refreshing lack of reticence, Miller involves the reader directly in his thoughts and feelings. “His real aim,” Karl Shapiro has written, “is to find the living core of our world whenever it survives and in whatever manifestation, in art, in literature, in human behavior itself. It is then that he sings, praises, and shouts at the top of his lungs with the uncontainable hilarity he is famous for.”Here are some of Henry Miller’s best-known writings: an essay on the photographer Brassai; Reflections on Writing, in which Miller examines his own position as a writer; Seraphita and Balzac and His Double, on the works of other writers; and The Alcoholic Veteran, Creative Death, The Enormous Womb, and The Philosopher Who Philosophizes.

    Davis has written on liberation theory and democratic praxis. Challenging the foundations of mainstream discourse, her analyses of culture, gender, capital, and race have profoundly influenced democratic theory, antiracist feminism, critical studies and political struggles. Even for readers who primarily know her as a revolutionary of the late 1960s and early 1970s (or as a political icon for militant activism) she has greatly expanded the scope and range of social philosophy and political theory. Expanding critical theory, contemporary progressive theorists - engaged in justice struggles - will find their thought influenced by the liberation praxis of Angela Y. Davis.The Angela Y. Davis Reader presents eighteen essays from her writings and interviews which have appeared in If They Come in the Morning, Women, Race, and Class, Women, Culture, and Politics, and Black Women and the Blues as well as articles published in women's, ethnic/black studies and communist journals, and cultural studies anthologies. In four parts - Prisons, Repression, and Resistance, Marxism, Anti-Racism, and Feminism, Aesthetics and Culture, and recent interviews - Davis examines revolutionary politics and intellectualism.Davis's discourse chronicles progressive political movements and social philosophy. It is essential reading for anyone interested in contemporary political philosophy, critical race theory, social theory, ethnic studies, American studies, African American studies, cultural theory, feminist philosophy, gender studies.

    When Doris' English grandfather, William Harvey, discovers a clearing at the end of a path cut by the feet of those running from slavery, he gives his name to what will become his family's home for generations. For Doris, Harvey River is the place she always called home, the place where she was one of the "fabulous Harvey girls" and where the rich local bounty of the land went hand in hand with the Victorian niceties and comforts of her parents' house. It is a place she will return to in dreams when her fortunes change, years later, and she and her husband, Marcus Goodison, relocate to "hard life" Kingston and encounter the harsh realities of urban living in close quarters as they raise their family of nine children.In lush prose, Lorna Goodison weaves memory and island lore to create a vivid, universally appealing tapestry.

    Complemented by striking cover art from Carrie Mae Weems, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy.Praise for Aja Monet:“[Monet] is the true definition of an artist.”—Harry Belafonte“In Paris, she walked out onto the stage, opened her mouth and spoke. At the first utterance I heard that rare something that said this is special and knew immediately that Aja Monet was one of the Ones who will mark the sound of the ages. She brings depth of voice to the voiceless, and through her we sing a powerful song.”—Carrie Mae WeemsOf Cuban-Jamaican descent, Aja Monet is an internationally established poet, performer, singer, songwriter, educator, and human rights advocate. Monet is also the youngest person to win the legendary Nuyorican Poet’s Café Grand Slam title.

    In this stunning debut, Laura Lee weaves unforgettable and eye-opening essays on a variety of taboo topics. In “History of Scars” and “Aluminum’s Erosions,” Laura dives head-first into heavier themes revolving around intimacy, sexuality, trauma, mental illness, and the passage of time. In “Poetry of the World,” Laura shifts and addresses the grief she feels by being geographically distant from her mother whom, after being diagnosed with early onset Alzheimer’s, is relocated to a nursing home in Korea. Through the vivid imagery of mountain climbing, cooking, studying writing, and growing up Korean American, Lee explores the legacy of trauma on a young queer child of immigrants as she reconciles the disparate pieces of existence that make her whole. By tapping into her own personal, emotional, and psychological struggles in these powerful and relatable essays, Lee encourages all of us to not be afraid to face our own hardships and inner truths.

    Spanning 40 years and including Himes's first work, written during his imprisonment in the 1940s, this collection uncovers the internal struggles of black individuals caught between resignation and rage, probing the heart of the African-American experience with wit, indignation, and ruthless honesty.

    She crisscrossed America and beyond with her daughter in tow, history shadowing their steps, always intensely aware of how they were perceived, not just as mother and child but as black women. From the San Francisco of settlers’ dreams to the slave-trading ports of Ghana, from snow-white Maine to a festive yet threatening bonfire in the Virginia pinewoods, Dungy finds fear and trauma but also mercy, kindness, and community. Penetrating and generous, this is an essential guide for a troubled land.

    Here, in this compelling assembly of writings, Pulitzer Prize-winning author Annie Dillard explores the world of natural facts and human meanings.

    Joining award-winning Jamaican authors such as Marlon James, Leone Ross, and Thomas Glave are two "special guest" writers with no Jamaican lineage: Nigerian-born Chris Abani and British writer Ian Thomson. The menacing tone that runs through some of these stories is counterbalanced by the clever humor in others, such as Kei Miller's �White Gyal with a Camera,” who softens even the hardest of August Town’s gangsters; and Mr. Brown, the private investigator in Kwame Dawes’s story, who explains why his girth works to his advantage: "In Jamaica a woman like a big man. She can see he is prosperous, and that he can be in charge." Together, the outstanding tales in Kingston Noir comprise the best volume of short fiction ever to arise from the literary wellspring that is Jamaica.

    His impassioned essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written.--back cover

    In a brilliant translation by Rose-Myriam Réjouis and Val Vinokur, Love, Anger, Madness is a scathing response to the struggles of race, class, and sex that have ruled Haiti. Suppressed upon its initial publication in 1968, this major work became an underground classic and was finally released in an authorized edition in France in 2005.In Love, Anger, Madness, Marie Vieux-Chauvet offers three slices of life under an oppressive regime. Gradually building in emotional intensity, the novellas paint a shocking portrait of families and artists struggling to survive under Haiti’s terrifying government restrictions that have turned its society upside down, transforming neighbors into victims, spies, and enemies.In “Love,” Claire is the eldest of three sisters who occupy a single house. Her dark skin and unmarried status make her a virtual servant to the rest of the family. Consumed by an intense passion for her brother-in-law, she finds redemption in a criminal act of rebellion.In “Anger,” a middle-class family is ripped apart when twenty-year-old Rose is forced to sleep with a repulsive soldier in order to prevent a government takeover of her father’s land.And in “Madness,” René, a young poet, finds himself trapped in a house for days without food, obsessed with the souls of the dead, dreading the invasion of local military thugs, and steeling himself for one final stand against authority. Sympathetic, savage and truly compelling with an insightful introduction by Edwidge Danticat, Love, Anger, Madness is an extraordinary, brave and graphic evocation of a country in turmoil.