The stories may appear in the form of letters of complaint; they may be extracted from Flaubert’s correspondence; or they may be inspired by the author’s own dreams, or the dreams of friends.What does not vary throughout Can’t and Won’t, Lydia Davis’s fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.

    Robert Wallis, would-be poet, bohemian & dandy, accepts a commission from coffee merchant Samuel Pinker to categorise the different tastes of coffee & encounters Pinker's free-thinking daughters, Philomenia, Ada & Emily. As romance blossoms with Emily, Robert realises that the muse & marriage may not be incompatible after all.

    

    Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language.From the opening story, "Willing", about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being, Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America. In the story "Which Is More Than I Can Say About Some People" ("There is nothing as complex in the world--no flower or stone--as a single hello from a human being"), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is. In "Charades," a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties. In "Community Life,"a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in "Four Calling Birds, Three French Hens," a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Haagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia.In what may be her most stunning book yet, Lorrie Moore explores the personal and the universal, the idiosyncratic and the mundane, with all the wit, brio, and verve that have made her one of the best storytellers of our time.

    In intimate and spare language, Giovanni offers insight into the powerful elements and forces in her life: family and friends, the deaths of heroes and companions, nature, libraries, and theater. In between, the deep and edgy conscience that has defined her for decades shines through when she writes movingly of Rosa Parks, Hurricane Katrina, and Emmett Till, leaving no doubt that this commanding presence has not traded one approach for another but simply made room for both.

    The title poem confronts a human ritual of marriage from the standpoint of a wedding photographer. Within the tedium and alienation of the ceremony, the speaker grapples with a strange human hopefulness. In this vein, Stone explores our everyday patterns and customs, and in doing so, exposes them for their complexities. Drawing on the neurological, scientific, psychological, and even supernatural, this collection confronts the difficulties of love and family. Stone rankles with a desire to understand, but the questions she asks are never answered simply. These poems stroll along the abyss, pointing towards the absurdity of our choices. They recede into the imaginative in order to understand and translate the distressing nature of reality. It is a bittersweet question this book raises: Why we are like this? There is no easy answer. So while we look down at our hands, perplexed, Someone Else’s Wedding Vows raises a glass to the future.

    For the first time Bloom gives his readers an elegant guide to reading poetry--a master critic’s distillation of a lifetime of teaching and criticism. He tackles such subjects as poetic voice, the nature of metaphor and allusion, and the nature of poetic value itself. Blooms writes “the work of great poetry is to aid us to become free artists of ourselves.” This essay is an invaluable guide to poetry.This edition will also include a recommended reading list of poems.

    A survey of Irish poetry includes works from the seventh century to poems by Joyce, Yeats, and Moore.

    These bewitching poems and stories unwind a fevered world of magic and longing and young women who chance the uncanny and gain wisdom beyond their years.

    This summer, she's hiring a personal trainer to help her lose weight. Annabel doesn’t expect her trainer to be a gorgeous guy around her age. Boys like Tegan are jerks. They pretend to like girls like her so they can make an idiot out of them. Been there, done that. Totally not going there again. She kind of hates him on principal. Blond. Muscular. Funny. It doesn’t help that he knows her measurements!Soon, Tegan's so much more than that. He’s the boy who teaches her to box when she has a bad day. Who jogs with her and lets her set the pace. Who kisses her until she melts. He makes her feel beautiful regardless of what the scale says. Unlike her mom, he doesn’t expect perfection, and he doesn't try to shield her from the world like her dad and best friend. Tegan likes her the way she is.But what happens when he’s not there? He can’t always be there… Will Annabel be able to stand on her own and learn that she already measures up? That her worth doesn’t lie in what the world thinks, the scale says, or even what Tegan tells her—but in herself?

    A lonely art historian absorbed in her research seizes the opportunity to share in the joys and pleasures of the lives of a glittering couple, only to find her hopes of companionship and happiness shattered.

    The title of this book is taken from Henry Miller's "Into the Night Life" and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's—as if they were, taken together, a kind of Coney Island of the mind—a kind of circus of the soul.

    Perfect for fans of Mandy Baggot, Christie Barlow and Zara Stoneley.A summer that changes everything…Frazzled workaholic Evie Johnson has finally had enough! When she’s blamed for a publicity disaster at the art gallery she loves, she decides to flee the bright lights of London for the sun-drenched shores of Corfu and turn her life upside-down.Under the shade of the olive trees, she picks up her dusty paintbrushes and begins to chase the dreams she had put aside for so long. But she never expected to bump into drop-dead-gorgeous Sam Bradbury – and certainly not whilst wrapped only in a towel!A summer fling is the last thing Evie wanted but a few stolen kisses under the stars might just begin to change her mind…

    An intimate and devastating portrait of Romania during and after the Second World War, through the prism of a moving and utterly original friendship.Shortlisted for the 2012 Orange Prize.

    Among his expansive and impressive body of work, Gitanjali is regarded as one of his greatest achievements, and has been a perennial bestseller since it was first published in 1910.