In “Casualties,” Tsabari takes us into the military—a world every Israeli knows all too well—with a brusque, sexy young female soldier who forges medical leave forms to make ends meet. Poets, soldiers, siblings and dissenters, the protagonists here are mostly Israelis of Mizrahi background (Jews of Middle Eastern and North African descent), whose stories have rarely been told in literature. In illustrating the lives of those whose identities swing from fiercely patriotic to powerfully global, The Best Place on Earth explores Israeli history as it illuminates the tenuous connections—forged, frayed and occasionally destroyed—between cultures, between generations and across the gulf of transformation and loss.

    Their childhoods were spent in small Texas towns with summers at their respected grandparent’s farms. Like most teenagers growing up in small towns they could not wait to flee after graduation for big cities and successful careers. Careers were launched, the big house on the golf course bought, luxury cars leased, and fancy vacations taken. They had it all until a global fuel shortage started causing Mark to wonder about his job and the financial future of his family. Follow Mark and Kelly as they learn about global finances, hidden agendas, and the cover-up of the upcoming global fuel shortage and severe economic depression it will create. Follow the Turner’s as they plan their strategy to voluntarily move from an upper middle-class lifestyle to a self-sustaining lifestyle on an Oklahoma farm before it is too late. Learn alongside them as they learn the skills needed to live on a small farm, raise their own food, and prepare for a global economic depression on a scale never seem by mankind before.

    In this distinctive world, Peter Frankel, a successful partner in a prestigious law firm, lives a seemingly contented life with his talented wife and his two Ivy League—educated children. Yet in middle age Peter finds himself discontent. His wife’s narrowness and her preoccupation with appearances leaves him cold, his job does not fulfill his creative bent, and he fears that his children, Susan and Louis, have grown into skeptical young adults who shun marriage and stability. So when Peter’s wife is badly hurt in a car accident and lies in a coma, he finds himself guiltily relieved–and newly drawn toward his children as they too struggle with ambivalent feelings about the mother who’s never really shown them much love. As Susan, a cerebral doctoral student, becomes unhappily involved with an aspiring playwright and Louis is caught up in a futile pursuit of an ambitious journalist, Peter’s own quiet life is shaken up, and longings he has stifled for years come rumbling to the surface.Freed from his wife’s judgments, Peter throws himself into his greatest pleasure, the work he does for a foundation that funds offbeat artistic projects. And as his passion for this work ignites, so does his desire for another woman. But the stubborn morality that has steered Peter’s life is a force to be reckoned with–and one from which he may never entirely escape.Love, Work, Children is a profoundly insightful novel about two generations and the colorful urban world they inhabit. A superb portrayal of one of New York’s exceptional neighborhoods, this is a story, ultimately, about the self-imposed obstacles to true happiness–and a testament to the joy one can find in overcoming them.From the Hardcover edition.

    Encuentra jardines donde nadie más ha sido capaz de verlos. Una historia de amor y deseo. La edición incluye caligrafías de Hassan Massoudy.At the Mogador, the city of desire, a woman, tired of her lover's insensitivity, decides to impose a challenge on him: she will make love with him only when he comes to tell her about a new garden in the city. The problem is, however, that there is none and he will not be permitted to create new ones. To discover hidden gardens he will have to tune in to his most dormant emotions.

    Shifting from memoir to fiction, it focuses on the commonplace experiences underlying our lives that are the true basis for storytelling. At the book’s core is Isabel Huggan’s old house in rural France, from where she contemplates the real meaning of “home,” and the mysterious manner in which memory gives substance to ordinary things around us. With a light touch, she brings to life the people she has met in her travels from whom valuable lessons have been learned.Isabel Huggan writes with the candour and compassion that made her earlier books so well loved, and here she speaks even more clearly from the heart. Belonging is an intimate conversation between the narrator who needs to examine her life because it has not turned out as she expected, and her readers, who will find their own concerns illuminated in surprising ways. Slowly, a pattern emerges as certain motifs become apparent: happiness, friendship, landscape, language, heartache. As the book draws to a close, readers will understand the fictional character who says, “There is nothing in our lives that doesn’t fit.”

    In Douglas Coupland's ingenious new novel--sort of a Clerks meets Who's Afraid of Virginia Woolf--we meet Roger, a divorced, middle-aged aisles associate at Staples, condemned to restocking reams of 20-lb. bond paper for the rest of his life. And Roger's co-worker Bethany, in her early twenties and at the end of her Goth phase, who is looking at fifty more years of sorting the red pens from the blue in aisle 6.One day, Bethany discovers Roger's notebook in the staff room. When she opens it up, she discovers that this old guy she's never considered as quite human is writing mock diary entries pretending to be her: and, spookily, he is getting her right.These two retail workers then strike up an extraordinary epistolary relationship. Watch as their lives unfold alongside Roger's work-in-progress, the oddly titled Glove Pond, a Cheever-era novella gone horribly, horribly wrong. Through a complex layering of narratives, The Gum Thief reveals the comedy, loneliness, and strange comforts of contemporary life.Coupland electrifies us on every page of this witty, wise, and unforgettable novel. Love, death and eternal friendship can all transpire where we least expect them ...and even after tragedy seems to have wiped your human slate clean, stories can slowly rebuild you.

    The opening chapter outlines initial reactions to the novel from English and Caribbean critics, charting the differences between them. Chapter Two explores Wide Sargasso Sea 's dialogue with Jane Eyre and the theoretical questions it has raised. Succeeding chapters examine how critics have assessed the racial politics of Rhys's text, discuss the novel's African Caribbean cultural legacy, and explore how critics read the work both in terms of its moment of production and the early Victorian period in which it is set.

    Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I’ll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What’s leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they’re pausing; They’re intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent, prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I’ve committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.

    It has the power to bring a country to its knees. The Russians, the Chinese and the world’s most ruthless arms dealer are all setting out to steal it. Can Wilder and his small elite team keep this Armageddon weapon out of the hands of these ruthless people? Failure to do so could change irrevocably the balance of power around the world.This gripping thriller of international espionage races from New York to London, to Moscow, the Crimea and Beijing. If you enjoy the likes of Jack Reacher, you’ll love Tom Wilder. Meet him today – “a great new hero on the block” as one prominent book reviewer has labelled him. Local radio station interview with the Author Q. – Listeners sometimes ask what starts people writing? A. – In my case, some forty years ago, when I was briefly between jobs, I had time on my hands. I read quite a lot and became fascinated by the intricate plotting of the likes of a John Grisham thriller and I thought I’d try my hand at it. Q. – And how did that go? A. – Though I later went on to collaborate with a professional screenplay writer to turn my book into a thriller for television, the book itself might have gone better if I hadn’t got a new job at exactly the same time as I got an Agent – and I don’t think she was best pleased when I gave my new job higher priority than my writing. Q. – So you didn’t pursue writing as a career then, what about now? A. – I’ve been very lucky in life; I was badgered by one of my twenty-something year old grandchildren a little while back to write my autobiography. As I was born before World War II, I’d seen the huge changes the war itself brought, then post-war rationing, the difficulties of the fifties, the excitement of the sixties and so on. As I said, I’ve been so lucky in life that I titled the book ‘Lucky, Lucky Me’. But at seventy-nine years of age now, I’m a bit late for yet another career and I write for the pleasures of it. Q. – And what are those pleasures? A. – The challenge and fun of plotting a thriller, especially if one wants it to be pacy, to include lots of action, to provide readers with a few hours of enjoyable escape during the daily commute to or from work or while lazing on holiday. It’s fun to be able to throw in unusual characters, maybe also assassinations, kidnapping and so on. Q, - Although “Whatever it Takes” is fiction, are your books based on reality? A. – Very much so. Although one of the next great technological leaps forward will be in quantum computers, it’s still in its infancy as I write. I’ve just speeded up its development. In time, I’m sure it will have some of the extraordinary and frightening powers that I’ve given Gemini. Though I wouldn’t dare claim to be some kind of H.G.Wells – foretelling the future – I’m sure something like Gemini will come along. Q. – Why did you decide to publish on Amazon and other eBook channels? A. – I believe that even the immensely successful J.K.Rowling had her first Harry Potter book turned down by something like a dozen publishing houses. I’m too old to afford the time going the traditional publishing route.

     Ava Fortune's got it all... magic, love, and a bakery. She just can't seem to stay out of trouble, especially now that her dad is getting married. And now Ava's father's been framed for murder… Obviously, she can't let this case rest. Ava can't let her dad down. She needs to find the real killer before he strikes again or her dad ends up behind bars forever. With her aunts and best friend there to help her, Ava can't possibly fail. Or can she? She wonders if this time the killer just might win. Can Ava save her father before it's too late, or is her magic all used up? Page Count: around 330 pages

    And only organized crime can do it. When a gambler tries to pay a bookie with food stamps, the Mafia realizes the liberal entitlement society has gone too far. With half the country on some sort of government assistance, disposable income is disappearing. And without disposable income, the Mob will soon be out of business. Enough. Three New Jersey Mafia families decide to band together to take control of the country. To do so they must get 12 flaming liberals who are destroying the country with a progressive agenda “out of the way.” A “hit list” that will lead to the ultimate target, the President. But this is the new Mob, using brains and technology instead of bullets. And they have a not-so-secret weapon: a United States Senator who happens to be a blood relative. And blood is thicker than politics.

    Jack Slater, once an orphan boy on a train trip west, is facing A Long Year in Outlaw Country. “This is the 1880s, we’re supposed to be civilized,” Slater says following an attack that killed one of his best hands. Greedy men, mean killers, outlaws all, don’t understand the concept of civilized, and it take men like Jack Slater to stand up to them, more so when his family is threatened.

    He wrote his poetry in Urdu and Farsi (1873-1938), and that bridged and encompassed the past many centuries of man's endeavours in the realms of thought and intuition. He emblazoned the high standards set by Mirza Asadullah Khan 'Ghalib', and glorified the literature in his own way. He was a scholarly personality, and wrote on various subjects, from philosophy to politics, from romance to emotions and so on. He wrote world famous poem 'sare jahan se acha Hindustan hamara' and many other such 'nazams' which are even today considered as great poetical creations. He was honoured with the title 'sir' by the British Government for his contributions to the literature.The present collection is a representative of Iqbal's Urdu poetry, which has been transliterated into English verses, with translation into Devanagari (Hindi) and Roman script. The English translation has been done by Khwaja Tariq Mahmood, who earlier translated the poems of Mirza Ghalib and Sahir Ludhianvi, and is now working on many other collections.

    Must she really drink eight glasses of water a day to stay hydrated? Does the word "rape" apply to what happened to her? Why is the etiquette of the women's bathroom so fraught? Does the colleague who keeps offering to make her tea know something? And why can't she stop scratching?Fiercely moving and slyly profound, little scratch is a fearless and defiantly playful look at how our minds function in-- and survive--the darkest moments.

    In her poem “Deliverance” about her daughter’s birth she writes “What is the word for when the light leaves the body?/What is the word for when it/at last, returns?”Through poems that are as unforgettably beautiful as they are accessible, Kate proves herself to truly be an exemplary voice in modern poetry. As easy to post on Instagram as they are to print out and frame, Kate’s words make women feel seen in their own bodies, in their own marriages, and in their own lives. Her poems are those you share with your mother, your daughter, your sister, and your friends.