A missing professor. Some nefarious men in gray suits. And a dreamworld called the Troposphere? Ariel Manto has a fascination with nineteenth-century scientists--especially Thomas Lumas and The End of Mr. Y, a book no one alive has read. When she mysteriously uncovers a copy at a used bookstore, Ariel is launched into an adventure of science and faith, consciousness and death, space and time, and everything in between. Seeking answers, Ariel follows in Mr. Y’s footsteps: She swallows a tincture, stares into a black dot, and is transported into the Troposphere--a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination?

     *Includes a free extract from Katherine Heiny’s debut novel, Standard Deviation* 'Just as Jane Austen believed that four people cannot comfortably walk abreast, Charlene believes that three people cannot amicably move one person's belongings. At least not when two of the people used to be married to each other, and the marriage resulted in a bitter divorce in order for one of them to marry the third person' When Forrest's ex-wife Barbara calls on him to help her move out of the home they once shared, his second wife Charlie finds herself carrying not only dozens of boxes, but also the weight of their shared past. Barbara and Charlie first met twenty years ago when they volunteered at a suicide crisis hotline, and one night in particular is seared into Charlie's memory…From the author of Standard Deviation comes a wryly tender story of crises and cardboard boxes; of marriage and moving on.

    Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates’s domestic realism, B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.

    And it’s armed. Plum Kettle does her best not to be noticed, because when you’re fat, to be noticed is to be judged. Or mocked. Or worse. With her job answering fan mail for a popular teen girls’ magazine, she is biding her time until her weight-loss surgery. Only then can her true life as a thin person finally begin. Then, when a mysterious woman starts following her, Plum finds herself falling down a rabbit hole and into an underground community of women who live life on their own terms. There Plum agrees to a series of challenges that force her to deal with her past, her doubts, and the real costs of becoming “beautiful.” At the same time, a dangerous guerrilla group called “Jennifer” begins to terrorize a world that mistreats women, and as Plum grapples with her personal struggles, she becomes entangled in a sinister plot. The consequences are explosive.Dietland is a bold, original, and funny debut novel that takes on the beauty industry, gender inequality, and our weight loss obsession—from the inside out, and with fists flying.

    Is this what’s in store?June 12, 2030 started out like any other day in memory—and by then, memories were long.  Since cancer had been cured fifteen years before, America’s population was aging rapidly.  That sounds like good news, but consider this: millions of baby boomers, with a big natural predator picked off, were sucking dry benefits and resources that were never meant to hold them into their eighties and beyond.  Young people around the country simmered with resentment toward “the olds” and anger at the treadmill they could never get off of just to maintain their parents’ entitlement programs.But on that June 12th, everything changed: a massive earthquake devastated Los Angeles, and the government, always teetering on the edge of bankruptcy, was unable to respond. The fallout from the earthquake sets in motion a sweeping novel of ideas that pits national hope for the future against assurances from the past and is peopled by a memorable cast of refugees and billionaires, presidents and revolutionaries, all struggling to find their way.  In 2030, the author’s all-too-believable imagining of where today’s challenges could lead us tomorrow makes gripping and thought-provoking reading.

    Every night, before she puts them to bed, she whispers to them: “You are good, you are kind, you are clever, you are funny.” She’s determined that they never doubt for a minute that their mother loves them unconditionally. After all, her own mother Jeanie had died when she was only seven years old and Faye has never gotten over that intense pain of losing her.But one day, her life is turned upside down when she finds herself in 1977, the year before her mother died. Suddenly, she has the chance to reconnect with her long-lost mother, and even meets her own younger self, a little girl she can barely remember. Jeanie doesn’t recognize Faye as her daughter, of course, even though there is something eerily familiar about her...As the two women become close friends, they share many secrets—but Faye is terrified of revealing the truth about her identity. Will it prevent her from returning to her own time and her beloved husband and daughters? What if she’s doomed to remain in the past forever? Faye knows that eventually she will have to choose between those she loves in the past and those she loves in the here and now, and that knowledge presents her with an impossible choice.Emotionally gripping and ineffably sweet Faye, Faraway is a brilliant exploration of the grief associated with unimaginable loss and the magic of being healed by love.

    Working his way along a cross-country railroad line, he encounters lost souls, clever opportunists, and those who believe they’ll be delivered from hardship if they can find their way to the evangelical preacher Jonathan Blue, who is broadcasting on all the airwaves countrywide. Meanwhile, on the other side of the country, Beatrix and her neighbors turn to one another for food, water, and solace, and begin to construct the kind of cooperative community that suggests the end could, in fact, be a promising beginning. But between Beatrix and Carson lie 3,000 miles. With no internet or phone or postal service, can they find their way back to each other, and what will be left of their world when they do? The answers may lie with fifteen-year-old Rosie Santos, who travels reluctantly with her grandmother to Jonathan Blue, finding her voice and making choices that could ultimately decide the fate of the cross-country lovers. The Lightest Object in the Universe is a story about reliance and adaptation, a testament to the power of community and a chronicle of moving on after catastrophic loss, illustrating that even in the worst of times, our best traits, borne of necessity, can begin to emerge.

    Together, operating under pseudonyms and anonymous to potential kidnappers, they are given a new machine, the RS-80, and tasked with building a highway that connects the country's far-flung villages with the capital. Four, nicknamed "The Clock," is one of the highway's most experienced operators, never falling short of his assigned schedule. He drives the RS-80, stopping only to sleep and eat the food provided by the company. But Nine is an agent of chaos: speeding ahead on his vehicle, chatting and joking with locals, eating at nearby bars and roadside food stands, he threatens the schedule, breaks protocol, and endangers the work that they must complete in time for a planned government parade. His every action draws Four's ire, but when illness, corruption, and theft compromise their high-stakes mission, Four and Nine discover danger far greater than anything they could pose to one another.

    But when she receives news of her parents’ murder, she’s forced to return to the quiet town of Clarkeston, Maine, to arrange their funeral and take legal guardianship of her unpredictable and mentally ill brother, Wes.While Clare struggles to come to grips with the death of her parents, a terrifying pathogen outbreak overtakes the town. She is all too familiar with the resulting symptoms, which resemble those of her brother’s schizophrenia: hallucinations, paranoia, and bizarre, even violent, behavior. Before long, the government steps in—and one agent takes a special interest in Wes. Clare must make a horrifying decision: save her brother or save the world.

    But just three months in, news breaks of a devastating superstorm expected in the coming months. Fear of the impending disaster divides their tight-knit rural town and exposes the chasms in Ash and Pia's marriage. Ash seeks common ground with those who believe in working together for the common good. Pia teams up with "preppers" who want to go off the grid and war with the rest of the locals over whom to trust and how to protect themselves. Where Isole had once been a town of old farm families, yuppie transplants and beloved rednecks, they divide into paranoid preppers, religious fanatics and government tools.

    An astonishing debut." —Alan Moore, creator of Watchmen and V for Vendetta"Epic . . . Sequoia Nagamatsu is a writer whose imagination is matched only by his compassion, the kind we need to light our way through the dark." —Chloe Benjamin, New York Times bestselling author of The ImmortalistsRecommended by New York Times Book Review • Los Angeles Times • Entertainment Weekly • Esquire • Good Housekeeping • NBC News • Buzzfeed • Business Insider • Bustle • Goodreads • The Millions • The Philadelphia Inquirer • Minneapolis Star-Tribune • San Francisco Chronicle • The Guardian • PopSugar • Literary Hub • and many more!For fans of Cloud Atlas and Station Eleven, a spellbinding and profoundly prescient debut that follows a cast of intricately linked characters over hundreds of years as humanity struggles to rebuild itself in the aftermath of a climate plague—a daring and deeply heartfelt work of mind-bending imagination from a singular new voice.Beginning in 2030, a grieving archeologist arrives in the Arctic Circle to continue the work of his recently deceased daughter at the Batagaika crater, where researchers are studying long-buried secrets now revealed in melting permafrost, including the perfectly preserved remains of a girl who appears to have died of an ancient virus.Once unleashed, the Arctic Plague will reshape life on earth for generations to come, quickly traversing the globe, forcing humanity to devise a myriad of moving and inventive ways to embrace possibility in the face of tragedy. In a theme park designed for terminally ill children, a cynical employee falls in love with a mother desperate to hold on to her infected son. A heartbroken scientist searching for a cure finds a second chance at fatherhood when one of his test subjects—a pig—develops the capacity for human speech. A widowed painter and her teenaged granddaughter embark on a cosmic quest to locate a new home planet. From funerary skyscrapers to hotels for the dead to interstellar starships, Sequoia Nagamatsu takes readers on a wildly original and compassionate journey, spanning continents, centuries, and even celestial bodies to tell a story about the resiliency of the human spirit, our infinite capacity to dream, and the connective threads that tie us all together in the universe."Wondrous, and not just in the feats of imagination, which are so numerous it makes me dizzy to recall them, but also in the humanity and tenderness with which Sequoia Nagamatsu helps us navigate this landscape. . . . This is a truly amazing book, one to keep close as we imagine the uncertain future." —Kevin Wilson, New York Times bestselling author of Nothing to See Here

    Helen Kane, Yoshi Tanaka, and Sergei Kuznetsov must prove they’re the crew for the job by spending seventeen months in the most realistic simulation ever created.Retired from NASA, Helen had not trained for irrelevance. It is nobody’s fault that the best of her exists in space, but her daughter can’t help placing blame. The MarsNOW mission is Helen’s last chance to return to the only place she’s ever truly felt at home. For Yoshi, it’s an opportunity to prove himself worthy of the wife he has loved absolutely, if not quite rightly. Sergei is willing to spend seventeen months in a tin can if it means travelling to Mars. He will at least be tested past the point of exhaustion, and this is the example he will set for his sons.As the days turn into months the line between what is real and unreal becomes blurred, and the astronauts learn that the complications of inner space are no less fraught than those of outer space. The Wanderers gets at the desire behind all exploration: the longing for discovery and the great search to understand the human heart.

    Not out here. We never have. In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming news: Junior has been randomly selected to travel far away from the farm...very far away. The most unusual part? Arrangements have already been made so that when he leaves, Henrietta won't have a chance to miss him, because she won't be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Reid’s sharp and evocative style, Foe examines the nature of domestic relationships, self-determination, and what it means to be (or not to be) a person. An eerily entrancing page-turner, it churns with unease and suspense from the first words to its shocking finale.

    A few boyfriends and one abortion later she falls in love with Salim, the proud and elegant Pakistani with eyes like treacle. East meets West in a passionate mixed marriage. However, Marianne knows little of the Islamic view of motherhood. When his wife proves unfaithful, Salim reasons that she is morally incapable of bringing up her children and kidnaps them while she is at work...

    His signature style is simplicity itself, but the themes he tackles are big, deep and universal—love, loss, happiness, grief, and all the shades of emotion in between. These are stories of city and small town, mountain and lowland, and of life lived slowly and lightly. For over fifty years, these tales have charmed and beguiled several generations of readers. Last year, Ruskin Bond made a selection of his favourite stories (from the several hundred that he has written) that were published in a book entitled A Gathering of Friends. It proved to be enormously popular, selling out in a matter of weeks. Encouraged by its success, the author has made a further selection of his favourite stories and non-fiction sketches, leavening the mix with several pieces that have never been published before. It is a collection that will burnish his reputation as one of the world’s great storytellers.