She was a bride of six weeks, married to a blue-eyed boy from the Netherlands. Amidst international crises and famine, she gave birth to two children, bridged a cultural divide with her Dutch husband, and was devastated by a car accident that took the life of a twelve-year-old Zambian child. She stayed six years. After returning home, Kandel struggled to find her voice and herself. This is the story of how she found her way home. For more information, or to buy a signed copy directly from the author visit her website: jillkandel (dot) com.

    Amy S. Greenberg’s skilled storytelling and rigorous scholarship bring this American war for empire to life with memorable characters, plotlines, and legacies.    When President James K. Polk compelled a divided Congress to support his war with Mexico, it was the first time that the young American nation would engage another republic in battle. Caught up in the conflict and the political furor surrounding it were Abraham Lincoln, then a new congressman; Polk, the dour president committed to territorial expansion at any cost; and Henry Clay, the aging statesman whose presidential hopes had been frustrated once again, but who still harbored influence and had one last great speech up his sleeve. Beyond these illustrious figures, A Wicked War follows several fascinating and long-neglected characters: Lincoln’s archrival John Hardin, whose death opened the door to Lincoln’s rise; Nicholas Trist, gentleman diplomat and secret negotiator, who broke with his president to negotiate a fair peace; and Polk’s wife, Sarah, whose shrewd politicking was crucial in the Oval Office. This definitive history of the 1846 conflict paints an intimate portrait of the major players and their world. It is a story of Indian fights, Manifest Destiny, secret military maneuvers, gunshot wounds, and political spin. Along the way it captures a young Lincoln mismatching his clothes, the lasting influence of the Founding Fathers, the birth of the Daughters of the American Revolution, and America’s first national antiwar movement. A key chapter in the creation of the United States, it is the story of a burgeoning nation and an unforgettable conflict that has shaped American history.

    A Parisian photographer who is interested only in eyelids, a Japanese office worker who discovers his strange affinity with cacti, and a model who has hidden a tick since her childhood. With an ironic style and false ingenuity the author introduces us to the lives of men and women who appear to be normal but who in fact belong to an enormous army of misfits.

    Spectacular tomb discoveries at the city of Copan reveal some of the early artistic and architectural splendours at this major site. New finds here and elsewhere entail a complete reinterpretation of the relationship between the warrior-kings of the classic Maya lowlands and Teotihuacan, the greatest city of pre-Conquest America. Continuing epigraphic breakthroughs - decipherments of Maya inscriptions - demonstrate vividly the shifting power blocs among the competing Maya city-states.

     For more Information please visit: http://1888novel.blogspot.co.uk/PLEASE NOTE: As of January 2nd, 2013, this book has been comprehensively edited and proofread to address some of the concerns that have been raised in the reviews below.

    El Sicario is the hidden face of America's war on drugs. He is a contract killer who functioned as a commandante in the Chihuahuan State police, who was trained in the US by the FBI, and who for twenty years kidnapped, tortured and murdered people for the drug industry at the behest of Mexican drug cartels. He is a hit man who came off the killing fields alive. He left the business and turned to Christ. And then he decided to tell the story of his life and work. Charles Bowden first encountered El Sicario while reporting for the book "Murder City". As trust between the two men developed, Bowden bore witness to the Sicario's unfolding confession, and decided to tell his story. The well-spoken man that emerges from the pages of El Sicario is one who has been groomed by poverty and driven by a refusal to be one more statistic in the failure of Mexico. He is not boastful, he claims no major standing in organized crime. But he can explain in detail not only torture and murder, but how power is distributed and used in the arrangement between the public Mexican state and law enforcement on the ground - where terror and slaughter are simply tools in implementing policy for both the police and the cartels. And he is not an outlaw or a rebel. He is the state. When he headed the state police anti-kidnapping squad in Juarez, he was also running a kidnapping ring in Juarez. When he was killing people for money in Juarez, he was sharpening his marksmanship at the Federal Police range. Now he lives in the United States as a fugitive. One cartel has a quarter million dollar contract on his head. Another cartel is trying to recruit him. He speaks as a free man and of his own free will - there are no charges against him. He is a lonely voice - no one with his background has ever come forward and talked. He is the future - there are thousands of men like him in Mexico and there will be more in other places. He is the truth no one wants to hear.

    In Bordering Fires, the first anthology to combine writing from both sides of the Mexican-U.S. border, Cristina Garc’a presents a richly diverse cross-cultural conversation. Beginning with Mexican masters such as Alfonso Reyes and Juan Rulfo, Garc’a highlights historic voices such as “the godfather of Chicano literature” Rudolfo Anaya, and Gloria Anzaldœa, who made a powerful case for language that reflects bicultural experience. From the fierce evocations of Chicano reality in Jimmy Santiago Baca’s Poem IX to the breathtaking images of identity in Coral Bracho’s poem “Fish of Fleeting Skin,” from the work of Carlos Fuentes to Sandra Cisneros, Ana Castillo to Octavio Paz, this landmark collection of fiction, essays, and poetry offers an exhilarating new vantage point on our continent–and on the best of contemporary literature.ContentsPrelude: Excerpt from The use of thought / Samuel Ramos Early influences:Major Aranda's hand / Alfonso Reyes My cousin Agueda, and In the wet shadows / Ramón López Velarde Excerpt from Pedro Páramo / Juan Rulfo L.A. nocturne : the angels / Xavier Villaurrutia Chicano/a voices I: How to tame a wild tongue / Gloria AnzaldúaIndia / Richard RodriguezMeditations on the South Valley: Poem IX / Jimmy Santiago Baca B. Traven is alive and well in Cuernavaca / Rudolfo Anaya Contemporary Mexican voices:Excerpt from The death of Artemio Cruz / Carlos Fuentes Introduction from Here's to you, Jesusa! / Elena Poniatowska The day of the dead, and I speak of the city / Octavio Paz Excerpt from The book of lamentations / Rosario Castellanos Chicano/a voices 2: Daddy with Chesterfields in a rolled up sleeve / Ana Castillo Never marry a Mexican / Sandra Cisneros Maria de Covina / Dagoberto Gilb Excerpt from Crossing over : a Mexican family on the migrant trail / Rubén Martínez New departures:Hagiography of the apostate / Ignacio PadillaAunt Leonor, and Aunt Natalia / Ángeles MastrettaIdentity hour or, What photos would you take of the endless city / Carlos Monsiváis Fish of fleeting skin / Coral Bracho

    Through a variety of forms--original essays, historical writings, fiction, drama, and poetry--the illustrious contributors to this volume examine the impact this potent deity has had on the history of Mexico, its people, politics, Christianity, art and literature--and her influence beyond that country, in Latin America, North America and Europe.

    Unparalleled in scope and written for the traveler, student, and expert alike, the collection offers a comprehensive guide to the history and culture of Mexico—including its difficult, uneven modernization; the ways the country has been profoundly shaped not only by Mexicans but also by those outside its borders; and the extraordinary economic, political, and ideological power of the Roman Catholic Church. The book looks at what underlies the chronic instability, violence, and economic turmoil that have characterized periods of Mexico’s history while it also celebrates the country’s rich cultural heritage.A diverse collection of more than eighty selections, The Mexico Reader brings together poetry, folklore, fiction, polemics, photoessays, songs, political cartoons, memoirs, satire, and scholarly writing. Many pieces are by Mexicans, and a substantial number appear for the first time in English. Works by Octavio Paz and Carlos Fuentes are included along with pieces about such well-known figures as the larger-than-life revolutionary leaders Pancho Villa and Emiliano Zapata; there is also a comminiqué from a more recent rebel, Subcomandante Marcos. At the same time, the book highlights the perspectives of many others—indigenous peoples, women, politicians, patriots, artists, soldiers, rebels, priests, workers, peasants, foreign diplomats, and travelers.The Mexico Reader explores what it means to be Mexican, tracing the history of Mexico from pre-Columbian times through the country’s epic revolution (1910–17) to the present day. The materials relating to the latter half of the twentieth century focus on the contradictions and costs of postrevolutionary modernization, the rise of civil society, and the dynamic cross-cultural zone marked by the two thousand-mile Mexico-U.S. border. The editors have divided the book into several sections organized roughly in chronological order and have provided brief historical contexts for each section. They have also furnished a lengthy list of resources about Mexico, including websites and suggestions for further reading.Lively and insightful, The Mexico Reader will appeal to all interested in learning about Mexico—aficionados, travelers and scholars.

    The book offers an original interpretation of the Spaniards’ conquest, colonization, and destruction of pre-Columbian cultures in Mexico and the Caribbean. Using sixteenth-century sources, the distinguished French writer and critic Tzvetan Todorov examines the beliefs and behavior of the Spanish conquistadors and of the Aztecs, adversaries in a clash of cultures that resulted in the near extermination of Mesoamerica’s Indian population.

    Inspired by the magnificent images in John James Audubon's Birds of America, Diego Clemente dreams of journeying to the New World to see such creatures for himself and gets his chance when his joins American naturalist Edward Nelson to create a guide to the birds of the Yucatan, in a turbulent Mexico on the eve of revolution.

    Inga Clendinnen's account of the Aztecs recreates the culture of that city in its last unthreatened years. It provides a vividly dramatic analysis of Aztec ceremony as performance art, binding the key experiences and concerns of social existence in the late imperial city to the mannered violence of their ritual killings.

    For the next 300 years, Spaniards ranged through the continent building forts, missions and farms, ranches and towns to reconstruct the Iberian world.

    

    Includes Spanish words.