She left Latin America twenty years ago, but recently returned to look critically at our Church, our Constitution, our daily lives. Told in a lyrical and personal voice, but backed up by solid research, In the Land of God and Man draws a new map of Latin and Latino America -- from Quito, Ecuador to Queens, New York -- exposing its hidden cultural undercurrents and bringing women out of the factories and favelas, the brothels and the boardrooms, and allowing them to tell their own stories.

    Thompson, Charles Bukowski, and William S. Burroughs, and has been called “a grand storyteller” (Diario Jornada) and “an icon” (Frente). In these seven surreal and unsettling tales, he portrays the comedy and brutality of a region that has captivated the North American imagination.Akin to Márquez’s Macondo or Faulkner’s Yoknapatawpha County, Velázquez’s PopSTock! is a fictional territory in a familiar but strange northern Mexico. Throughout the stories is woven the Cowboy Bible—a mystical and protean object that first appears as the talisman of a Santería-practicing luchador, DJ, and art critic, then later morphs into an unbeatable marathon drinker, a scion of a fried-chicken vendor dynasty who becomes a Communist guerilla freedom fighter, and the leather for a pair of boots so coveted that it leads a man to grant the devil a night with his wife. With such otherworldly scenarios, pop-culture panache, and Velázquez’s linguistic inventiveness, The Cowboy Bible is a brazen commentary on modern Mexican reality.

    28 photographs; 3 maps.

    Katie Hickman went to Mexico looking for magic. She found it in the circus - big top, clowns, elephant and all - where cheap, torn materials are transformed for a night into glittering illusion. Gradually adjusting to the harsh ways of the circus's nomadic lifestyle she soon became absorbed into this hypnotic new world. At first, as a foreigner, she was on the outskirts, but she soon became La Gringa Estrella, a performer in her own right and adopted sister to the Bell's family.

    This new edition—including a new introduction and three new essays—remains a testament of Moraga's coming-of-age as a Chicana and a lesbian at a time when the political merging of those two identities was severely censured.Drawing on the Mexican legacy of Malinche, the symbolic mother of the first mestizo peoples, Moraga examines the collective sexual and cultural wounding suffered by women since the Conquest. Moraga examines her own mestiza parentage and the seemingly inescapable choice of assimilation into a passionless whiteness or uncritical acquiescence to the patriarchal Chicano culture she was raised to reproduce. By finding Chicana feminism and honoring her own sexuality and loyalty to other women of color, Moraga finds a way to claim both her family and her freedom.Moraga's new essays, written with a voice nearly a generation older, continue the project of "loving in the war years," but Moraga's posture is now closer to that of a zen warrior than a street-fighter. In these essays, loving is an extended prayer, where the poet-politica reflects on the relationship between our small individual deaths and the dyings of nations of people (pueblos). Loving is an angry response to the "cultural tyranny" of the mainstream art world and a celebration of the strategic use of "cultural memory" in the creation of an art of resistance.Cherríe Moraga is the co-editor of the classic feminist anthology This Bridge Called My Back and the author of The Last Generation. She is Artist-in-Residence at Stanford University.

    So many, in fact, that he can't even remember what it's like to be anything else. When he tries to steal Doña Josefa's gold, something strange begins to happen to Juan. His skin becomes tan instead of pale, his body straight instead of bent, and his mouth smiles instead of scowls. Juan also begins to remember things. He remembers eating good, home-cooked food, being among friends, and laughing. When the opportunity arrives for him to take Doña Josefa's gold, another strange thing happens. Juan realizes he can't. Maybe he isn't a thief anymore. Set against a Central American background, this is a story of love and faith in the human spirit.

    He was 16 when she died and he grieved as heavily as his father, Matthew, at her passing. He longed to prove himself to his father and offered to help with the family antique business, but his father seemed beyond help – obsessed with his loss. Tilly Povey watched the boy’s lonely existence with a heavy heart.Stella, Molly’s sister, had always loved Matthew and hoped that he would turn to her in need, but Matthew was gradually falling apart and not even those closest to him could help. But Tilly was determined to help this troubled family.

    With local materials and the primitive methods of the Casas Grandes people -- including using human hair to make brushes and cow manure to feed the flames that fire his pots -- Juan creates stunning pots in the traditional style. Each is a work of art unlike any other. The text is written in the form of "The House That Jack Built" and accompanied by a comprehensive afterword with photos and information about Juan's technique as well as a history of Mata Ortiz, the northern Mexican village where Juan began and continues to work. This celebratory story tells how Juan's pioneering work has transformed Mata Ortiz from an impoverished village into a prosperous community of world-renowned artists.

    At Christmastime, the flower blooms and flourishes, the quite exquisite red stars lighting up the countryside.This Mexican legend tells how the poinsettia came to be, through a little girl's unselfish gift to the Christ Child. Beloved Newbery honor-winning author and Caldecott honor-winning illustrator Tomie dePaola has embraced the legend using his own special feeling for Christmas. His glorious paintings capture not only the brilliant colors of Mexico and its art, but also the excitement of the children preparing for Christmas and the hope of Lucida, who comes to see what makes a gift truly beautiful.

    Some of the poems are close interpretations of Kahlo's work, while others are parallels or version homages where Petit draws on her experience as a visual artist to create alternative 'paintings' with words. More than just a verse biography, this collection explores how Kahlo transformed trauma into art after the artist's near-fatal bus accident. Petit, with her vivid style, her feel for nature and her understanding of pain and redemption, fully inhabits Kahlo's world. Each poem is an evocation of 'how art works on the pain spectrum', laced with splashes of ferocious colour.

    Read it—it’s moving, brave and just profoundly human and sad....There aren’t any answers. And that’s what makes this all so impossible, and Solomon’s journalism so essential” (Salon.com). “Both parents loved Adam. Neither parent imagined or wanted their child’s horrific end. This is why what Peter Lanza did by sharing his story with Andrew Solomon is so important. Lanza’s story fills important gaps in our understanding of how a beloved child became a killer—and reminds us as a society that we have an obligation to help families and children before they find themselves on irreversible paths of violence” (Time).

    Once Mexicans had a sizable presence in a few select states like California, Texas, Arizona and New York; today the fastest growing populations are in places like North Carolina, Arkansas, Georgia and Tennessee.. What motivates people to risk their very lives, and why don't Mexicans just "play by the rules" and enter legally? How do they cope, living in a strange country among people that speak a language they can't understand? And after everything they have gone through, do they see immigration as a blessing, a curse, or something in between? There's No Jose Here allows Mexicans in the U.S. to speak in their own words. The central narrative follows Enrique, a 34-year-old livery cab driver who came to the US illegally at the age of 16 and has since seen his daughter lead poisoned, his mother abandoned in Mexico by his father, his cousin murdered on the streets of Brooklyn, and his best friend deployed to Iraq. This book gives readers a look into these stories as people struggle to survive in a new and often hostile land.

    7 in a run-down Mexican resort. He dropped-out, giving up a future of billable hours and big law firm paychecks. But, there are millions of dollars missing from a client's account and a lot of people who want Michael Collins to come back. When his girlfriend is accused of murder, he knows that there really isn't much choice.

    In this beautiful bilingual picture book, Arthur Dorros portrays the close bond between father and son, with lush paintings by Rudy Gutierrez. Fans of Abuelo; Abuela; and La Isla will be thrilled by this multigenerational picture book that emphasizes the overall message of love between a parent and child.

    Every dish has a balance of sweet and spicy, fresh and dried, oil and acid, without relying heavily on wheat and dairy. The flavouring elements are simple - honeys, salts, fresh and dried herbs, fresh and dried chiles, onions, garlic - but by using the same ingredients in different forms, Werner layers flavours to bring forth maximum deliciousness. The recipes are beautifully photographed and interspersed with inspiring, gorgeously illustrated essays about this setting and story, making Hartwood an exhilarating experience from beginning to end.