In these poems, Smith opens the reader to a world of desire, longing, and deep mourning that picks up where his brothers Hopkins and Whitman left off. Startling in their formal range and virtuosity, these poems interrogate the ways the body not only inhabits but actually becomes public and private space: …tonight, I am no one’s pet, maybe an animal, wounded & hungry for revenge or sympathy but what’s the difference? Danez Smith lays down the gauntlet for all of us to speak our deepest truths with more elegance, more ferocity, and almost more beauty than a reader can bear.—Gabrielle Calvocoressi, Apocalyptic Swing, Poetry Editor for The LA Review of BooksDanez Smith is the crown prince of innovation and ferocity, a stunningly original voice that chooses not to recognize or respect those vexing artistic boundaries. Here is forte unleashed, an elicit glimpse of poetry's yet-to-be-turned page, a reason to stomp and romp in your church shoes. Hallelujah is an understatement.—Patricia Smith, Shoulda Been Jimi Savannah and Blood Dazzler

    Even though she believes true love will never find her, Jenna vows to help other women find their own true loves by opening a dating service. If she can’t find love for herself, she’s determined to find love for her hopelessly inept clients. Through messy mash-ups and zany adventures, Jenna and her best friend and business partner, Dale, help a Turret’s juggler lose her balls, an Elizabeth Taylor impersonator drop her White Diamonds, and a woman with multiple personalities find a girlfriend that adores all of her. Along the way, Jenna discovers that just because she’s given up on love, that doesn’t mean love has given up on her.

    Private investigator Jill Fitzpatrick is hired to find her. In her search for the truth, in what becomes a murder hunt, Jill is seduced by the alluring Diana Mailand, Mickey's former poetry professor. Plunging deep into in a dark and sleazy web of corruption and deceit, Jill comes to learn how the truth isn't always so beautiful, and killers don't like to be caught. Fuelled by homicide, betrayal, and a femme fatale to go to hell for, The Monkey's Mask is an erotic mystery novel written in verse. But forget what you know about poetry. This is not a love sonnet. From one of Australia's most innovative writers, The Monkey's Mask drives headfirst into murder, manipulation, and the consuming power of sex, and is a thriller to make other whodunnits seem mild.

    / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail." These provocative poems move with the power of Rich's distinctive voice.

    Hiding among the choir, he was content to be ignored at school. But in order to make his singing dreams come true and win the scholarship, he has to push aside that shyness and stand out. When new kid, Maverick Cole shows up, all of Ashton’s plans are thrown into chaos. Now he has to work with his new duet partner to perfect their song for the biggest choir competition in the country. The moment things start to look up, Ashton suddenly finds himself at the lowest point in his life. His new friend steps in to save him, proving their friendly rivalry might be more than friendship, on and off the stage. If only he could tell Maverick how he really feels. With his heart and his future on the line, will Maverick and Ashton be able to work together to make this work or will the pressure of winning tear them apart? The stakes are high, so Ashton will have to be ready to not only stand out, but come out. Especially if he wants to win both the competition and his Maverick’s heart. Besides, who needs therapy when you have harmony? *The Boy I Love The Most is a young adult gay romance*

    Merle is in her first year at the Corcoran School of Art, catapulted from her impoverished Appalachian upbringing into a sophisticated, dissipated art scene.It is also 1870. The teenage poet Arthur Rimbaud is on the verge of breaking through to the images and voice that will make his name.The meshed power of words and art thins the boundaries between the present and the past—and allows these two troubled, brilliant artists to enter each other’s worlds.

    He's the lead character in Brent Hartinger's Lambda Award-winning Russel Middlebrook Series. And he's also the star of Geography Club, the book that started it all and has now been adapted as a feature film co-starring Scott Bakula and Ana Gasteyer.But now Russel is facing his biggest challenge yet: getting tested for HIV, the virus that causes AIDS. Along the way, he learns a few things about safe sex and how to protect himself and others from the disease.Be forewarned: this story uses explicit language and is sexually graphic. But it also might tell you a few things you didn't know.This free short story is part of The Real Story Safe Sex Project, an-all volunteer organization created by Brent Hartinger dedicated to using entertainment and popular culture to spread the word about HIV/AIDS and safe sex to gay and bi male teens and twentysomethings. For more information: http://brenthartinger.com/therealstory

    Back home, the desert preys on those who cannot conform: an alfalfa farmer on the outskirts of town; two young girls whose curiosity leads to danger; a black politician who once served as his school's confederate mascot; Daley's mother, an immigrant from Armenia; and Daley himself, introspective and queer. Meanwhile, in another desert on the other side of the world, war threatens to fracture Daley's most meaningful - and most fraught - connection to home, his friendship with Robert Karinger.A luminous debut, Desert Boys by Chris McCormick traces the development of towns into cities, of boys into men, and the haunting effects produced when the two transformations overlap. Both a bildungsroman and a portrait of a changing place, the book mines the terrain between the desire to escape and the hunger to belong.

     Glen Retief's childhood was at once recognizably ordinary--and brutally unusual.Raised in the middle of a game preserve where his father worked, Retief's warm nuclear family was a preserve of its own, against chaotic forces just outside its borders: a childhood friend whose uncle led a death squad, while his cultured grandfather quoted Shakespeare at barbecues and abused Glen's sister in an antique-filled, tobacco-scented living room.But it was when Retief was sent to boarding school, that he was truly exposed to human cruelty and frailty. When the prefects were caught torturing younger boys, they invented "the jack bank," where underclassmen could save beatings, earn interest on their deposits, and draw on them later to atone for their supposed infractions. Retief writes movingly of the complicated emotions and politics in this punitive all-male world, and of how he navigated them, even as he began to realize that his sexuality was different than his peers'.

    Louise A. Blum, author of the critically acclaimed novel Amnesty, now tells the story of her own life and her decision to be out, loud, and pregnant. Mixing humor with memorable prose, Blum recounts how a quiet, conservative town in an impoverished stretch of Appalachia reacts as she and a local woman, Connie, fall in love, move in together, and determine to live their life together openly and truthfully.    The town responds in radically different ways to the couple’s presence, from prayer vigils on the village green to a feature article in the family section of the local newspaper. This is a cautionary, wise, and celebratory tale about what it’s like to be different in America—both the good and the bad. A depiction of small town life with all its comforts and its terrors, this memoir speaks to anyone who has ever felt like an outsider in America. Blum tells her story with a razor wit and deft precision, a story about two "girls with grit," and the child they decide to raise, right where they are, in small town America.

    These unintimidating poems offer girls a message of self-acceptance and strength, giving them permission to let go of shame and perfectionism. The cast of 68 poets is extraordinary: Amanda Gorman, the first National Youth Poet Laureate, who read at Joe Biden's inauguration; bestselling authors like Maya Angelou, Elizabeth Acevedo, Sharon Olds, Naomi Shihab Nye, and Mary Oliver; Instagram-famous poets including Kate Baer, Melody Lee, and Andrea Gibson; poets who are LGBTQ, poets of diverse racial and cultural backgrounds, poets who sing of human experience in ways that are free from conventional ideas of femininity. Illustrated in full color with work by three diverse artists, this book is an inspired gift for daughters and granddaughters—and anyone on the path to becoming themselves.No matter how old you are, it helps to be young when you're coming to life, to be unfinished, a mysterious statement, a journey from star to star.—Joy Ladin, excerpt from "Survival Guide"

    Sam is in trouble after a last minute cancellation of one of the bachelorettes, so Pamela demands to be allowed to help. The only thing is, she doesn't ask the right questions.What ensues is at times funny, poignant, playful, and adventurous as Pamela learns a few things about herself, and about what it might be like to love the right person. Or people.This novel of 84,000 words features warm, sometimes troubled characters, sweet and lovely dates, and perhaps a little bit of hot, graphic sex.

    They are 19 years old, God-fearing, and eager to start a family, but a week before their wedding Gary goes into a rest-stop bathroom and lets something happen. God Says No is his testimony — the story of a young black Christian struggling with desire and belief, with his love for his wife and his appetite for other men, told in a singular, emotional voice. Driven by desperation and religious visions, the path that Gary Gray takes — from revival meetings to "out" life in Atlanta to a pray-away-the-gay ministry in Memphis, Tennessee — gives a riveting picture of how a life like his can be lived, and how it can't.

    Now, first-time author Eric Poole joins their ranks with his chronicle of a childhood gone hilariously and heartbreakingly awry in the Midwest of the 1970s. From the age of eight through early adolescence, Poole sought refuge from his obsessive-compulsive mother, sadistic teachers, and sneering schoolyard thugs in the Scotchgarded basement of his family's suburban St. Louis tract house. There, emulating his favorite TV character, Endora from Bewitched, he wrapped himself in a makeshift caftan and cast magical spells in an effort to maintain control over the rapidly shifting ground beneath his feet. But when a series of tragic events tested Eric's longstanding belief that magic can vanquish evil, he began to question the efficacy of his incantations, embarking on a spiritual journey that led him to discover the magic that comes only from within. Watch a Video

    African American Studies. LGBT Studies. Winner of a Lambda Literary Award. BROTHER TO BROTHER, begun by Joseph Beam and completed by Essex Hemphill after Beam's death in 1988, is a collection of now-classic literary work by black gay male writers. Originally published in 1991 and out of print for several years, BROTHER TO BROTHER is a community of voices, Hemphill writes. [It] tells a story that laughs and cries and sings and celebrates...it's a conversation intimate friends share for hours. These are truly words mined syllable by syllable from the harts of black gay men. You're invited to listen in because you're family, and these aren't secrets-not to us, so why should they be secrets to you? Just listen. Your brother is speaking. This new edition includes an introduction by Jafari Allen.