Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one’s own path in identity, life, and love.In the HospitalMy mother was in the hospital & everyone wanted to be my friend.But I was busy making a list: good dog, bad citizen, shortskeleton, tall mocha. Typical Tuesday.My mother was in the hospital & no one wanted to be her friend.Everyone wanted to be soft cooing sympathies. Very reasonablepigeons. No one had the time & our solution to itwas to buy shinier watches. We were enamored withwhat our wrists could declare. My mother was in the hospital& I didn’t want to be her friend. Typical son. Tall latte, short tale,bad plot, great wifi in the atypical café. My mother was in the hospital& she didn’t want to be her friend. She wanted to be the familygrocery list. Low-fat yogurt, firm tofu. She didn’t trust my fatherto be it. You always forget something, she said, even whenI do the list for you. Even then.

    Under the thumb of his controlling father, the governor of Primrose Isle, he’s sailing to the fledging colony, where he’ll surrender to a respectable marriage for his family’s financial gain. Then pirates strike and he’s kidnapped for ransom by the Sea Hawk, a legendary villain of the New World.Bitter and jaded, Hawk harbors futile dreams of leaving the sea for a quiet life, but men like him don’t deserve peace. He has a score to settle with Nathaniel’s father—the very man whose treachery forced him into piracy—and he’s sure Nathaniel is just as contemptible.Yet as days pass in close quarters, Nathaniel’s feisty spirit and alluring innocence beguile and bewitch. Although Hawk knows he must keep his distance, the desire to teach Nathaniel the pleasure men can share grows uncontrollable. It’s not as though Hawk would ever feel anything for him besides lust…Nathaniel realizes the fearsome Sea Hawk’s reputation is largely invented, and he sees the lonely man beneath the myth, willingly surrendering to his captor body and soul. As a pirate’s prisoner, he is finally free to be his true self. The crew has been promised the ransom Nathaniel will bring, yet as danger mounts and the time nears to give him up, Hawk’s biggest battle could be with his own heart.This May-December gay romance from Keira Andrews features classic tropes including: a tough alpha pirate too afraid to love, a plucky virgin captive half his age, enemies to lovers, first-time sexual discovery, and of course a happy ending. 85,000 words.

    The man strikes the piano player as forgettable.He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight, he has his sights set on a gray haired man. He will not be his first victim.Nor will he be his last.The Last Call Killer preyed upon gay men in New York in the ‘80s and ‘90s and had all the hallmarks of the most notorious serial killers. Yet because of the sexuality of his victims, the skyhigh murder rates, and the AIDS epidemic, his murders have been almost entirely forgotten.This gripping true-crime narrative tells the story of the Last Call Killer and the decades-long chase to find him. And at the same time, it paints a portrait of his victims and a vibrant community navigating threat and resilience.

    Her fist book, Pole Dancing to Gospel Hymns opened the door to Gibson's unapologetic voice, yet The Madness Vase manages to take an even more intimate look at the subjects of family, war, spirituality, gender, grief and hope. The poems' topics range from hate crimes to playgrounds, from international conflict to hometowns, from falling in love to the desperation of loneliness. Gibson's work seizes us by the collar and hauls us inside some of her darkest moments, then releases out the other side. Moments later, we find ourselves inhaling words that fill us with light. Her luminous imagery is a buoy that allows us to resurface from her world clutching new possibilities of our own. Throughout her career, Gibson's poems have always been a call to social justice. But this collection goes beyond awareness. Her images linger in our psyches and entreat us to action. They challenge us to grow into our own skin. The journey may be raw at times but we are continuously left inspired, held, and certain we are not alone. By the time you finish reading The Madness Vase, you too will believe, "Folks like us/We've got shoulder blades that rust in the rain/But they are still G-sharp/Whenever our spinal chords are tuned to the key of redemption/So go ahead world/Pick us/To make things better."

    But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype--ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as a truth.David Halperin, a pioneer of LGBTQ studies, dares to suggest that gayness is a specific way of being that gay men must learn from one another in order to become who they are. Inspired by the notorious undergraduate course of the same title that Halperin taught at the University of Michigan, provoking cries of outrage from both the right-wing media and the gay press, "How To Be Gay" traces gay men's cultural difference to the social meaning of style.Far from being deterred by stereotypes, Halperin concludes that the genius of gay culture resides in some of its most despised features: its aestheticism, snobbery, melodrama, adoration of glamour, caricatures of women, and obsession with mothers. The insights, impertinence, and unfazed critical intelligence displayed by gay culture, Halperin argues, have much to offer the heterosexual mainstream.

    In this timely book, he shares that experience--addressing the standard objections to homosexuality and offering insight into the culture wars more generally.Is homosexuality unnatural? Does the Bible condemn it? Are people born gay (and should it matter either way)? Corvino approaches such questions with precision, sensitivity, and good humor. In the process, he makes a fresh case for moral engagement, forcefully rejecting the idea that morality is a "private matter." This book appears at a time when same-sex marriage is being hotly debated across the U.S. Many people object to such marriage on the grounds that same-sex relationships are immoral, or at least, that they do not deserve the same social recognition as heterosexual relationships. Unfortunately, the traditional rhetoric of gay-rights advocates--which emphasizes privacy and tolerance--fails to meet this objection. Legally speaking, when it comes to marriage, "tolerance" might be enough, Corvino concedes, but socially speaking, marriage requires more. Marriage is more than just a relationship between two individuals, recognized by the state. It is also a relationship between those individuals and a larger community. The fight for same-sex marriage, ultimately, is a fight for full inclusion in the moral fabric. What is needed is a positive case for moral approval--which is what Corvino unabashedly offers here.Corvino blends a philosopher's precision with a light touch that is full of humanity and wit. This volume captures the voice of one of the most rational participants in a national debate noted for generating more heat than light.

    The flamboyantly dressed Miss Fanny Park and Miss Stella Boulton are causing a stir in the Strand Theatre. All eyes are riveted upon their lascivious oglings of the gentlemen in the stalls. Moments later they are led away by the police. What followed was a scandal that shocked and titillated Victorian England in equal measure. It turned out that the alluring Miss Fanny Park and Miss Stella Boulton were no ordinary young women. Far from it. In fact, they were young men who liked to dress as women. When the Metropolitan Police launched a secret campaign to bring about their downfall, they were arrested and subjected to a sensational show trial in Westminster Hall. As the trial of 'the Young Men in Women's Clothes' unfolded, Fanny and Stella's extraordinary lives as wives and daughters, actresses and whores were revealed to an incredulous public. With a cast of peers, politicians and prostitutes, drag queens, doctors and detectives, "Fanny and Stella" is a Victorian peepshow, exposing the startling underbelly of nineteenth-century London. By turns tragic and comic, meticulously researched and dazzlingly written, "Fanny and Stella" is an enthralling tour-de-force.

    Now, Nepantla will appear for the first time in print as a survey of poetry by queer poets of color throughout U.S. history, including literary legends such as Audre Lorde, James Baldwin, June Jordan, Ai, and Pat Parker alongside contemporaries such as Natalie Diaz, Ocean Vuong, Danez Smith, Joshua Jennifer Espinoza, Robin Coste Lewis, Joy Harjo, Richard Blanco, Erika L. Sanchez, Jericho Brown, Carl Phillips, Tommy Pico, Eduardo C. Corral, Chen Chen, and more.

    This fearless book observes this increasingly complex world by exploring drag's journey – from the surprising, to the sophisticated, to the utterly bizarre – through the twentieth century and up to the present day.With witty text, dazzling photography, and corralled into thematic chapters, this is the first flamboyant and poignant survey of drag culture. Drag is not just for fabulous queens and drag enthusiasts, but for anyone interested in gender fluidity and the culture surrounding it.

    On Instagram, his uproarious videos have entertained millions and have made him a global celebrity. Now, he brings his bon vivance to the page with this collection of intimate and sassy essays.Bursting with color and life, dripping with his puckish Southern charm, How Y’all Doing? is Leslie doing what Leslie does best: telling stories that make us laugh and lift our spirits even in the darkest days. Whether he’s writing about his brush with a group of ruffians in a West Hollywood Starbucks, or an unexpected phone call from legendary Hollywood start Debbie Reynolds, Leslie infuses each story with his fresh and saucy humor and pure heart.How Y’all Doing? is an authentic, warm, and joyful portrait of an American Sweetheart— a Southern Baptist celebutante, first-rate raconteur, and keen observer of the odd side of life whose quirky wit rivals the likes of Amy Sedaris, Jenny Lawson, David Rakoff, and Sarah Vowell.

    The best of the first 5 years of BUTT: Adventures in 21st century gay subculture Since its first legendary issue in 2001, international quarterly magazine BUTT has been bringing together groups of young alternative gay guys all around the world, connecting fashion, sex, and art with a good sense of irony.

    Grin, giggle, and guffaw your way through this celebrated cartoonist's graphic commentary of contemporary lesbian life.

    The life of a gay and Jewish Nazi-fighter. A gender reveal party that tears apart reality. These are the just some of the comics you'll find in this massive queer comics anthology from The Nib.Be Gay, Do Comics is filled with dozens of comics about LGBTQIA experiences, ranging from personal stories to queer history to cutting satire about pronoun panic and brands desperate to co-opt pride. Brimming with resilience, inspiration, and humor, an incredible lineup of top indie cartoonists takes you from the American Revolution through Stonewall to today's fights for equality and representation.Featuring more than 30 cartoonists including Hazel Newlevant, Joey Alison Sayers, Maia Kobabe, Matt Lubchansky, Breena Nuñez, Sasha Velour, Shing Yin Khor, Levi Hastings, Mady G, Bianca Xunise, Kazimir Lee, and many, many more!

    Once a promising young medical student, Michael buried his dreams alongside the broken bodies of the men he could not save. After fleeing New York to preserve the one relationship he still values, he takes a position as a gardener on a country estate, but he soon discovers that the house hides secrets and sorrows of its own. While Michael nurses the estate’s neglected gardens, his reclusive employer dredges up reminders of the past Michael is desperate to forget.John Seward’s body was broken by the war, along with his will to recover until a family crisis convinces him to pursue treatment. As John’s health and outlook improve under Michael’s care, animosity yields to understanding. He and John find their battle of wills turning into something stronger, but fear may keep them from finding hope and healing in each other.

    Their revealing correspondence leaves no aspect of their lives untouched: daily dramas, bits of gossip, the strains and pleasures of writing, and always the same joy in each other’s company. This volume, which features over 500 letters spanning 19 years, includes the writings of both of these literary icons.DeSalvo and Leaska established the chronological order of the letters and placed them in sequence, and they have also included relevant diary entries and letters Vita and Virginia wrote to other friends where they add context and illumination to the narrative. Annotations throughout the text identify peripheral characters, clarify allusions, and provide background. As the New York Times noted, "the result is a volume that reads like a book, not just a gathering of marvelous scraps."In his introduction Mitchell A. Leaska observes, "Rarely can a collection of correspondence have cast into more dramatic relief two personalities more individual or more complex; and rarely can an enterprise of the heart have been carried out so near the verge of archetypal feeling."