has organized a bus boycott. In Tuscaloosa, outrage surrounds the entrance of the state university's first black student. But at little Randolph University, sweltering in the summer heat, life remains dreamily the same. At Kappa House, the sorority sisters talk of who has pinned whom, and whether they can sneak past their housemother so they can party at an out-of-town bar. Even among this privileged group, pretty, popular Kappa sister Maggie Deloach is unquestionably one of the elite...until she commits a single act of defiance and courage that forever alters the way others think of her, and how Maggie thinks of herself.

    Fresh out of nursing school, Civil Townsend has big plans to make a difference, especially in her African American community. At the Montgomery Family Planning Clinic, she intends to help women make their own choices for their lives and bodies.But when her first week on the job takes her down a dusty country road to a worn down one-room cabin, she’s shocked to learn that her new patients are children—just 11 and 13 years old. Neither of the Williams sisters has even kissed a boy, but they are poor and Black and for those handling the family’s welfare benefits that’s reason enough to have the girls on birth control. As Civil grapples with her role, she takes India, Erica and their family into her heart. Until one day, she arrives at the door to learn the unthinkable has happened and nothing will ever be the same for any of them. Decades later, with her daughter grown and a long career in her wake, Dr. Civil Townsend is ready to retire, to find her peace and to leave the past behind. But there are people and stories that refuse to be forgotten.That must not be forgotten. Because history repeats what we don’t remember.

    Mockingbird is good reading."—Star-Tribune (Minneapolis)To Kill a Mockingbird—the twentieth century's most widely read American novel—has sold thirty million copies and still sells a million yearly. Yet despite her book's perennial popularity, its creator, Harper Lee, has become a somewhat mysterious figure. Now, after years of research, Charles J. Shields brings to life the warmhearted, high-spirited, and occasionally hardheaded woman who gave us two of American literature's most unforgettable characters—Atticus Finch and his daughter, Scout.At the center of Shields's evocative, lively book is the story of Lee's struggle to create her famous novel, but her colorful life contains many highlights—her girlhood as a tomboy in overalls in tiny Monroeville, Alabama; the murder trial that made her beloved father's reputation and inspired her great work; her journey to Kansas as Truman Capote's ally and research assistant to help report the story of In Cold Blood. Mockingbird—unique, highly entertaining, filled with humor and heart—is a wide-ranging, idiosyncratic portrait of a writer, her dream, and the place and people whom she made immortal.

    W. Apple, Jr., of The New York Times credits third-generation Alabamian Frank Stitt with turning Birmingham into a "sophisticated, easygoing showplace of enticing, southern-accented cooking." His southern peers think his cooking may have a more profound sense of place than any of theirs. His food is rustic and homey, but sophisticated in method. Now, Alabama's favorite son has written a long-awaited cookbook that features his enticing Provençal-influenced southern food. More than 150 recipes range from the traditional--Spicy Green Tomato and Peach Relish, Spoonbread, and Pickled Shrimp--to the inspired--Slow-Roasted Black Grouper with Ham and Pumpkin Pirlau and Pork Loin with Corn Pudding and Grilled Eggplant. Desserts such as Bourbon Panna Cotta and Sweet Potato Tart with Coconut Crust and Pecan Streusel elevate the best of the South for cooks everywhere.

    That’s what fifteen-year-old Naomi learns after she escapes the brutal confines of life on an Alabama plantation. Striking out on her own, she must leave behind her beloved Momma and sister Hazel and takes refuge in a Georgia brothel run by a freewheeling, gun-toting Jewish madam named Cynthia. There, amidst a revolving door of gamblers, prostitutes, and drunks, Naomi falls into a star-crossed love affair with a smooth-talking white man named Jeremy who frequents the brothel’s dice tables all too often.The product of this union is Josey, whose white skin and blonde hair mark her as different from the other slave children on the plantation. Having been taken in as an infant by a free slave named Charles, Josey has never known her mother, who was murdered at her birth.Deftly weaving together the stories of Josey and Naomi—who narrates the entire novel unable to leave her daughter alone in the land of the living—Grace is a sweeping, intergenerational saga featuring a group of outcast women during one of the most compelling eras in American history.

    All four live on the fringe, scavenging what they can--catfish, lumber, scraps for their ailing dog. Despite the isolation, Pearl feels at home with her makeshift family: the three men care for Pearl and teach her what they know of the world.Mason Boyd, aka "Main Boy," is from a nearby affluent neighborhood where he and his raucous friends ride around in tricked-out golf carts, shoot their fathers' shotguns, and aspire to make Internet pranking videos. While Pearl is out scavenging in the woods, she meets Main Boy, who eventually reveals that his father has purchased the property on which Pearl and the others are squatting. With all the power in Main Boy's hands, a very unbalanced relationship forms between the two kids, culminating in a devastating scene of violence and humiliation.With the cinematic and terrifying beauty of the American South humming behind each line, Jon Pineda's Let's No One Get Hurt is a coming-of-age story set equally between real-world issues of race and socioeconomics, and a magical, Huck Finn-esque universe of community and exploration.

    Because of an unhealthy relationship with the bottle, he’s ruined his reputation as one of the South’s preeminent commissioned metal sculptors. And his desperate turn to ice sculpting might’ve led to a posse of angry politicians on his trail. With the help of his sane and practical potter wife, Raylou, Harp understands that it’s time to return to the mig welder. Yes, it’s time to prove that he can complete a series of twelve-foot-high metal angels—welded completely out of hex nuts—for the city of Birmingham. Is it pure chance that the Elbow Boys, their arms voluntarily fused so they can’t drink, show up in order to help Harp out in a variety of ways? And why did his neighbor smuggle anteaters into desolate Ember Glow? Is it true that there’s no free will?

    But when an invitation arrives from Caoin House, her uncle’s estate in Mobile, Alabama, she’s finally ready to cast off the shadows of her past. And what better way to do so than with a grand party in her honor? An aspiring authoress, Raissa’s eager to soak up more of life—and immerse herself in the dark history that haunts the estate.But the revelries come to an abrupt end when one of her uncle’s guests takes a deadly plunge. And when a ghost from the property’s past, a Confederate soldier, reveals himself to Raissa, she’s more determined than ever to get to the heart of the mysterious deaths that plague Caoin House. Enlisting the help of Reginald Proctor, a self-proclaimed medium, she holds a séance to shed light on old secrets. But she discovers that some secrets, even those long dead, still have a startling hold on the living…

    A fourteen-year-old girl is awakened by the unmistakable sound of gunfire. On the front lawn, her father has shot and killed her mother before turning the gun on himself. Allison Moorer would grow up to be an award-winning musician, with her songs likened to "a Southern accent: eight miles an hour, deliberate, and very dangerous to underestimate" (Rolling Stone). But that moment, which forever altered her own life and that of her older sister, Shelby, has never been far from her thoughts. Now, in her journey to understand the unthinkable, to parse the unknowable, Allison uses her lyrical storytelling powers to lay bare the memories and impressions that make a family, and that tear a family apart. Blood delves into the meaning of inheritance and destiny, shame and trauma -- and how it is possible to carve out a safe place in the world despite it all. With a foreword by Allison's sister, Grammy winner Shelby Lynne, Blood reads like an intimate journal: vivid, haunting, and ultimately life-affirming.

    A posse stops a freight train and arrests nine black youths. Their crime: fighting with white boys. Then two white girls emerge from another freight car, and fast as anyone can say Jim Crow, the cry of rape goes up. One of the girls sticks to her story. The other changes her tune, again and again. A young journalist, whose only connection to the incident is her overheated social conscience, fights to save the nine youths from the electric chair, redeem the girl who repents her lie, and make amends for her own past. Intertwining historical actors and fictional characters, stirring racism, sexism, and anti-Semitism into an explosive brew, Scottsboro is a novel of a shocking injustice that convulsed the nation and reverberated around the world, destroyed lives, forged careers, and brought out the worst and the best in the men and women who fought for the cause.

    His outraged friends -- —mostly poor cotton farmers -- form a secret society, Hell-at-the-Breech, to punish the townspeople they believe responsible. The hooded members wage a bloody year-long campaign of terror that culminates in a massacre where the innocent suffer alongside the guilty. Caught in the maelstrom of the Mitcham war are four people: the aging sheriff sympathetic to both sides; the widowed midwife who delivered nearly every member of Hell-at-the-Breech; a ruthless detective who wages his own war against the gang; and a young store clerk who harbors a terrible secret. Based on incidents that occurred a few miles from the author's childhood home, Hell at the Breech chronicles the events of dark days that led the people involved to discover their capacity for good, evil, or for both.

    She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through. And from a different notebook: the "California Notes" that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage, all of which would appear later in her acclaimed 2003 book, Where I Was From.

    Between the past and present, between love and war, between the burdens of race and hope, a woman returns home to discover her father and a history she had never known... Rachel Fleischer has good reasons not to be at her father s deathbed. Foaling season is at hand and her horses are becoming restless and difficult. Her critical mother and grasping sister could certainly handle Marty Fleisher's resistance better without her. But Malachi, her eighty-something horse manager more father to her than Marty has ever been convinces Rachel she will regret it if she doesn't go. When a stranger at her father s funeral delivers an odd gift and an apology, Rachel finds herself drawn into the epic story of her father s World War II experience, and the friendships, trauma, scandal, and betrayals that would scar the rest of his life and cast a shadow across the entire family. As she struggles to make sense of his time as a Jewish sergeant in charge of a platoon of black soldiers in 1940s Alabama, she learns more than just his history. She begins to see how his hopes and disappointments mirror her own and might finally give her the means to free herself of the past and choose a life waiting in the wings.

    For a brief and cherished time there was a woman, and then a child, too, who had been a kind of salvation to him. Then they were gone, leaving Ellis to carry on with the burden of what he had done to them, of the ruin he brought down upon them all.In The Sweet Everlasting, Ellis is seventy-four. Moving back and forth over his life, he recalls his Depression-era boyhood, the black family who worked the neighboring farm, his time in prison, and the subsequent years adrift, working at jobs no one else would take and longing for another chance to rejoin what is left of his family. Ever in the background are the memories of his wife, Susan, and their boy, W.D.--how Ellis drew on her strength and his innocence to resist everything that threatened to harden him: the shame that others would have him feel, the poverty he had known, and the distorted honor and pride he had seen in others and that he knew was inside him, too.Like the hero of William Kennedy's masterpiece, Ironweed, Ellis Burt is a man of uncommon personal dignity and strength, always moving toward, but never expecting, redemption.

    . . Looking For Trouble Addy Corwin is a florist with an attitude. A bad attitude, or so her mama says, 'cause she's not looking for a man. Mama's wrong. Addy has looked. There's just not much to choose from in Hannah, her small Alabama hometown. Until Brand Dalvahni shows up, a supernaturally sexy, breathtakingly well-built hunk of a warrior from - well, not from around here, that's for sure. Mama thinks he might be European or maybe even a Yankee. Brand says he's from another dimension. Addy couldn't care less where he's from. He's gorgeous. Serious muscles. Disturbing green eyes. Brand really gets her going. Too bad he's a whack job. Says he's come to rescue her from a demon. Puh-lease. But right after Brand shows up, strange things start to happen. Dogs talk and reanimated corpses stalk the quiet streets of Hannah. Her mortal enemy Meredith, otherwise known as the Death Starr, breaks out in a severe and inexplicable case of butt boils. Addy might not know what's going on, but she definitely wants a certain sexy demon hunter by her side when it all goes down. . .