Shouting Pog mo thin ("Kiss my ass" in Gaelic) he grinned electricity shot through his system. When the current was switched off his body slumped against the leather restraints, and Gleeson, who had strangled two fellow inmates to ensure his execution was not postponed, was dead. The execution had gone flawlessly—not a guaranteed result with the electric chair, which has gone horrifically wrong on many occasions.Old Sparky covers the history of capital punishment in America and the “current wars” between Edison and Westinghouse which led to the development of the electric chair. It examines how the electric chair became the most popular method of execution in America, before being superseded by lethal injection. Famous executions are explored, alongside quirky last meals and poignant last words.The death penalty remains a hot topic of debate in America, and Old Sparky does not shy away from that controversy. Executions have gone spectacularly wrong, with convicts being set alight, and needing up to five jolts of electricity before dying. There have been terrible miscarriages of justice, and the death penalty has not been applied even-handedly. Historically, African-Americans, the mentally challenged, and poor defendants have been likely to get the chair, an anomaly which led the Supreme Court to briefly suspend the death penalty. Since the resumption of capital punishment in 1976 Texas alone has executed more than 500 prisoners, and death row is full.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    "Hopper represents the most lethal of organized religions many opponents: a curious, well-educated individual with a sharp wit." Queen's University Journal Review "Wickedly fun and informative." Toronto Star "The Heathen's Guide To World Religions has taken up permanent residence on my bookshelves... a masterfully written, wonderfully funny, and deliciously snarky trip down religious lane." Al Stefanelli, UNITED ATHEIST FRONT. "Like Monty Python in religious garb... easily one of the best places to invest your book buying dollar." Georgia Straight

    In Anthony Grafton's engrossing account, footnotes to history give way to footnotes as history, recounting in their subtle way the curious story of the progress of knowledge in written form. Grafton treats the development of the footnote--the one form of proof normally supplied by historians in support of their assertions--as writers on science have long treated the development of laboratory equipment, statistical arguments, and reports on experiments: as a complex story, rich in human interest, that sheds light on the status of history as art, as science, and as an institution. The book starts in the Berlin of the brilliant nineteenth-century historian Leopold von Ranke, who is often credited with inventing documented history in its modern form. Casting back to antiquity and forward to the twentieth century, Grafton's investigation exposes Ranke's position as a far more ambiguous one and offers us a rich vision of the true origins and gradual triumph of the footnote. Among the protagonists of this story are Athanasius Kircher, who built numerous documents into his spectacularly speculative treatises on ancient Egypt and China; Pierre Bayle, who made the footnote a powerful tool in philosophical and historical polemics; and Edward Gibbon, who transformed it into a high form of literary artistry. Proceeding with the spirit of an intellectual mystery and peppered with intriguing and revealing remarks by those who "made" this history, The Footnote brings what is so often relegated to afterthought and marginalia to its rightful place in the center of the literary life of the mind.

    This engrossing biography of the Czech novelist and short-story writer emphasizes the cultural and historical contexts of his fiction and focuses for the first time on his complex relationship with his father.Nicholas Murray paints a picture of Kafka’s German-speaking Jewish family and the Prague mercantile bourgeoisie to which they belonged. He describes Kafka’s demanding professional career, his ill health, and the constantly receding prospects of a marriage he craved. He analyzes Kafka’s poor relationship with his father, Hermann, which found its most eloquent expression in Kafka’s story “The Judgement,” about a father who condemns his son to death by drowning. And he asserts that the unsettling flavor of Kafka’s books—stories suffused with guilt and frustration—derives from his sense of living in a mysteriously antagonistic world, of being a criminal without having knowingly committed a crime.Compelling and empathetic, this book sheds new light on a man of unique genius and on his enigmatic works.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    Who knew that Sigmund Freud, the father of psychoanalysis, unknowingly had the first therapy dog? The Great Grisby is a wonderful book about the special bond between humans and dogs.” —Temple Grandin, author of Animals Make Us HumanWhile gradually unveiling her eight-year love affair with her French bulldog, Grisby, Mikita Brottman ruminates on the singular bond between dogs and humans. Why do prevailing attitudes warn us against loving our pet “too much”? Is her relationship with Grisby nourishing or dysfunctional, commonplace or unique? Challenging the assumption that there’s something repressed and neurotic about those deeply connected to a dog, she turns her keen eye on the many ways in which dog is the mirror of man.The Great Grisby is organized into twenty-six alphabetically arranged chapters, each devoted to a particular human-canine union drawn from history, art, philosophy, or literature. Here is Picasso’s dachshund Lump; Freud’s chow Yofi; Bill Sikes’s mutt Bull’s Eye in Oliver Twist; and Elizabeth Barrett Browning’s spaniel Flush, whose biography was penned by Virginia Woolf. There are royal dogs, like Prince Albert’s greyhound Eos, and dogs cherished by authors, like Thomas Hardy’s fox terrier, Wessex. Brottman’s own beloved Grisby serves as an envoy for sniffing out these remarkable companions.Quirky and delightful, and peppered with incisive personal reflections and back-and-white sketches portraying a different dog and its owner, The Great Grisby reveals how much dogs have to teach us about empathy, happiness, love—and what it means to be human.

    

    This remarkable nation has had a long history of relations with larger political powers that were drawn to the island because of its valuable resources and strategic location. Ties between Cuba and the United States have been strong since the mid-nineteenth century, and the theme of U.S. dominance over the island and its people is a primary historical perspective. Cuba's history is told in eight chronological chapters, from its earliest days as a Spanish colony, through its wars for independence and the U.S. occupation in the twentieth century to Batista, the Cold War, and the so-called "Special Period," when Cuba faced the crisis of the downfall of the Soviet Union. With special emphasis on the twentieth century, the Castro era, and U.S.-Cuba relations, this is the most accessible and current history of Cuba available.

    This authoritative biography is based on a wealth of previously unpublished material (including 2 poems) gathered by the author in more than 200 interviews & extensive research in the UK & USA. With 25 b/w illustrations.

    A social commentator, a master of finely crafted prose and a poet of great wit, he continues to fascinate. Joseph Pearce examines the lasting impact of this prolific writer and social commentator on British intellectual life." With access to previously unpublished material in the form of Belloc's letters and photographs, Joseph Pearce's major new biography uncovers a romantic, complex and solitary character.