This collection brings together Dahl’s finest work, illustrating his genius for the horrific and grotesque which is unparalleled.Contents- Madame Rosette- Man from the South- The Sound Machine- Taste- Dip in the Pool- Skin- Edward the Conqueror- Lamb to the Slaughter- Galloping Foxley- The Way Up to Heaven- Parson's Pleasure- The Landlady- William and Mary- Mrs. Bixby and the Colonel's Coat- Royal Jelly- Georgy Porgy- Genesis and Catastrophe- Pig- The Visitor- Claud's Dog (The Ratcatcher, Rummins, Mr. Hoddy, Mr. Feasy, Champion of the World)- The Great Switcheroo- The Boy Who Talked with Animals- The Hitchhiker- The Wonderful Story of Henry Sugar- The Bookseller

    The show's about to begin. Step right up for the Circus of the Dead: where YOU are the concessions. #CircusoftheDead

    In an alternate Cairo infused with the otherworldly, the Ministry of Alchemy, Enchantments and Supernatural Entities investigate disturbances between the mortal and the (possibly) divine. What starts off as an odd suicide case for Special Investigator Fatma el-Sha’arawi leads her through the city’s underbelly as she encounters rampaging ghouls, saucy assassins, clockwork angels, and plot that could unravel time itself.

    But she needs Markham to execute it on her behalf. The subject of this cunning plan is Peterson, struggling with another bereavement and not doing very well. What’s needed to get him through it is sympathy, sensitivity, tact and understanding. Step forward Mr Markham, for whom sympathy, sensitivity, etc., are things that happen to other people. Combine a fanatic from R&D, a head of Security with his own problems, a steam-pump, two historians who can’t even be in the same room as each other, some fractious Protestants and a large body of very dirty water. Told in Markham’s own words, this is the story of an intervention – St Mary’s style.

    Join Anthony, Kate, Simon, Daphne, Colin, Edwina, and (of course) the mallet of death, as Julia Quinn shows that happily ever after can still be a little bit wicked... and a whole lot of fun.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    The names of characters recur throughout the stories, and the stories reference each other (for example, "everything continues as in 'A'"), challenging narrative conventions. In addition, the story explores themes of domesticity, welfare, and success.

    Instead, she got a demon. Sometimes growing up means learning that what you think you want is not always what you need.At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

    By tracing rivers in ink on paper, Oona pins the land down to one reality and betrays her people. Can she escape the bonds of gold and blood and bone that tie her to the Imperial American River Company?At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Delphi will do anything to save Alex. Even if it means doing the one thing he will never forgive himself for. Even if it means making war against the gods.

    He was telling them more than stories about princes, giants, nightingales, and roses, he was teaching them about life and the way to live it. You will find in them so much sweetness and tenderness you will never forget them.They can be read aloud to children of six, and everybody will want a copy for their own private delight when they are older. There is no age for this book - it is a brilliant and haunting treasure house for everybody.The drawings by the famous Danish artist, Lars Bo, have been specially made for this Puffin edition.

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    His son has trouble at school. And he has to keep his sharp teeth hidden.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    He's spent the better part of the last century flirting his way through Paris, but when he met Kate Mercier, the heroine from Amy Plum's Die for Me trilogy, he knew his afterlife had changed forever and he had found the love of his life. Until Kate fell for his best friend, Vincent. Now Jules is faced with an impossible decision: choosing between his loyal friend and a love truly worth dying for.

    Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new.From the winner of The White Review Short Story Prize 2018, salt slow is an extraordinary collection of short stories that are sure to dazzle and shock.