This latest edition of Finding God includes two new essays on the distinct theologies of Abraham Joshua Heschel and Alvin Reines, as well as a chapter on newer approaches, including those of Emil Fackenheim, Harold Schulweis, Marcia Falk, Lawrence Kushner, and Judith Plaskow. There is no one right way to view God for Jews, but with the help of this book readers will be better able to understand the multiple ways that Jews have continued to wrestle with the idea of God throughout history.-- Revised edition-- Three new chapters-- A multiplicity of distinctively Jewish theological perspectives-- Ideal for high school, adult education courses, and Introduction to Judaism-- Free discussion guide available at www.uahcpress.com

    James Boswell--strong man, professional wrestler (his most heroic match is with the Angel of Death)-- is a con man, a gate crasher, and a moocher of epic talent. He is also the hero of one of the most original novel in years ( Oakland Tribune)--a man on the make for all the great men of his time--his logic being that if you can't be a lion, know a pride of them. Can he cheat his way out of mortality?

    As a young man in the early 1980s, he left his family’s upscale North Shore Chicago neighborhood for the West Bank city of Hebron, where he joined a group of settlers who were committed to reconstituting the Jewish state within its biblical borders. He carried a gun and, on one occasion, used it. He still doesn’t know if his bullets found their mark.Now, Hirschfield has renounced all such rigid delineations of people into categories of totally right and totally wrong, entirely good and entirely evil. He seeks to build bridges among people of different faiths—and those with no faith at all. He is devoted to teaching inclusiveness, celebrating diversity, and delivering a message of acceptance—not as feel-good pabulum but as forceful and indispensable antidotes to the blind passions and willful ignorance that threaten us all.Grounded in biblical scholarship and interwoven with personal stories, You Don’t Have to Be Wrong for Me to Be Right provides a pragmatic path to peace, understanding, and hope that appeals to the common wisdom of all religions. Pointing the way through the continuum of conflict, Hirschfield addresses:• the ways faith has many faces• how justice can coexist with forgiveness and mercy• how unity does not necessitate uniformity• the ways we can learn to disagree without disconnectingThough conflict is an inevitable part of life—a function of being connected to one another—Hirschfield is a voice of peace and reconciliation, showing us that conflict is also an opportunity to learn and grow and often to grow closer.

    Its survival has been an incredible journey, especially considering how often Jews have tried to kill it themselves. Underlying Neal Karlen's unique, brashly entertaining, yet thoroughly researched telling of the language's story is the notion that Yiddish is a mirror of Jewish history, thought, and practice—for better and worse.Karlen charts the beginning of Yiddish as a minor dialect in medieval Europe that helped peasant Jews live safely apart from the marauders of the First Crusades. Incorporating a large measure of antique German dialects, Yiddish also included little scraps of French, Italian, ancient Hebrew, Aramaic, the Slavic and Romance languages, and a dozen other tongues native to the places where Jews were briefly given shelter. One may speak a dozen languages, all of them Yiddish.By 1939, Yiddish flourished as the lingua franca of 13 million Jews. After the Holocaust, whatever remained of Yiddish, its worldview and vibrant culture, was almost stamped out—by Jews themselves. Yiddish was an old-world embarrassment for Americans anxious to assimilate. In Israel, young, proud Zionists suppressed Yiddish as the symbol of the weak and frightened ghetto-bound Jew—and invented modern Hebrew.Today, a new generation has zealously sought to explore the language and to embrace its soul. This renaissance has spread to millions of non-Jews who now know the subtle difference between a shlemiel and a shlimazel; hundreds of Yiddish words dot the most recent editions of the Oxford English Dictionary.The Story of Yiddish is a delightful tale of a people, their place in the world, and the fascinating language that held them together.

    B. Singer's classic memoir In My Father's Court, these stories, published serially in the Daily Forward, depict the beth din in his father's home on Krochmalna Street in Warsaw. A unique institution, the beth din was a combined court of law, synagogue, scholarly institution, and psychologist's office where people sought out the advice and counsel of a neighborhood rabbi.The twenty-seven stories gathered here show this world as it appeared to a young boy. From the earthy to the ethereal, these stories provide an intimate and powerful evocation of a bygone world.

    Yet for women, as scholar Myrna Goldenberg observes, "The hell was the same, but the horrors were different." Different Voices is the most thoroughgoing examination of women's experiences of the Holocaust ever compiled. It gathers together - for the first time in a single volume - the latest insights of scholars, the powerful testimonies of survivors, and the eloquent reflections of writers, theologians, and philosophers. Twenty-eight women in all speak of Hitler's "Final Solution, " from the rising storm in prewar Germany to the terrors and privations of the camps, and of the everyday heroism that kept hope alive. Part One, "Voices of Experience, " recounts the painful and poignant stories of survivors. We hear Olga Lengyel's anguish at discovering that she had unwittingly sent her mother and son to the gas chamber; on recalling the brutality of Irma Griese, a stunningly beautiful SS officer; on witnessing the unspeakable "medical experiments" the Nazis conducted on women. We share Livia F. Britton's memory of hunger and terrible vulnerability as a naked thirteen-year-old at Auschwitz. We learn of the horrific price that Dr. Gisela Perl was forced to pay to save women's lives. Part Two, "Voices of Interpretation, " offers the new insights of women scholars of the Holocaust, including evidence that the Nazis specifically preyed on women as the propagators of the Jewish race. Marion A. Kaplan describes the lives of a generation of Jewish women who thought that they were assimilated intoGerman society. Gisela Bok examines the Nazi's eugenics theories and sterilization programs, and Gitta Sereny questions Theresa Stangl, wife of the Kommandant of Sobibor and Treblinka, about her perceptions of the atrocities and of her moral responsibility. In Part Three, "Voices of

     Read each year around the seder table, the Haggadah recounts through prayer, song, and ritual the extraordinary story of Exodus, when Moses led the Israelites out of slavery in Egypt to wander the desert for forty years before reaching the Promised Land. Now, Jonathan Safran Foer has orchestrated a new way of experiencing and understanding one of our oldest, most timeless, and sacred stories, with a new translation of the traditional text by Nathan Englander and provocative commentary by major Jewish writers and thinkers Jeffrey Goldberg, Lemony Snicket, Rebecca Newberger Goldstein, and Nathaniel Deutsch. Ravishingly designed and illustrated by the acclaimed Israeli artist and calligrapher Oded Ezer, New American Haggadah is an utterly unique and absorbing prayer book, the first of its kind, that brings together some of the preeminent voices of our time. "The best book of modern religious thought in recent memory." --The Millions "What makes this haggadah shine is the combination of commentary, design, and illustration." --Financial Times

    When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host, to guests who proceed to lay waste to his American complacencies. Mixing fiction with non-fiction, the campus novel with the lecture, THE NETANYAHUS is a wildly inventive, genre-bending comedy of blending, identity, and politics - 'An Account of A Minor and Ultimately Even Negligible Incident in the History of a Very Famous Family' that finds Joshua Cohen at the height of his powers.

    Michelle Brafman’s astonishing compassion for all human frailty infuses this story about the need for truth and the promise of forgiveness.” —HELEN SIMONSON, author of Major Pettigrew’s Last Stand“Heartfelt and genuine, Washing the Dead never betrays the complicated truths of family and tradition.”— DAVID BEZMOZGIS, author of Natasha and Other Stories and The Betrayers“Like a Jewish Anne Lamott, Brafman reels you in with warmth, depth and heart.” —SUSAN COLL, author of The Stager and AcceptanceThree generations of women confront family secrets in this exquisitely wrought debut novel that examines the experience of religious community, the perilous emotional path to adulthood, and the power of sacred rituals to repair damaged bonds between mothers and daughters.Michelle Brafman’s award-winning short stories and essays have appeared in the Washington Post, Slate, Tablet, Lilith Magazine, Bethesda Magazine and elsewhere. She teaches fiction writing at the Johns Hopkins University MA in Writing Program and lives in Glen Echo, Maryland with her husband and two children.

    As he learns about science in his day school, Lev begins his own extracurricular study of the Bible’s Tree of Knowledge with neighbor Mr. Katz, who is building his own Tree out of trash. Meanwhile his sister Samara is secretly studying for her Bat Mitzvah with next-door neighbor and Holocaust survivor, Mr. Glassman. All the while his father, David, a professor of Jewish mysticism, is a non-believer.When, years later, David has a heart attack, he begins to believe God is speaking to him. While having an affair with one of his students, he delves into the complexities of Kabbalah. Months later Samara, too, grows obsessed with the Kabbalah’s Tree of Life—hiding her interest from those who love her most–and is overcome with reaching the Tree’s highest heights. The neighbors of Mile End have been there all along, but only one of them can catch her when she falls.

    Having been brought up in a Roman Catholic family in Havana, Cuba and descending from Spanish ancestry did not ensure that her life would be lived within that realm. In response to strong feelings and an affinity towards Judaism, her search for her family's past, took on a deeper significance as she researched her maternal lineage and not only discovered but documented and verified her Pre-Inquisition Spanish Roots to Fifteenth Century Spain and Portugal where they lived first as Jews, then as Crypto Jews and finally as Roman Catholics. She was able to unravel the web of lies and deceit that her family had spun around themselves in order to survive the Spanish Inquisition .They lived with one foot in each world as they converted to Catholicism openly while secretly practicing their own religion underground. Genie was fortunate enough to grab the brass ring that was thrown in the air over 500 years ago.

    But a girl on her own who doesn't speak English is an easy target and Nehama is forced into prostitution. Yet with only the whispers of her deceased grandmother to guide her, she manages to escape into the narrow alleys of the respectable East End, where bustling marketstalls and penny seats at the theatre are just a hand's breadth away from the criminal warrens.Emilia, arrives in London ill-prepared, and pregnant and Nehama takes her in. But Emilia refuses a hardscrabble life and finds refuge in the privileged classes of the West End at the expense of her identity and even her baby, Gittel, who Nehama adopts. As the two women walk their own separate paths, Gittel becomes their nexus; and Nehama and Emilia find the true meaning of their lives in the narrowest of London's alleys.Lilian Nattel masterfully brings to life a vanished world, embracing the dilemmas of class, gender, culture and history with an imaginative and fearless voice.

    With a husband alway traveling, a daughter on the brink and still adjusting to her new ward, she hopes her new visiting teaching route will bring some much needed companionship. Then she finds out she has been given the hardest visiting teaching route ever with the surly inactive Bishop's wife at the top of the list. At least her companion Gwen seemed nice, an older woman in a nursing home who said no one had visited her in years. Using this to her advantage, Cath calls her new sisters and convinces them to cheer Gwen up. Surprisingly most agree but when Cath arrives at the Pleasant Valley Home for the Elderly she is disappointed to find Gwen fast asleep. Apparently Gwen has a sleeping disorder called KSL and no one knows when she will wake up- it could be weeks. Armed with a bucket of crayons and a handful of paper, Cath convinces the sisters to write Gwen notes so when she does wake up, she'll know some cares. What no one guessed is that Gwen would write back and change all of these women's lives forever.

    The daughter of a powerful lord, Sarah balks at the marriage her father has planned for her. On her wedding day, she impulsively flees to the vast, empty marshes outside the city walls, where she meets a young man named Abram, son of a tribe of outsiders. Drawn to this exotic stranger, Sarah spends one night with him and reluctantly returns to her father’s house. But on her return, she secretly drinks a poisonous potion that will make her barren and thus unfit for marriage.Many years later, Abram returns to Ur and discovers that the lost, rebellious girl from the marsh has been transformed into a splendid woman—the high priestess of the goddess Ishtar. But Sarah gives up her exalted life to join Abram’s tribe and follow the one true God, an invisible deity who speaks only to Abram. It is then that her journey truly begins.From the great ziggurat of Ishtar to the fertile valleys of Canaan to the bedchamber of the mighty Pharaoh himself, Sarah’s story reveals an ancient world full of beauty, intrigue, and miracles.

    But he is also conflicted about the possibility of having to monitor the occupied Palestinian territories, a concern that grows deeper and more urgent when he meets Nimreen and Laith — the twin daughter and son of his mother’s friend.From that winter morning on, the three become inseparable: wandering the streets on weekends, piling onto buses toward new discoveries, laughing uncontrollably. They share joints on the beach, trading snippets of poems, intimate secrets, family histories, resentments, and dreams. But with his draft date rapidly approaching, Jonathan wrestles with the question of what it means to be proud of your heritage and loyal to your people, while also feeling love for those outside of your own tribal family. And then that fateful day arrives, the one that lands Jonathan in prison and changes his relationship with the twins forever.Powerful, important, and timely, Sadness Is a White Bird explores one man’s attempts to find a place for himself, discovering in the process a beautiful, against-the-odds love that flickers like a candle in the darkness of a never-ending conflict.