This is who I am. Who I’m expected to be.All of that changed when he walked into my life and made me question everything. As my personal security guard, I can’t escape him or the way he makes me feel.He makes me laugh.He makes me second guess my choices.He makes me want more from life.I hide in a bed of deception to disguise myself. It used to be enough, but now I’m not so sure.Can I sacrifice those who depend on me for my own happiness?I’m Elizabeth Fitzgerald.I’m a Senator’s wife.And I hate my life.

    Bits and pieces, fragments of memories- but no matter how hard I try, I can't put the remnants back together. He tells me it's better that I don't remember. He wants me to trust him. But his face is plastered across newspapers, the rich boy who killed my sister. The public has latched onto the story, watching us behind t.v. screens with handfuls of popcorn and wide eyes.Rich family. Wild party. Dead girl.𝓦𝓱𝓪𝓽'𝓼 𝓷𝓸𝓽 𝓽𝓸 𝓵𝓸𝓿𝓮?

    Infused with a love of learning, compelling in its arguments for a unifying written culture, it argues brilliantly against the politicization of literature and presents a guide to the great works of the western literary tradition and essential writers of the ages. The Western Canon was nominated for the National Book Critics Circle Award.

    But it is also profoundly misunderstood and the subject of a host of unhelpful fantasies, hopes and suspicions. Its logic is rarely explained and its voice seldom heard with sufficient directness. This is a book that attempts to explain psychotherapy: what the needs are in all of us to which it caters; the methods by which it addresses these needs - and what the outcome of a therapeutic intervention could ideally be. The book reflects a fundamental belief of the School of Life that psychotherapy is the single greatest step any of us can take towards self-understanding and fulfilment. A course of therapy stands to render us ever so slightly less angry, self-defeating, unconfident, lost and sad. This is a guide to the purpose and meaning of psychotherapy.

    Every day, craft distilleries are popping up in remote counties and urban centers, offering a wealth of great choices to consumers—and just as many puzzlements. Does the introduction of a simple “e” to go from whisky to whiskey mean anything? What’s the difference between Scotch and Rye? What’s Canadian whisky anyway? And what about the whiskeys of Scotland, Japan, and Ireland? Where's a humble Joe to start?  In this witty kid-style book on an adult topic, Richard Betts boils down his know-how into twenty pages, cooling our “brown-sweat” anxieties and dividing whiskey into three simple categories: Grain, Wood, and Place. While most whiskey tomes are about as fun as a chemistry lesson, Betts makes the learning slide down easy, reassuring us that this exalted spirit is just distilled beer and, through a nasal romp, helping us figure out which kinds we love best. Humorous illustrations and scratch-and-sniff scents (vanilla, sandalwood, grass, and more) help would-be connoisseurs learn their personal preferences. Language label and Map to Your Desires included.

    The personal credo of one Lem Putt, a specialist, this book presents the philosophy of a man who loves his trade and has considered every aspect of it.

    Caught between consumerism and casual sexual encounters devoid of passion, love today - without the key ingredient of chance - is in mortal danger. Alain Badiou proposes a vision of love as an adventure of the individual.Liberal and libertine reductions of love to instant pleasure and non-commitment bite the dust as Badiou invokes a supporting cast of thinkers from Plato to Lacan via Karl Marx to create a new narrative of romance, relationships and sex - one that does not fear love.

    The Will to Power, compiled from the notebooks, is one of the most famous books of the past hundred years, but few have studied it. Here, at last, is the first critical edition in any language.Down through the Nazi period The Will to Power was often mistakenly considered to be Nietzsche's crowning systematic labor; since World War II it has frequently been denigrated, just as fallaciously, as being not worth reading. In fact, it represents a stunning selection from Nietzsche's notebooks, in a topical arrangement that enables the reader to find what Nietzsche wrote on nihilism, art, morality, religion, the theory of knowledge, and whatever else interested him. But no previous edition—even in the original German—shows which notes Nietzsche utilized subsequently in his works, and which sections are not paralleled in the finished books. Nor has any previous edition furnished a commentary or index.Walter Kauffman, in collaboration with R.J. Hollingdale, brings to this volume his unsurpassed skills as a Nietzsche translator and scholar. Professor Kauffman has included the approximate date of each note. His running footnote commentary offers the information needed to follow Nietzsche's train of thought, and indicates, among other things, which notes were eventually superseded by later formulations, and where all German editions, including the very latest, depart from the manuscripts. The comprehensive index serves to guide the reader to the extraordinary riches of this book.

    Platte River is a collection of three novellas, each a singular exploration of the human heart set against the backdrop of God's creation.  Filled with arresting images—chinook winds flying through a valley, couples skating in the dark on thin ice, tools made from animal bones, a delicate shape frozen in a river—“Mahatma Joe” is about an evangelist who settles in Grass Valley, Montana, and the woman who becomes obsessed with his vision of the world. In “Field Events” a woman falls in love with a man even larger than her discus-tossing brothers. And the title novella, “Platte River,” portrays one man's lyric meditation on loneliness, the nature of peace, and the quest for love.

    This not only brought him patronage from powerful figures of the day but also put him in direct conflict with the Catholic Church. Arrested by the Inquisition and tried as a heretic, Bruno was imprisoned, tortured, and, after eight years, burned at the stake in 1600. The Vatican "regrets" the burning yet refuses to clear him of heresy.But Bruno's philosophy spread: Galileo, Isaac Newton, Christiaan Huygens, and Gottfried Leibniz all built upon his ideas; his thought experiments predate the work of such twentieth-century luminaries as Karl Popper; his religious thinking inspired such radicals as Baruch Spinoza; and his work on the art of memory had a profound effect on William Shakespeare.Chronicling a genius whose musings helped bring about the modern world, Michael White pieces together the final years -- the capture, trial, and the threat the Catholic Church felt -- that made Bruno a martyr of free thought.

    Here is the book that only Natalie Wood's sister could have written - a warm but unflichingly candid account of a great star's passionate love affairs, violent fights, stormy marriages, bitter divorces and her controversial death by drowning at the age of 43.

    Burroughs has had a range of influence rivalled by few living writers. This meticulously assembled volume of his correspondence vividly documents the personal and cultural history through which Burroughs developed, revealing clues to illuminate his life and keys to open up his texts. More than that, they also show how in the period 1945-1959, letter-writing was itself integral to his life and to his fiction-making. These letters reveal the extraordinary route that took Burroughs from narrative to anti-narrative, from Junky to Naked Lunch and the discovery of cut-ups, a turbulent journey crossing two decades and three continents. The letters track the great shifts in Burroughs' crucial relationship with Allen Ginsberg, from lecturing wise man ("Watch your semantics young man") to total dependence ("Your absence causes me, at times, acute pain.") to near-estrangement ("I sometimes feel you have mixed me up with someone else doesn't live here anymore."). They show Burroughs' initial despair at the obscenity of his own letters, some of which became parts of Naked Lunch, and his gradual recognition of the work's true nature ("It's beginning to look like a modern Inferno.") They reveal the harrowing lows and ecstatic highs of his emotions, and lay bare the pain of coming to terms with a childhood trauma ("Such horror in bringing it out I was afraid my heart would stop."). It is a story as revealing of his fellow Beats as it is of Burroughs: he writes of Kerouac and Cassady in the midst of the journey immortalized as On the Road ("Neal is, of course, the very soul of this voyage into pure, abstract, meaningless motion."), and to Ginsberg as he was writing Howl ("I sympathize with your feelings of depression, beatness: 'We have seen the best of our time.'"). And throughout runs the unmistakable Burroughs voice, the u

    Add Drawing Autism to your wish list, tell your friends about it, and show it to your kids on the spectrum."-- Autism/Asperger's Digest "Mullin, a behavior analyst, brings together fascinating works by 40 artists on the spectrum with their answers to her questions about their process."-- The Boston Globe "Editor Jill Mullin has collected artwork from a host of painters and other graphic artists who are all somewhere on the spectrum. The fascinating and often lovely reprints in Drawing Autism help provide another perspective on the capabilities of people with autism."-- Time Out New York "Mullin's clinical background in Applied Behavior Analysis, combined with more than a decade helping individuals with ASD, serve her well as the book’s curator."-- The Portland Phoenix "[Editor Jill Mullin] has put together a beautiful and stimulating exhibition-in-a-book."--Story Circle Book Reviews"Drawing Autism is absolutely wonderful in its entirety."--Brain Pickings"Jill Mullin embraces the full range and spectrum of autism and artistic expression...Rich and varied images."--BookTrib"This book is like a key to opening doors across educational and medical landscapes. But perhaps even more importantly, the fact that many of the artists are able to explain what they were feeling at the time of their drawings will surely help this book find solid footing among parents, caregivers, and extended family members who have, up to this point, struggled to understand the inner workings of their precious loved one’s autistic mind."--New York Journal of Books"A book of astonishing beauty."-- BOOKS (France)"What is the actual experience of living with autism in a deep-felt sense, beyond the social stereotypes and headline-worthy superskills? Drawing Autism, a celebration of the artistry and self-expression found in artwork by people diagnosed with autism, explores just that. The stunning volume features works by more fifty international contributors, from children to established artists, that illustrate the rich multiplicity of the condition."-- The Atlantic Over the last decade autism spectrum disorder (ASD) has become an international topic of conversation, knowing no racial, ethnic, or social barriers. Behavior analyst and educator Jill Mullin has assembled a staggering array of work from established artists like Gregory Blackstock and Jessica Park to the unknown but no less talented. Their creations, coupled with artist interviews, comprise a fascinating and compelling book that serves to educate and inspire anyone who knows someone diagnosed with ASD. Mullin's introduction and the foreword by best-selling author Temple Grandin provide an overview of autism and advocate for nurturing the talents, artistic and otherwise, of autistic individuals.

    But in middle age, he discovered the new anxieties and pleasures of mastering a new culture. When he left fifteen years later to take a teaching position in the U.S., he was fluent enough to broadcast on French radio and TV, and in his work as a journalist, he'd made the acquaintance of everyone from Yves Saint Laurent to Catherine Deneuve to Michel Foucault. He'd also developed a close friendship with an older woman, Marie-Claude, through which he'd come to understand French life and culture in a deeper way.The book's title evokes the Parisian landscape in the eternal mists and the half-light, the serenity of the city compared to the New York White had known (and vividly recalled in City Boy). White fell headily in love with the city and its culture: both intoxicated and intellectually stimulated. He became the definitive biographer of Jean Genet; he wrote lives of Marcel Proust and Arthur Rimbaud; and he became a recipient of the French Order of Arts and Letters. Inside a Pearl recalls those fertile years for White. It's a memoir which gossips and ruminates, and offers a brilliant examination of a city and a culture eternally imbued with an aura of enchantment.

    Discover the great thinkers in their historical contexts and learn the influences that shaped their lives and work. Each philosophical movement includes profiles of key philosophers and their important works, historical contexts and influences, important quotes, and other related people and ideas. Full-color photographs, artworks, and illustrations illuminate every page."The Story of Philosophy" gives you the information you need to think about life's greatest questions, opening up the world of philosophical ideas in a way that can be easily understood by students and by anyone fascinated by the ways we form our social, political, and ethical ideas.