With a new job that offers excitement; a cool car; and her own suite with a TV, DVD player, and a cell phone, how can she go wrong?Then she meets . . . the Fitzgeralds -- Dick and Vanessa and their unruly brood of rugrats who have suddenly been entrusted into Jo's care. There's eight-year-old "psycho-babe" Cassandra; bloodthirsty Zak, the six-year-old Terminator; and timid little Tallulah.So what else could go wrong? How about the arrival of Dick's children from his first marriage: teenage Toby and (gulp!) all-grown-up-and-very-nicely-at-that Josh the accountant? And now that she has to temporarily share her room with Josh, Jo's head is really in a spin -- because with her hometown beau still in the picture and a sexy possibility sleeping just a foot away, life has suddenly gotten very complicated indeed!

    the plot skips around like gunfire on the ricochet." - LOS ANGELES TIMES "Superior stuff - taut, well observed, original and civilized." - THE TIMES "The women are not mere decoration; they are at the heart of the action." - THE CHRISTIAN SCIENCE MONITOR "Suspense builds from start to finish... the author will rank alongside le Carre, Deighton, and Follett." - WEST COAST REVIEW OF BOOKS VIENNA late 1980s - violence is breaking out in strife-torn Poland. A spark that could set the Soviet prison of Eastern Europe ablaze. There are dangerous Western plans to ensure that the inevitable rising will not be a repeat of Hungary in 1956. In Moscow, faceless men and women know that Bill Cable, after years banished to diplomatic backwaters, is into something big - so big they will destroy him to get it. If they fail, this could mean the end for the Soviet Union. They've had a stranglehold on Cable ever since the tragedy, deep in the past, that led to him being kicked out of the Intelligence Service. Now he is back, as British Ambassador in Vienna. Still compromised but, just to make sure, they kidnap his daughter, Sarah, and threaten her life. Will he betray her - or his country and the freedom of millions?

    The granddaughter of film legend (and ogre) Duke McMahon, she grows up amid Hollywood scandal and opulence. Determined to forge her own identity, she becomes first a successful supermodel, then an actress; but unhappiness and tragedy keep breaking through. Then, in the time-honored tradition of Jackie Collins and Danielle Steel, the love of a good man brings her happiness and fulfillment.

    But on a trip abroad she is struck by a strange illness, one that seems to have no physical cause. Meredith has always played by her own rules—and won—and now she must uncover the roots of this mystery ailment that threatens her future happiness. The answers lie buried somewhere in her forgotten past. And with the help of a caring psychiatrist, Meredith will have to peel back the layers of her most carefully designed and constructed creation: herself.

    Gage proves herself a shrewd chronicler of the rich and rotten.--New York Daily News.

    Then, on the day she gives birth to their first baby, James informs her that he's leaving her. Claire is left with a newborn daughter, a broken heart, and a postpartum body that she can hardly bear to look at.She decides to go home to Dublin. And there, sheltered by the love of a quirky family, she gets better. So much so, in fact, that when James slithers back into her life, he's in for a bit of a surprise.

    Impulsively, Anna goes to sea in their sailboat, intending to complete the voyage alone.But after a treacherous night’s sail, she realizes she can’t do it by herself and hires Keane, a professional sailor, to help. Much like Anna, Keane is struggling with a very different future than the one he had planned. As romance rises with the tide, they discover that it’s never too late to chart a new course.In Trish Doller’s unforgettable Float Plan, starting over doesn't mean letting go of your past, it means making room for your future.

    Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of "Runway "magazine, Andrea finds herself in an office that shouts "Prada! Armani! Versace!" at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child. THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.

    LORD RAVENSCAR'S REVENGEEvery day since she had fled to the farm, Romara had yearned for Lord Ravenscar, and had cried many bitter tears over him at night into her pillow.How, she asked herself, could she have been so foolish, so stupid, as to fall in love with a man who could only feel for her rage and disgust?Yet when she closed her eyes she could see his strong, noble face; his beautiful eyes looking searchingly into hers."It was...inevitable that I should...love him," Romara whispered to herself.

    After a childhood spent in and out of hospitals, she's now determined to prove herself—and where better to take the world by storm than in the exhilarating bustle of Manhattan? But when Paige is let go from the job she loves, she must face her biggest challenge of all—going it alone. Except launching her own events company is nothing compared to hiding her outrageous crush on Jake Romano—her brother's best friend, New York's most in-demand date, and the only man to break her heart. When Jake offers Paige's fledgling company a big chance, their still-sizzling chemistry starts giving her sleepless nights. But can she convince the man who trusts no one to take a chance on forever?

    She’s had more jobs than she can count, and she plans to move as soon as the curtains fall on her less-than-minor stage role at The Barter—the oldest live performance theater in the US. But just when it’s time to move on again, Bree’s parents make her an offer: hold steady for a full year, and they will give her the one thing she's always wanted—her grandmother’s house. Her dreams are coming true . . . until life at the theater throws her some curve balls.And then there’s Chip McBride—her handsome and infuriating next-door neighbor.Chip just might be the only person whose stubborn streak can match Bree’s. She would move heaven and earth to have him off her cul-de-sac and out of her life, but according to the bargain she’s struck, she cannot move out of her house and away from the man who’s making her life miserable. So begins Bree’s obsessive new mission: to drive Chip out of the neighborhood—and fast.Bree isn't the only one who’s a tad competitive, and Chip is more than willing to fight fire with fire. But as their pranks escalate, the line between love and hate starts to blur—and their heated rivalry threatens to take a hilarious, heartwarming, and romantic new turn. A sweet romantic comedy that can be read as a standalone.Book length: 77,000 words.

    Claire Goddard is thirty-four years old, of modest means and looks. She has raised her teenage daughter, Emma, by herself, working as a designer, but without the confidence or means to fully realize her talent. Her only indulgence, once a week, is buying a lottery ticket. Then, one week, she wins sixty million dollars. Overnight everything changes. She quits her job, indulges in the shopping spree of a lifetime - new house, new clothes, new car, new hairstyle and makeup - and then treats herself and Emma to a celebratory cruise in Alaska. There they meet Quentin and Brix Eiger. Handsome, glamorous, a wealthy entrepreneur, Quentin sweeps Claire into his fast-lane fashionable world, while his temperamental son, Brix, engages Emma in her first love affair. Suddenly Claire and Emma are living in the glittering, colorful world of wealth and power. But inside the rainbow, all is not what it seems - Brix persuades Emma to choose a modeling job over college, and has seduced her into his dangerous round of fashion, sex, and drugs. And as Claire discovers a shallowness and predatory drive in Quentin that has been disguised by his manipulative charm, she realizes that his world is in no way superior to hers and that in buying a new life she is losing touch with everything that has always meant the most to her - her daughter, her friends, her work, her sense of home. But Quentin will not let Claire go easily: he and Brix have their own plans for the Goddard women. And when another man, more open and idealistic, more real than Quentin, enters Claire's life, she discovers what she always possessed but never fully recognized - an ability to love deeply and to protect those she loves - strengths and inner resources more valuable than any pot of gold. Judith Michael creates a world as fabulous as a glossy dream, as exciting as a once-in-a-lif

    Beth, Lara and Rio -- three exotic women with a common cause and vengeance in their hearts.They're out to avenge a murder and they'll go to any lengths. Their targets: the heirs of the Bassalino crime family. Their weapon: sex. The result: a bloodbath of sexual mayhem through the lethal corridors of organized crime.Three beautiful women set out to prove that when it comes to revenge, the female is far deadlier than the male -- especially when they're "THE LOVE KILLERS. . .

    Our heroine Aureliana returns to school after fifteen years for a reunion. School doesn't hold happy memories for her, as being a roly poly Italian (known as the Italian Galleon), and always armed with a Tupperware full of pungent Mediterranean food, she was bullied incessantly throughout her years there. Now in her 30s, Aureliana wants to put the past behind her once and for all and face up to the bullies who made her life hell. But she is much-changed from the girl she once was - all curves and because I'm worth it hair - and no one recognises her when she arrives. Losing her bottle, she backs out on her plan for revenge and slinks off, hoping never to be reminded of her years at school again. But fate gets in the way, and after the reunion her path keeps crossing with James - major hunk and Aureliana's major crush back at school. But alas, as a cronie to the bullies, Aureliana to this day believes that his beautiful exterior hides an ugly interior. As they continue to cross paths a love/hate relationship ensues until eventually something shifts, and they both start to discover what the person underneath is really like...Full of Mhairi's trademark laugh out loud humour, Here's Looking At You is a novel about facing your demons and being happy with who you really are.

    The first standalone romance by New York Times and #1 international bestselling author Christina Lauren (Beautiful Bastard) is a sexy, compulsively readable romantic comedy that dives headlong into the thrill and doubt of modern love.Despite the odds against them from an embarrassing meet-awkward at a mutual friend’s Halloween party, Carter and Evie immediately hit it off. Even the realization that they’re both high-powered agents at competing firms in Hollywood isn’t enough to squash the fire.But when their two agencies merge—causing the pair to vie for the same position—all bets are off. What could have been a beautiful, blossoming romance turns into an all-out war of sabotage. Carter and Evie are both thirtysomething professionals—so why can’t they act like it?Can Carter stop trying to please everyone and see how their mutual boss is really playing the game? Can Evie put aside her competitive nature long enough to figure out what she really wants in life? Can their actor clients just be something close to human? Whether these two Hollywood love/hatebirds get the storybook Hollywood ending or just a dramedy of epic proportions, you will get to enjoy Christina Lauren’s heartfelt, raucous, and hilarious romance style at its finest.