Trash Market brings together six of Tsuge’s compelling, character-driven stories about life in post–World War II Japan.     “Trash Market” and “Gently Goes the Night” touch on key topics for Tsuge: the charming lowlifes of the Tokyo slums and the veterans who found themselves unable to forget the war. “Song of Showa” is an autobiographical piece about growing up in a Tokyo slum during the occupation with an abusive grandfather and an ailing father, and finding brightness in the joyful people of the neighborhood. Trash Market blurs the lines between fiction and reportage; it’s a moving testament to the grittiness of life in Tokyo during the postwar years.     Trash Market features an essay from the collection’s editor and translator, Ryan Holmberg, who is a specialist in Japanese art history. He explores Tsuge’s early career as a cartoonist and the formative years the artist spent working in Tokyo’s notorious for-profit blood banks.

    Out of nowhere, an entire school vanishes, leaving nothing but a hole in the ground. While parents mourn and authorities investigate, the students and teachers find themselves not dead but stranded in a terrifying wasteland where they must fight to survive.

    It wasn't easy... But here, London, is my home.'Yumiko is a young Japanese woman who has made London her home. She has a job, a boyfriend; Japan seems far away. Then, out of the blue, her brother calls to tell her that her father has died in a mountaineering accident.Yumiko returns to Tokyo for the funeral and finds herself immersed in the rituals of Japanese life and death - and confronting a decision she hadn't expected to have to make.Just So Happens is a graphic novel by a young artist and storyteller of rare talent. Fumio Obata's drawing, in particular, is marvellous in its power and delicacy.

    Kouno examines the impact that WWII and the dropping of the atomic bomb had on the people of Japan through the eyes of an average woman living in 1955.

    However, soon her body, unable to withstand the burdens of surgery, begins to crumble, and along with it so does her mind, as she plummets towards a frightening and inevitable end.A story about a woman's vanity, greed, hatred and despair, by the author of River's Edge.

    It's also why she doesn't know that Rocher is supposed to be dead. Turns out, Rocher faked his death years ago to escape his critics, and has been making a killing releasing his new work as "lost manuscripts," in cahoots with his editor/ex-wife Agathe. Neither of them would have invited a crass party girl like Zoe into their literary conspiracy of two, but now that she's there anyway. . . . Zoe doesn't know Balzac from Batman, but she's going to have to wise up fast... because she's sitting on the literary scandal of the century!

    The Box Man follows its protagonists along a scooter trip through a complex landscape that oscillates between a dense city, a countryside simplified to near abstraction, and hybrids of the two; the theme of hybridity permeates throughout. One is unsurprised to encounter a creature that is half elderly man, half crab, or a flying frog in this world where our guide apparent is an anthropomorphic, mollusk-like cat. Sakabashira weaves this absurdist tale into a seamless tapestry constructed of elements as seemingly disparate as Japanese folklore, pop culture, and surrealism.Within these panels, it becomes difficult to distinguish between the animate and the inanimate, the real and the imagined—a tension that adds a layer of complexity to this near-wordless psychedelic travelogue. Imiri Sakabashira (real name Mochizuki Katsuhiro) was born in Shizuoka, Japan, in 1964, the same year that Garo, the influential manga anthology in which he would first be published, was founded.

    Europol's top detective Gesicht is assigned to investigate these mysterious robot serial murders; the only catch is that he himself is one of the seven targets.

    He wanders an endless labyrinth of cyberdungeons filled with concrete and steel, fighting off cyborgs and other bizarre silicate creatures. Everyone is searching for the Net Terminal Genes, but no one is quite certain what kind of power they contain. The answer may lie hidden among the scattered human settlements of this vast and desolate future world.

    A magical revenge fantasy. A sisters-over-misters tale of three witches out to get back what was taken fom them.Andy, Jolene, and Claire aren't your average twenty-somethings. They're legacy witches making their way through a modern world. When a jealous nonmagical ex breaks into their home and steals a spell that could awaken potentials with magical powers, the witches plan their revenge. Traveling down the East Coast, they must retrieve their powerful stolen artifacts and strengthen their friendship... the big bad is even worse than they imagined. Collects Spell on Wheels #1–#5.

    a pit of dead dogs... an accidental suicide... a boy buried alive - and where two teenagers linked by an obsession with murder and torture explore the recesses of humanity's dark side.

    An anonymous music file surfaces on the internet and a cult springs up in its wake. A group of city animals briefly open their minds to us. Helen finds her clothes growing baggy, her shoes looser, and as she shrinks, the world around her recedes. A lifetime of romantic relationships are charted against the rise and fall of the celebrity cast of a classic film.Jillian Tamaki brings her characteristic blend of realism and humor to her first collection of short stories. Boundless explores the lives of women and how the expectations of others influence their real and virtual selves. Mixing objective reality, speculative fiction, out-and-out fantasy, and a deep understanding of the contemporary world's contradictions, Tamaki shows herself to be a short story talent equal to her peers Adrian Tomine and Eleanor Davis. Tamaki's styles shift from story to story, each delicately setting the mood for her characters' inner turmoil: thick chunky blocks of ink become hyper-realist detailing which become brushy drawings of plants, all effortlessly rendered in Tamaki's distinctive hand.

    Instead, he may be a mysterious, almost immortal being, granted not only the powers of rejuvenation, but the abilities to see supernatural beings. Scared, he runs away, and is aided in his escape from society by his friend. Unfortunately for Kei, the manhunt is on and he will soon be caught within a conflict between mankind and others like him as they prepare to fight a new war based on terror.

    Featuring work by Margaret Atwood (The Heart Goes Last), Mariko Tamaki (This One Summer), Trina Robbins (Wonder Woman), Marguerite Bennett (Marvel's A-Force), Noelle Stevenson (Nimona), Marjorie Liu (Monstress), Carla Speed McNeil (Finder), and over fifty more creators. It's a compilation of tales told from both sides of the tables: from the fans who love video games, comics, and sci-fi to those that work behind the scenes: creators and industry insiders.

    He can’t tell his best friend, who he’s secretly got a crush on, and he can’t tell his mom, who’s constantly asking why Ryo “dresses like a boy.” He certainly can’t tell Jin, the new transfer student who looks like just another bully… The only time Ryo feels at ease is when he’s wearing his favorite clothes. Then, and only then, the world melts away, and he can be his true self. One day, while out shopping, Ryo sees someone he didn’t expect: Jin. The kid who looked so tough in class has the same taste in fashion as him! At last, Ryo has someone he can open up to—and the journey ahead might finally give him a way to express himself to the world.