Discover 150 Amazing facts and secrets about British superstar Harry Styles!Do you know everything there is to know about Harry Styles? In 150 Facts You Need to Know about Harry, author and Directioner Jessica Stewart brings you 150 fantastic facts about your favorite hearthrob, including: What his family thinks of him What he looks for in a girl What his life was like before the fame His weird hobbies and habits What drives him crazy Funny Stories And MUCH MORE!!Find out if you're a true Directioner!

    If mice in the walls and holes in the roof aren't bad enough, someone wants her to believe the place is haunted. But Portia doesn't scare that easily, even if catching sight of the brooding ghost leaves her strangely breathless. When he was accused of murdering his fiancée a decade ago, Giles Ashburne fled the country to his supposed death. Now he’s returned to the Hall to uncover the evidence that will exonerate him, only to find himself playing a ghost in his own home. Nothing he does drives Portia away, and worse, the stubborn chit is starting to grow on him. The more Portia learns about Giles Ashburne, the more certain she becomes that her ghost is not only innocent, but far from dead. When she sets out to prove it, she puts herself on a crash course with not only Giles, but the real killer. If Giles and Portia don't learn to stop striking sparks off each other and work together, there will soon be two ghosts at Ashburne Hall.

    Now, in the hands of the superb biographer Hilary Spurling, the unknown Matisse becomes visible at last.Matisse was born into a family of shopkeepers in 1869, in a gloomy textile town in the north of France. His environment was brightened only by the sumptuous fabrics produced by the local weavers--magnificent brocades and silks that offered Matisse his first vision of light and color, and which later became a familiar motif in his paintings. He did not find his artistic vocation until after leaving school, when he struggled for years with his father, who wanted him to take over the family seed-store. Escaping to Paris, where he was scorned by the French art establishment, Matisse lived for fifteen years in great poverty--an ordeal he shared with other young artists and with Camille Joblaud, the mother of his daughter, Marguerite. But Matisse never gave up. Painting by painting, he struggled toward the revelation that beckoned to him, learning about color, light, and form from such mentors as Signac, Pissarro, and the Australian painter John Peter Russell, who ruled his own art colony on an island off the coast of Brittany. In 1898, after a dramatic parting from Joblaud, Matisse met and married Amélie Parayre, who became his staunchest ally. She and their two sons, Jean and Pierre, formed with Marguerite his indispensable intimate circle.From the first day of his wedding trip to Ajaccio in Corsica, Matisse realized that he had found his spiritual home: the south, with its heat, color, and clear light. For years he worked unceasingly toward the style by which we know him now. But in 1902, just as he was on the point of achieving his goals as a painter, he suddenly left Paris with his family for the hometown he detested, and returned to the somber, muted palette he had so recently discarded.Why did this happen? Art historians have called this regression Matisse's "dark period," but none have ever guessed the reason for it. What Hilary Spurling has uncovered is nothing less than the involvement of Matisse's in-laws, the Parayres, in a monumental scandal which threatened to topple the banking system and government of France. The authorities, reeling from the divisive Dreyfus case, smoothed over the so-called Humbert Affair, and did it so well that the story of this twenty-year scam--and the humiliation and ruin its climax brought down on the unsuspecting Matisse and his family--have been erased from memory until now.It took many months for Matisse to come to terms with this disgrace, and nearly as long to return to the bold course he had been pursuing before the interruption. What lay ahead were the summers in St-Tropez and Collioure; the outpouring of "Fauve" paintings; Matisse's experiments with sculpture; and the beginnings of acceptance by dealers and collectors, which, by 1908, put his life on a more secure footing.Hilary Spurling's discovery of the Humbert Affair and its effects on Matisse's health and work is an extraordinary revelation, but it is only one aspect of her achievement. She enters into Matisse's struggle for expression and his tenacious progress from his northern origins to the life-giving light of the Mediterranean with rare sensitivity. She brings to her task an astonishing breadth of knowledge about his family, about fin-de-siècle Paris, the conventional Salon painters who shut their doors on him, his artistic comrades, his early patrons, and his incipient rivalry with Picasso.In Hilary Spurling, Matisse has found a biographer with a detective's ability to unearth crucial facts, the narrative power of a novelist, and profound empathy for her subject.From the Hardcover edition.

    From the moment of its discovery a battle for possession ensued and was won, eventually, by the French. Touted by her keepers in the Louvre as the great classical find of the era, the sculpture gained instant celebrity–and yet its origins had yet to be documented or verified.From the flurry of excitement surrounding her discovery, to the raging disputes over her authenticity, to the politics and personalities that have given rise to her mystique, Gregory Curtis has given us a riveting look at the embattled legacy of a beloved icon and a remarkable tribute to one of the world’s great works of art.

    She finds herself falling for the attractive estate manager, who carries secrets of his own. As the tension grows more unbearable, Ellen will have to risk everything she holds dear to discover the secrets that lurk in the shadows of the Chateau D'Arc.

    One was a Prince, one was a Count, and the third was a commoner with an Italian name, who four years earlier had been the subject of one of John Singer Sargent’s greatest portraits. The commoner was Samuel Pozzi, society doctor, pioneer gynaecologist and free-thinker – a rational and scientific man with a famously complicated private life.Pozzi's life played out against the backdrop of the Parisian Belle Epoque. The beautiful age of glamour and pleasure more often showed its ugly side: hysterical, narcissistic, decadent and violent, a time of rampant prejudice and blood-and-soil nativism, with more parallels to our own age than we might imagine.The Man in the Red Coat is at once a fresh and original portrait of the Belle Epoque – its heroes and villains, its writers, artists and thinkers – and a life of a man ahead of his time. Witty, surprising and deeply researched, the new book from Julian Barnes illuminates the fruitful and longstanding exchange of ideas between Britain and France, and makes a compelling case for keeping that exchange alive.

    There, she unexpectedly meets up with an old acquaintance, famous model-turned-photographer Lee Miller. Neither has emerged from the war unscathed. Nora is racked with the fear that her efforts to survive under the Vichy regime may have cost her daughter’s life. Lee suffers from what she witnessed as a war correspondent photographing the liberation of the Nazi concentration camps.Nora and Lee knew each other in the heady days of late 1920s Paris, when Nora was giddy with love for her childhood sweetheart, Lee became the celebrated mistress of the artist Man Ray, and Lee’s magnetic beauty drew them all into the glamorous lives of famous artists and their wealthy patrons. But Lee fails to realize that her friendship with Nora is even older, that it goes back to their days as children in Poughkeepsie, New York, when a devastating trauma marked Lee forever. Will Nora’s reunion with Lee give them a chance to forgive past betrayals…and break years of silence to forge a meaningful connection as women who have shared the best and the worst that life can offer?A novel of freedom and frailty, desire and daring, The Beautiful American portrays the extraordinary relationship between two passionate, unconventional women.

    The intensive education that follows offers Henry a model for future excellence; a model that he is doomed to fail.On his accession, he chooses his brother’s widow, Caterina of Aragon, to be his queen. Together they plan to reinstate the glory of days of old and fill the royal nursery with boys.But when their first-born son dies at just a few months old, and subsequent babies are born dead or perish in the womb, the king’s golden dreams are tarnishedChristendom mocks the virile prince. Caterina’s fertile years are ending yet all he has is one useless living daughter, and a baseborn son.He needs a solution but stubborn to the end, Caterina refuses to step aside.As their relationship founders his eye is caught by a woman newly arrived from the French court. Her name is Anne Boleyn. A Matter of Conscience: The Aragon Years offers a unique first-person account of the ‘monster’ we love to hate and reveals a man on the edge; an amiable man made dangerous by his own impossible expectation.The story continues in A Matter of Faith : Book Two of The Henrician Chronicle.

    The skeleton, muscles and joints are covered with descriptions of differences between female and male anatomy.This is a reproduction of a 1852 British publication and may contain non-standard spellings and characters. The work has been proof-read and edited to remove typographical errors and reformat the text for the Kindle. All images have been cleaned and resized.

    So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year earlier, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art.Spring Cannot Be Cancelled is an uplifting manifesto that affirms art’s capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney’s new Normandy drawings and paintings alongside works by Van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, color, space, perception, water, trees. He has much to teach us, not only about how to see . . . but about how to live.

    Illustrated with 100 of his paintings, the book is accompanied by an elegant biographical portrait of the artist’s life and achievements.

    Whilst the great Norlong and Ebonson families fly the flag for the British Empire, Edward Urwin spends his time scratching pieces of art into the cobblestones of Birmingham. Life is straightforward for Edward until a strange old man approaches him in the street. With the help of Henry Beechworth, Edward learns to read and use his special talents to win a place at St. John’s Boarding School. But it isn’t all down to good fortune. Edward doesn’t realise he’s under control of forces far more powerful than him. Forces that are determined to shape him in their image. Forces that are determined to bury the mystery of the demise of the Urwin family for good… Check out the first books of my other series, including Made in Yorkshire and the War Years.

    No one in her family expects Mary to go far; she's the middle daughter, sharp-tongued, not the favorite, not pretty. But when her cousin, the new Queen of England, Anne Boleyn invites a Shelton daughter to serve her at court, Mary proves to her parents she's their best choice when she boldly spies on them. Mary needs her penchant for breaking the rules if she's to survive at court.Surrounded by girls desperate for the same prize: a grand marriage—Mary quickly outshines them all when she discovers her talent for flirtation and catches the eye of the reckless yet beguiling Lord John de Vere. Thrilled by his attentions, she falls headlong into a passionate game of Pass-the-Time that promises Mary the love she craves and the advancement her family desires. But Mary's dazzling success brings her dangerous enemies who scheme to ruin her life at court. Mary must win Queen Anne’s favor to escape their plots and win her future with Lord John. When Mary forgets that love at court is always a game, she finds herself used in a vicious revenge designed to destroy the most powerful noble in England. With her greatest enemy ready to reveal her worst secret, Mary has just one chance to save her herself from total ruin. It means lying to her family, deceiving Lord John, and defying the Queen. It’s the game Mary was born to play...if she dares.

    The album sold a million copies worldwide, introduced the Flaming Lips to a mass audience, and made them one of the best-known cult bands in rock history.Staring at Sound is the tale of the Flaming Lips's fascinating career (which, in reality, began in 1983) and the many colorful personalities in their orbit, especially Wayne Coyne, their charismatic and visionary founder. Based on hundreds of hours of interviews with the band, it follows the Flaming Lips through the thriving indie-rock underground of the 1980s and the alternative-rock movement of the early '90s, during which they found fans in such rock legends as Paul McCartney, the Rolling Stones, Robert Plant, and Devo, and respected peers in such acts as the White Stripes, Radiohead, and Beck. It concludes with exclusive coverage of the creation of the group's latest album, At War with the Mystics.

    Mark Hodkinson's biography of Queen focuses on the band's formative years, and draws on interviews with over sixty friends and colleagues of Freddie Mercury, Brian May, Roger Taylor and John Deacon.