Since 9/11, terrorists in Pakistan have killed over 40,000—and counting. Often risking his life, Qasim Rashid journeys into the heart of that terrorism to unearth the untold story of those silenced by Taliban suicide bombings, secret police torture, and state sponsored religious persecution. Rashid exposes the horrifying truth about growing radicalism in Pakistan and its impact on Western security. But most importantly, Rashid uncovers the inspiring untold story of millions fighting back—and winning.

    This has always been the case, no matter how often that certainty has failed. Though no generation believes there’s nothing left to learn, every generation unconsciously assumes that what has already been defined and accepted is (probably) pretty close to how reality will be viewed in perpetuity. And then, of course, time passes. Ideas shift. Opinions invert. What once seemed reasonable eventually becomes absurd, replaced by modern perspectives that feel even more irrefutable and secure—until, of course, they don’t.But What If We’re Wrong? visualizes the contemporary world as it will appear to those who'll perceive it as the distant past. Chuck Klosterman asks questions that are profound in their simplicity: How certain are we about our understanding of gravity? How certain are we about our understanding of time? What will be the defining memory of rock music, five hundred years from today? How seriously should we view the content of our dreams? How seriously should we view the content of television? Are all sports destined for extinction? Is it possible that the greatest artist of our era is currently unknown (or—weirder still—widely known, but entirely disrespected)? Is it possible that we “overrate” democracy? And perhaps most disturbing, is it possible that we’ve reached the end of knowledge?Kinetically slingshotting through a broad spectrum of objective and subjective problems, But What If We’re Wrong? is built on interviews with a variety of creative thinkers—George Saunders, David Byrne, Jonathan Lethem, Kathryn Schulz, Neil deGrasse Tyson, Brian Greene, Junot Díaz, Amanda Petrusich, Ryan Adams, Nick Bostrom, Dan Carlin, and Richard Linklater, among others—interwoven with the type of high-wire humor and nontraditional analysis only Klosterman would dare to attempt. It’s a seemingly impossible achievement: a book about the things we cannot know, explained as if we did. It’s about how we live now, once “now” has become “then.”

    Over 30 years out-of-print, Perfidy is back, with murder, conspiracy and deep betrayal at its disturbing core. Playwright and historian of public conscience, Ben Hecht chronicles one of the most sensational yet least remembered stories in the history of Israel.

    Sometimes wacky, sometimes profound, the title is always entertaining, with the odd bit of sleaze.

    The Vardanank novel is based on real historical events of the 5th century- the Armenian Liberation War, historically known as the "war of Vardanians".It is written by a bright, juicy language, includes historically colorful images of St Vardan's associates, the real picture of the life of Persian and Byzantine ruling circles.

    Still, though I followed their season closely, I never fully understood their impact."—Allen Barra, The New York SunIn 1947, major league baseball experienced its first measure of integration when the Brooklyn Dodgers brought Jackie Robinson to the National League. While Robinson's breakthrough opened the gates of opportunity for African Americans and other minority players, the process of integration proved slow and uneven. It was not until the 1960s that a handful of major league teams began to boast more than a few Black and Latino players. But the 1971 World Championship team enjoyed a full and complete level of integration, with half of its twenty-five-man roster comprised of players of African American and Latino descent. That team was the Pittsburgh Pirates, managed by an old-time Irishman.In The Team That Changed Baseball: Roberto Clemente and the 1971 Pittsburgh Pirates, veteran baseball writer Bruce Markusen tells the story of one of the most likable and significant teams in the history of professional sports. In addition to the fact that they fielded the first all-minority lineup in major league history, the 1971 Pirates are noteworthy for the team's inspiring individual performances, including those of future Hall of Famers Roberto Clemente, Willie Stargell, and Bill Mazeroski, and their remarkable World Series victory over the heavily favored Baltimore Orioles. But perhaps their greatest legacy is the team's influence on the future of baseball, inspiring later championship teams such as the New York Yankees and Oakland Athletics to open their doors fully to all talented players, regardless of race, particularly in the new era of free agency.

    On September 5, 1856, a submerged walnut tree pierced her hull, sinking the Arabia one-half mile below Parkville, Missouri. In time the river changed course, leaving the Arabia and her priceless freight deep beneath a Kansas farm field...The Arabia and her treasure seemed lost forever. Then, in 1988, four men and their families dedicated themselves to achieve what others could not; to recover the treasure from the Great White Arabia. Treasure hunter Greg Hawley chronicles his amazing story of perseverance and discovery. Lavishly illustrated and carefully documented, this book is a page turning adventure that immerses the reader into the thrilling discovery of buried treasure.

    In these, "the sort of stories you might tell in front of a fire", Calvin Trillin brings together twelve funny, troubling, moving and always revealing narratives--extended pieces that have appeared in The New Yorker over the past seven years.

    Along the way we will walk unknown passageways, known only to the prophets of old, as we search for the true location of the lost temples of Solomon and Herod. We will also lift a candle into the dim recesses of history and uncover secrets about the Ark of the Covenant and the gold Mercy Seat's prophetic obligation as it relates to the future Millennial temple."

    The murder of a beautiful woman shatters the rural village peace of Alfredville, and her husband, the police station commander, is jailed as chief suspect. Her cousin Peter, a freelance writer in London, returns to South Africa for the first time in decades – unsettled, curious, but also in search of a career-defining story. On checking into the Queen’s Hotel he finds that things are not as straightforward as he imagined, and South Africa is not as he left it. His carefully ordered world is thrown into turmoil as his trip dredges up a long-abandoned past, forcing him to question the assumptions so easily held from the comfort of his London flat. He meets a mixture of locals, visitors, vagrants and migrants, but most momentously, Peter discovers that his bosom friend from school, Bennie Nienaber, is still in Alfredville – and is in fact now, acting station commander at the local police station. Peter re-establishes an awkward friendship with his erstwhile friend and the two warily circle each other, sharing reminiscences that hint at a bond much deeper than nostalgia. As Peter abandons the neatly patterned story he had planned and is forced to participate in a community that he once despised, he begins to reconsider his place in the world. In search of Desirée’s story, he now starts to rewrite his own – till events take an even more shocking turn….Lost Ground explores questions of xenophobia and prejudice, of national, sexual and personal identity, and what it means to be a foreigner wherever you go.Michiel Heyns is the author of four previous novels: The Children’s Day, The Reluctant Passenger, The Typewriter’s Tale and Bodies Politic. He is a translator and was professor of English at the University of Stellenbosch.

    Researched and written during the quarantine of 2020.

    Less than a decade older than these teen parents, she was able to blend into the fabric of their lives and make a short documentary film about them. Over the course of the next four years she continued to earn their trust as they shared with her the daily reality of their lives and their experiences growing up in the economically depressed post-industrial landscape of Pittsfield, Massachusetts.

    Across five decades, Prine has created critically acclaimed albums--John Prine (one of Rolling Stone's 500 Greatest Albums of All Time), Bruised Orange, and The Missing Years--and earned many honors, including two Grammy Awards, a Lifetime Achievement Award for Songwriting from the Americana Music Association, and induction into the Nashville Songwriters Hall of Fame. His songs have been covered by scores of artists, from Johnny Cash and Miranda Lambert to Bette Midler and 10,000 Maniacs, and have influenced everyone from Roger McGuinn to Kacey Musgraves. Hailed in his early years as the "new Dylan," Prine still counts Bob Dylan among his most enthusiastic fans. In John Prine, Eddie Huffman traces the long arc of Prine's musical career, beginning with his early, seemingly effortless successes, which led paradoxically not to stardom but to a rich and varied career writing songs that other people have made famous. He recounts the stories, many of them humorous, behind Prine's best-known songs and discusses all of Prine's albums as he explores the brilliant records and the ill-advised side trips, the underappreciated gems and the hard-earned comebacks that led Prine to found his own successful record label, Oh Boy Records. This thorough, entertaining treatment gives John Prine his due as one of the most influential songwriters of his generation.

    Finkelstein moves from an iconoclastic interrogation of the new anti-Semitism to a meticulously researched exposé of the corruption of scholarship on the Israel-Palestine conflict.Bringing to bear the latest findings on the conflict and recasting the scholarly debate, Finkelstein points to a consensus among historians and human rights organizations on the factual record. Why, then, does so much controversy swirl around the conflict? Finkelstein’s answer, copiously documented, is that apologists for Israel contrive controversy. Whenever Israel comes under international pressure, another media campaign alleging a global outbreak of anti-Semitism is mounted.Finkelstein also scrutinizes the proliferation of distortion masquerading as history. Recalling Joan Peters’ book From Time Immemorial, published to great fanfare in 1984 but subsequently exposed as an academic hoax, he asks deeply troubling questions here about the periodic reappearance of spurious scholarship and the uncritical acclaim it receives. The most recent addition to this genre, Finkelstein argues, is Harvard Law Professor Alan Dershowitz’s bestseller, The Case for Israel.The core analysis of Beyond Chutzpah sets Dershowitz’s assertions on Israel’s human rights record against the findings of the mainstream human rights community. Sifting through thousands of pages of reports from organizations such as Amnesty International, B’Tselem, and Human Rights Watch, Finkelstein argues that Dershowitz has misrepresented the facts.Thoroughly researched and tightly argued, Beyond Chutzpah lifts the veil of controversy shrouding the Israel-Palestine conflict.

    His songwriting with The Byrds and subsequent work as a solo artist and with Dillard & Clark mark him as one of rock's key innovators and a pioneer of folk-rock, psychedelia, and alt-country. Yet Clark's personal demons shadowed him throughout his life, and until now his legacy has been clouded in mystery. Told through the personal recollections of those closest to Clark, Mr. Tambourine Man offers a rare glimpse into his life and work, a revealing portrait of one of rock's greatest bands, and a cautionary tale of the pitfalls of fame. Endorsed by the Gene Clark estate, the book also features rare and previously unseen photos from family and friends.