For Ellen Wilder, editor of the local newspaper, the gruesome killing is as disturbing as the irrational fears that have suddenly woven themselves into her mind and left her doubting her own sanity. For state police detective Michael Chandler, whose haunting near-death experience has left him with an uncanny way of sensing things, the murder is only a hint of what is to come.But nothing could have prepared either of them for the return of Franny Corbett. A hulking child of a man and the blackest sheep in a family of black sheep, his eerie presence may have ushered in all of these bizarre and frightening events. Soon the town of Wiltshire will be shaken again. For in a car sunk beneath the surface of a glimmering blue lake, floats another body. And the killing has just begun....

    2030. John McDean executive produces "Vigilance," a reality game show designed to make sure American citizens stay alert to foreign and domestic threats. Shooters are introduced into a "game environment," and the survivors get a cash prize.The TV audience is not the only one that's watching though, and McDean soon finds out what it's like to be on the other side of the camera.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    This edition offers the original story with all its atmospheric Victorian trimmings. The story of Todd's murderous partnership with pie-maker Margery Lovett--at once inconceivably unpalatable and undeniably compelling--has subsequently set the table for a seemingly endless series of successful dramatic adaptations, popular songs and ballads, novellas, radio plays, graphic novels, ballets, films, and musicals. Both gleeful and ghoulish, the original tale of Sweeney Todd, first published under the title The String of Pearls, combines the story of Todd's grisly method of robbing and dispatching his victims--by way of Mrs. Lovett's meat pies--with a romantic sub-plot involving deception, disguise, and detective work, set against the backdrop of London's dark and unsavory streets. Editor Robert Mack 'fleshes' out the story with a fascinating introduction touching on the origins of the tale, the growth of the legend, and a history of its many retellings. Mack also includes explanatory notes that point out interesting aspects, plus a full chronology of the many versions of Sweeney Todd.Since Sweeney Todd first entered the public imagination in the mid-nineteenth-century, his exploits have chilled and fascinated audiences around the world. This new edition allows modern readers to savor the ghastly original in all its gruesome glory.

    Partying is the perfect way to let loose from the stress of life and school, and Lylah hopes that hitting the dance floor with Chace, her best friend, will bring them closer together. She's been crushing on him since they met. If only he thought of her the same way...The girls are touching up their makeup and the guys are sliding on their coats when the doorbell rings. No one is there. An envelope sits on the doormat. It's an anonymous note addressed to their friend Sonny. A secret admirer? Maybe. They all laugh it off.Except Sonny never comes home. And a new note arrives:YOUR TURN

    Two previous expeditions to investigate its secrets met with disaster, the participants destroyed by murder, suicide or insanity. Now a new investigation has been mounted - four strangers, each with his or her own reason for daring the unknown torments and temptations of the mansion...

    Refusing to leave his home in a small coastal town in Maine, Jack Peter spends his time drawing monsters. When those drawings take on a life of their own, no one is safe from the terror they inspire. His mother, Holly, begins to hear strange sounds in the night coming from the ocean, and she seeks answers from the local Catholic priest and his Japanese housekeeper, who fill her head with stories of shipwrecks and ghosts. His father, Tim, wanders the beach, frantically searching for a strange apparition running wild in the dunes. And the boy’s only friend, Nick, becomes helplessly entangled in the eerie power of the drawings. While those around Jack Peter are haunted by what they think they see, only he knows the truth behind the frightful occurrences as the outside world encroaches upon them all.In the tradition of The Turn of the Screw, Keith Donohue’s The Boy Who Drew Monsters is a mesmerizing tale of psychological terror and imagination run wild, a perfectly creepy read for a dark night.

    Later that day he meets a woman in a diner to exchange information about an event that happened a week earlier for which neither has an explanation, but which haunts the Signalman.In a ranch house near the shore of the Salton Sea a cult leader gathers up the weak and susceptible—the Children of the Next Level—and offers them something to believe in and a chance for transcendence. The future is coming and they will help to usher it in.A day after the events at the ranch house which disturbed the Signalman so deeply that he and his government sought out help from ‘other’ sources, Johns Hopkins Applied Physics Laboratory abruptly loses contact with NASA’s interplanetary probe New Horizons. Something out beyond the orbit of Pluto has made contact.And a woman floating outside of time looks to the future and the past for answers to what can save humanity.

    Groupies. Stalkers.These people will give anything for the idols they worship, be they rock stars, actors or authors. Or even serial killers.Lori is just such a fanatic. Her obsession is with Edmund Cox, a man of sadistic cruelty who butchered more than twenty women. She’s gone so far as to forge a relationship with him, visiting him in prison and sending him letters on a regular basis. She will do anything to get close to him, so when he gives her a task, she eagerly accepts it.She has no idea of the horror that awaits her.Edmund tells her she must go to his cabin in the woods of Killen and retrieve a key to deliver to a mysterious figure known only as The River Man.In her quest, she brings along her handicapped sister, and they journey through the deep, dark valley, beginning their trip upriver. The trip quickly becomes a surreal nightmare, one that digs up Lori’s personal demons, the ones she feels bonds her to Edmund. The river runs with flesh, the cabin is a vault of horrors, and ghostly blues music echoes through the mountains. Soon they will learn that The River Man is not quite fact or folklore, and definitely not human -- at least, not anymore. And the key is just the beginning of what is required of Lori to prove she’s worthy of a madman’s love.

    The asphalt is melting, the birds are dying, petty crime is on the rise, and someone in Hannah Wagnor’s peaceful suburban community is killing girls.For Hannah, the summer is a complicated one. Her best friend Lillian died six months ago, and Hannah just wants her life to go back to normal. But how can things be normal when Lillian’s ghost is haunting her bedroom, pushing her to investigate the mysterious string of murders? Hannah’s just trying to understand why her friend self-destructed, and where she fits now that Lillian isn’t there to save her a place among the social elite. And she must stop thinking about Finny Boone, the big, enigmatic delinquent whose main hobbies seem to include petty larceny and surprising acts of kindness.With the entire city in a panic, Hannah soon finds herself drawn into a world of ghost girls and horrifying secrets. She realizes that only by confronting the Valentine Killer will she be able move on with her life—and it’s up to her to put together the pieces before he strikes again.Paper Valentine is a hauntingly poetic tale of love and death by the New York Times bestselling author of The Replacement and The Space Between.

    The natural world is a place of curves and softened edges, of gentle mists and welcoming spirals. Nature remembers deviation; nature does not forgive.For Harlowe Upton-Jones, life has never been a straight line. Shipped off to live with her paternal grandparents after a mysterious cult killed her mother and father, she has grown up chasing the question behind the curve, becoming part of a tight-knit teen detective agency. But “teen” is a limited time offer, and when her friends start looking for adult professions, it’s up to Harlowe to find them one last case so that they can go out in a blaze of glory.Welcome to Spindrift House.The stories and legends surrounding the decrepit property are countless and contradictory, but one thing is clear: there are people willing to pay a great deal to determine the legal ownership of the house. When Harlowe and her friends agree to investigate the mystery behind the manor, they do so on the assumption that they’ll be going down in history as the ones who determined who built Spindrift House—and why. The house has secrets. They have the skills. They have a plan. They have everything they need to solve the mystery.Everything they need except for time. Because Spindrift House keeps its secrets for a reason, and it has no intention of letting them go.Nature abhors a straight line.Here’s where the story bends.

    Her parents are still uptight and disinterested, her bedroom is exactly the way she left it, and the outcast Gavin Timothy still looks like he’s crawled out of one of her dark, twisted drawings.Delilah is instantly smitten.Gavin has always lived in the strange house: an odd building isolated in a stand of trees where the town gives in to mild wilderness. The house is an irresistible lure for Delilah, but the tall fence surrounding it exists for good reason, and Gavin urges Delilah to be careful. Whatever lives with him there isn’t human, and isn’t afraid of hurting her to keep her away.

    You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.

    A rich, gothic story of murder and mystery, A God in The Shed is quite possibly one of the most enthralling novels I've read in the last ten years. Dubeau is a force to be reckoned with.- --Jerry Smith, Fangoria Magazine and Blumhouse.com The village of Saint-Ferdinand has all the trappings of a quiet life: farmhouses stretching from one main street, a small police precinct, a few diners and cafes, and a grocery store. Though if an out-of-towner stopped in, they would notice one unusual thing--a cemetery far too large and much too full for such a small town, lined with the victims of the Saint-Ferdinand Killer, who has eluded police for nearly two decades. It's not until after Inspector Stephen Crowley finally catches the killer that the town discovers even darker forces are at play. When a dark spirit reveals itself to Venus McKenzie, one of Saint-Ferdinand's teenage residents, she learns that this creature's power has a long history with her town--and that the serial murders merely scratch the surface of a past burdened by evil secrets.

    Though all the evidence supports it, Livy cannot accept the official ruling of suicide; the Julia she remembers was loud, inappropriate, joyful, outrageous and loving, not depressed. The suspicious circumstances cause Livy to dig further, and she is suddenly forced to confront a horrifying possibility: that Julia was murdered, by the same man who killed Livy's sister, Kara, eighteen years ago.Desperate to understand the tragedies of her past and hold her unraveling life together, Livy throws herself into the search for Kara and Julia’s killer, who she now believes is someone close to her family. But if that is true, who can she still trust? Damien, the man Julia was secretly dating? Leo, her husband’s boss and a close family friend? His son Paul, her husband’s best mate since college? Or Will, her own dear husband, who has betrayed her perhaps one time too many?When Livy finally faces her sister’s killer, and he tries to force her to destroy her family with one horrible, impossible choice, she must finally decide: is she strong enough to trust herself?

    After growing up in Whitby, the town that inspired Dracula, Mina loves nothing more than a creepy horror movie. She can't wait to explore the city's darkest secrets - vampire tours, seedy bars, spooky cemeteries, disturbing local myths... And it gets even better when Mina lands a part-time job at a horror movie mansion and meets Jared, Libby's gorgeous housemate, co-worker and fellow horror enthusiast. But the perfect summer bliss is broken when, while exploring the mansion, Mina stumbles upon the body of a girl with puncture marks on her neck, clutching a lock of hair that suspiciously resembles Libby's... Someone is replicating New Orleans' most brutal supernatural killings. Mina must discover the truth and prove her sister's innocence before she becomes the victim of another myth.