In these three tales, superbly translated by Edward Seidensticker, erotic fantasy is underlaid with longing and memories of past loves.In the title story, the protagonist visits a brothel where elderly men spend a chaste but lecherous night with a drugged, unconscious virgin. As he admires the girl's beauty, he recalls his past womanizing, and reflects on the relentless course of old age. In One Arm, a young girl removes her right arm and gives it to the narrator to take home for the night; a surreal seduction follows as he tries to allay its fears, caresses it, and even replaces his own right arm with it.The protagonist of Of Birds and Beasts prefers the company of his pet birds and dogs to people, yet for him all living beings are beautiful objects which, though they give him pleasure, he treats with casual cruelty.Beautiful yet chilling, richly poetic yet subtly disturbing, these stories make compelling reading and reaffirm Kawabata s status as a world-class writer.

    Among Japanese readers both young and old it has enjoyed a timeless popularity, making it, according to Donald Keene, "probably the most widely read novel in modern Japan."The setting is Japan's deep south, where the author himself spent some time teaching English in a boys' school. Into this conservative world, with its social proprieties and established pecking order, breezes Botchan, down from the big city, with scant respect for either his elders or his noisy young charges; and the result is a chain of collisions large and small.Much of the story seems to occur in summer, against the drone of cicadas, and in many ways this is a summer book light, funny, never slow-moving. Here, in a lively new translation much better suited to Western tastes than any of its forebears, Botchan's homespun appeal is all the more apparent, and even those who have never been near the sunlit island on which these calamitous episodes take place should find in it uninterrupted entertainment.

    But when the she falls in love with one of her clients, an aristocratic retired politician, she renounces her business in order to become his wife. But it is not so easy to renounce her independent spirit, and eventually Kazu must choose between her marriage and the demands of her irrepressible vitality. After the Banquet is a magnificent portrait of political and domestic warfare.

    The young heroine, Otama, is forced by poverty to become a moneylender's mistress. Her dawning consciousness of her predicament brings the novel to a touching climax.

    Told from the viewpoints of three different women, this is a story of the psychological impact of illicit love. First viewed through the eyes of Shoko, who learns of the affair through reading her mother's diary, then through the eyes of Midori, who had long known about the affair of her husband with Saiko, and finally through the eyes of Saiko herself.

    Osamu Dazai’s The Setting Sun takes this milieu as its background to tell the story of the decline of a minor aristocratic family.The story is told through the eyes of Kazuko, the unmarried daughter of a widowed aristocrat. Her search for self meaning in a society devoid of use for her forms the crux of Dazai’s novel. It is a sad story, and structurally is a novel very much within the confines of the Japanese take on the novel in a way reminiscent of authors such as Nobel Prize winner Yasunari Kawabata – the social interactions are peripheral and understated, nuances must be drawn, and for readers more used to Western novelistic forms this comes across as being rather wishy-washy.Kazuko’s mother falls ill, and due to their financial circumstances they are forced to take a cottage in the countryside. Her brother, who became addicted to opium during the war is missing. When he returns, Kazuko attempts to form a liaison with the novelist Uehara. This romantic displacement only furthers to deepen her alienation from society.

    The selling of their family home leads them to an inescapable confrontation with their family history. Their attempt to escape the influence of the city ends in failure as they realize that its tentacles extend to everything in the countryside, including their own relationship. In 1994, Kenzaburo Oe was awarded the Nobel Prize for Literature. Signalling out The Silent Cry, the Nobel Committee stated that his poetic force creates an imagined world, where life and myth condense to form a disconcerting picture of the human predicament. Kenzaburo Oe is one of the great writers of the century and The Silent Cry is his masterpiece.

    This is a curiously elegant and scandalous tale of sexual deception and revenge. Ibuki loves widow Yasuko who is young, charming and sparkling with intelligence as well as beauty. His friend, Mikame, desires her too but that is not the difficulty. What troubles Ibuki is the curious bond that has grown between Yasuko and her mother-in-law, Mieko, a handsome, cultivated yet jealous woman in her fifties, who is manipulating the relationship between Yasuko and the two men who love her.

    But the book, itself titled N.P., may never be published in his native Japan: each translator who takes up the ninety-eighth story chooses death too—including Kazami Kano’s boyfriend, Shoji. Haunted by Shoji’s death, Kazami is inexorably drawn to three young people whose lives are intimately bound to the late writer and his work. Over the course of an astonishing summer, she will discover the truth behind the ninety-eighth story—and she will come to believe that “everything that had happened was shockingly beautiful, enough to make you crazy.”

    He has a criminal record, drinks too much, and his dream of becoming a writer is just a distant memory. With only the blossoming of the cherry trees to mark the passing of time, he spends his days in a tiny confectionery shop selling dorayaki, a type of pancake filled with sweet bean paste.But everything is about to change.Into his life comes Tokue, an elderly woman with disfigured hands and a troubled past. Tokue makes the best sweet bean paste Sentaro has ever tasted. She begins to teach him her craft, but as their friendship flourishes, social pressures become impossible to escape and Tokue's dark secret is revealed, with devastating consequences.Sweet Bean Paste is a moving novel about the burden of the past and the redemptive power of friendship. Translated into English for the first time, Durian Sukegawa's beautiful prose is capturing hearts all over the world.

    Murakami's image-intensive narrative paints a portrait of a group of friends locked in a destructive cycle of sex, drugs and rock'n'roll. The novel is all but plotless, but the raw and often violent prose takes us on a rollercoaster ride through reality and hallucination, highs and lows, in which the characters and their experiences come vividly to life. Trapped in passivity, they gain neither passion nor pleasure from their adventures. Yet out of the alienation, boredom and underlying rage and grief emerges a strangely quiet and almost equally shocking beauty. Ryu Murakami's first novel, Almost Transparent Blue won the coveted Akutagawa literary prize and became an instant bestseller. Representing a sharp and conscious turning away from the introspective trend of postwar Japanese literature, it polarized critics and public alike and soon attracted international attention as an alternative view of modern Japan.

    When one night they are forced to expel a middle-aged man and a prostitute from their room, Mari finds herself drawn to the man's voice, in what will become the first gesture of a single long seduction. In spite of her provincial surroundings, and her cool but controlling mother, Mari is a sophisticated observer of human desire, and she sees in this man something she has long been looking for.The man is a proud if threadbare translator living on an island off the coast. A widower, there are whispers around town that he may have murdered his wife. Mari begins to visit him on his island, and he soon initiates her into a dark realm of both pain and pleasure, a place in which she finds herself more at ease even than the translator. As Mari's mother begins to close in on the affair, Mari's sense of what is suitable and what is desirable are recklessly engaged.Hotel Iris is a stirring novel about the sometimes violent ways in which we express intimacy and about the untranslatable essence of love.

    After missing the last bus home following a day trip to the seashore, an amateur entomologist is offered lodging for the night at the bottom of a vast sand pit. But when he attempts to leave the next morning, he quickly discovers that the locals have other plans. Held captive with seemingly no chance of escape, he is tasked with shoveling back the ever-advancing sand dunes that threaten to destroy the village. His only companion is an odd young woman, and together their fates become intertwined as they work side by side through this Sisyphean of tasks.

    But like those same customers and staff, they hold many secrets. If examined carefully, they show the signs of innumerable extravagancies, of immeasurable pleasure and pain, and of the deep mysteries of the human heart.Hitomi, the inexperienced young woman who works the register at Mr. Nakano's thrift shop, has fallen for her coworker, the oddly reserved Takeo. Unsure of how to attract his attention, she seeks advice from her employer's sister, Masayo, whose sentimental entanglements make her a somewhat unconventional guide. But thanks in part to Masayo, Hitomi will come to realize that love, desire, and intimacy require acceptance not only of idiosyncrasies but also of the delicate waltz between open and hidden secrets.Animating each delicately rendered chapter in Kawakami's playful novel is Mr. Nakano himself, an original, entertaining, and enigmatic creation whose compulsive mannerisms, secretive love life, and impulsive behavior defy all expectations.

    His people catch barely enough fish to live on, and so must distill salt to sell to neighboring villages. But this industry serves another, more sinister purpose: the fires of the salt cauldrons lure passing ships toward the shore and onto rocky shoals. When a ship runs aground, the villagers slaughter the crew and loot the cargo for rice, wine, and rich delicacies. One day a ship founders on the rocks. But Isaku learns that its cargo is far deadlier than could ever be imagined. Shipwrecks, the first novel by the great Japanese writer Yoshimura to be translated into English, is a stunningly powerful, Gothic tale of fate and retribution.