Williams (The Wire) and James Purefoy (Altered Carbon).Hap Collins looks like a good ’ol boy, but his lefty politics don’t match. His buddy, Vietnam veteran Leonard Pine, is even more complicated: black, conservative, gay . . . and an occasional arsonist. With Hap and Leonard on the job, small-time crooks all on the way on up to the Dixie Mafia are extremely nervous.Everyone's favorite ass-kicking Texan duo are further immortalized in this expanded collection of tall tales, slick nonfiction, and four full-length novellas.Foreword for The Big Book of Hap and LeonardJoe R. Lansdale can be a pain in the ass. That’s why this book exists.Hap and Leonard collected all of the not-so-dynamic duo’s previously published shorter adventures (circa 2016) plus the original story “Not Our Kind,” basically everything that’s not a novel, in one handsome volume. This being the 21st century and all, an ebook edition was required. And therein lies the problem.Seems Joe had promised the digital rights to the novellas “Hyenas,” “Dead Aim,” and the short story “The Boy Who Became Invisible” to another publisher than Tachyon. So we could wait until 2018 for the ebook, when the rights reverted, or figure out something else. We opted for the latter.The ebook Hap and Leonard Ride Again contained all of the material present in Hap and Leonard except for the trio of stories mentioned above. Since the remaining material scarcely made for a book, we added the original short story “The Oak and the Pond,” the Marvin Hanson novella “A Bone Dead Sadness,” Joe’s comic script adaptation of “The Boy Who Became Invisible,” my interview with Joe, and an original remembrance about the creation of Hap and Leonard by Bill Crider, who sadly died while we were putting together The Big Book of Hap and Leonard.When Joe offered us the rights to “Hyenas,” “Dead Aim,” and “The Boy Who Became Invisible,” we decided it was best to combine the two editions into this one super—dare I say big—book you hold in your virtual hands.Sometimes a pain in the ass leads to gold. Not sure if this qualifies as such but if not, it’s damn close.Rick Klaw, editorAustin, TexasFebruary 23, 2018Table of ContentsForeword for The Big Book of Hap and Leonard by Rick KlawAn Appreciation of Joe R. Lansdale by Michael KorytaJoe R. Lansdale, Hap and Leonard, and Me by Bill CriderHyenasVeil’s Visit (co-written by Andrew Vachss)Death by ChiliDead AimA Bone Dead SadnessThe Boy Who Became Invisible (story)The Boy Who Became Invisible (comic book script)Not Our Kind (original e-book publication)The Oak and the Pond (original e-book publication)Bent TwigJoe R. Lansdale Interviews Hap Collins and Leonard PineInterview with Joe R. LansdaleThe Care and Feeding and Raising Up of Hap and Leonard

    When he led a 340-mile peaceful protest march through California, he ignited a cause and improved the lives of thousands of migrant farmworkers. But Cesar wasn't always a leader. As a boy, he was shy and teased at school. His family slaved in the fields for barely enough money to survive. Cesar knew things had to change, and he thought that--maybe--he could help change them. So he took charge. He spoke up. And an entire country listened.An author's note provides historical context for the story of Cesar Chavez's life.

    

    It's a book about a woman. Marcia Clark takes us inside her head and her heart. Her voice is raw, incisive, disarming, unmistakable. Her story is both sweeping and deeply personal. How did she do it, day after day? What was it like, orchestrating the most controversial case of her career in the face of the media's relentless klieg lights? How did she fight her personal battles - those of a working mother balancing a crushing workload and a painful, very public divorce? When did she know that her case was lost? Who stood by her, and who abandoned her? And how did she cope with the outcome? As Clark shares the secrets of her own life, we understand for the first time why she identified so strongly with Nicole, in a way no man ever could. No one is spared in this unflinching account - least of all Clark herself, who candidly admits what she wishes she'd done differently - and, for the first time, we understand why the outcome was inevitable.

    More than a decade's worth of essays by the Pulitzer Prize winning syndicated columnist capture the essence of big city American life, from neighborhood taverns to backroom politics.

    Life in a homeless camp in Austin. A young woman whose résumé reads, “Topless Chick, Uncredited.” Remorselessly unsentimental, Kevin D. Williamson is a chronicler of American underclass dysfunction unlike any other. From the hollows of Eastern Kentucky to the porn business in Las Vegas, from the casinos of Atlantic City to the heroin rehabs of New Orleans, he depicts an often brutal reality that does not fit nicely into any political narrative or comfort any partisan. Coming from the world he writes about, Williamson understands it in a way that most commentators on American politics and culture simply can’t. In these sometimes savage and often hilarious essays, he takes readers on a wild tour of the wreckage of the American republic—the “white minstrel show” of right-wing grievance politics, progressive politicians addicted to gambling revenue, the culture of passive victimhood, and the reality of permanent poverty. Unsparing yet never unsympathetic, Big White Ghetto provides essential insight into an enormous but forgotten segment of American society.

    Jack Slade and Sam Healey, flying partners during World War II, establish a bush pilot business in Alaska after the war. When their C-47 Dakota is forced down on a glacier by a wolverine in the cargo deck that breaks out of its cage, they discover a valley that offers the realization each man's dreams. To Jack Slade, itOCOs the ideal place to homestead, raise a family, and live simply as a professional hunting and fishing guide; to Healey, the pool of crude oil he locates under the glacial ice promises the wealth he always wanted. In scenes that range from AlaskaOCOs coastal fishing ports to the high, fierce wastelands of the interior, we watch each man lay the plans for their individual goals?and ultimately come into fatal conflict. Along the way, they meet a wide, colorful variety of Alaskan types, including Charlie Blue, a Tlingit Indian, shaman, and seer; Norman Ormandy, the tough saloonkeeper of Gurry Bay; and Malec Mummad-Afi, a wealthy exiled Iranian oil king and sheep hunter.

    Now, for the first time, in his tenth travel book, Theroux explores a piece of America — the Deep South. He finds there a paradoxical place, full of incomparable music, unparalleled cuisine, and yet also some of the nation’s worst schools, housing, and unemployment rates. It’s these parts of the South, so often ignored, that have caught Theroux’s keen traveler’s eye.  On road trips spanning four seasons, wending along rural highways, Theroux visits gun shows and small-town churches, laborers in Arkansas, and parts of Mississippi where they still call the farm up the road “the plantation.” He talks to mayors and social workers, writers and reverends, the working poor and farming families — the unsung heroes of the south, the people who, despite it all, never left, and also those who returned home to rebuild a place they could never live without.  From the writer whose “great mission has always been to transport us beyond that reading chair, to challenge himself — and thus, to challenge us” (Boston Globe), Deep South is an ode to a region, vivid and haunting, full of life and loss alike.

    Many of America’s leading writers and artists openly resist the current administration’s dogma and earliest policy moves, and they’re not about to go gently into that good night. In It Occurs to Me That I Am America: New Stories and Art, more than thirty of the most acclaimed modern writers consider the fundamental ideals of a free, just, and compassionate democracy—through fiction. Featuring artwork by some of today’s best known artists, cartoonists, and graphic novelists—including Art Spiegelman, Roz Chast, Marilyn Minter, and Eric Fischl—who cover political, social, and cultural issues, this anthology is a beautiful, enduring collection that will resonate with anyone concerned with the contest for our American soul.

    Shea Serrano deftly pays homage to the most important song of each year. Serrano also examines the most important moments that surround the history and culture of rap music—from artists’ backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players—both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers, and show stoppers, The Rap Year Book is an in-depth look at the most influential genre of music to come out of the last generation.    Complete with infographics, lyric maps, hilarious and informative footnotes, portraits of the artists, and short essays by other prominent music writers, The Rap Year Book is both a narrative and illustrated guide to the most iconic and influential rap songs ever created.

    prisons are routinely subjected to physical, sexual, and mental abuse. While this has been documented in male prisons, women in prison often suffer in relative anonymity. Women Inside addresses this critical social justice issue, empowering incarcerated and formerly incarcerated women to share the stories that have previously been silenced. Among the narrators:•Irma Rodriguez, in prison on drug charges. While in prison in 1990, Irma was diagnosed HIV positive, but after a decade and a half of aggressive and toxic treatment, Irma learned that she never had HIV.•Sheri Dwight, a domestic violence survivor who was sent to prison for attempting to kill her batterer. While in prison, she underwent surgery for abdominal pain and learned more than four years later that she had been sterilized without her consent.

    It is the powerful story of four African-American female mathematicians at NASA who helped achieve some of the greatest moments in our space program. Now a major motion picture starring Taraji P. Henson, Octavia Spencer, Janelle Monae, Kirsten Dunst, and Kevin Costner.Before John Glenn orbited the earth, or Neil Armstrong walked on the moon, a group of dedicated female mathematicians known as “human computers” used pencils, slide rules, and adding machines to calculate the numbers that would launch rockets, and astronauts, into space.This book brings to life the stories of Dorothy Vaughan, Mary Jackson, Katherine Johnson, and Christine Darden, who lived through the Civil Rights era, the Space Race, the Cold War, and the movement for gender equality, and whose work forever changed the face of NASA and the country.

    THE HOSPITAL- The hub, the living center, the one place where the dreams of the morning become the nightmares of the evening, the one place where people like Tessa Cabot and Nick Gorlin can be thrown together in moments of powerful emotion... and the only place where our most cherished hopes and most shattering fears achieve their fullest expression! -Dr. Nick Gorlin- The handsome Chief Resident of City Hospital, he made medicine his life- but now faced a new kind of challenge, one that was totlaly unexpected... -Tessa Cabot- Twenty-seven, beautiful, born to wealth, she was wheeled into the emergency ward in a state of shock the beginning of a desperate chapter of life, death...and love... -Dr. David Cord- Charming, dedicated, he was the man most likely to succeed Dr. Gorlin- but Dr. Cord had a problem, an her name was Emily... -Emily Cord- She sacrificed her own law career for the sake of her husband's profession- and ended up in a frightening emotional state, hungry for a way out... -Roger Karl- The TV actor adored by millions of women across the country- a deeply troubled man living with an inner volcanic burden only Tessa Cabot could relieve...

    Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

    Nearly 50 readings by established and emerging scholars expose students to the most important theoretical debates. New to the third edition is a statistical appendix