How will they unite their hearts amidst all the horrors of the California Trail?California Trail 1863Irene is a sweet young woman who has been devoid of family love. When she hears of her step-father’s scheme, she escapes with her younger brother. They both hope that what lies ahead of the California Trail is a promise of the life they never had. However, the trail carries pain, loss, death and not everything is what it seems especially when she meets Austin. How can she let go of her fear of abandonment and trust him with her heart when he’s hiding the truth?Austin is an emotionally guarded rancher who hasn´t recovered from his family´s loss yet. On the verge of losing his only remaining connection to his wife and son, Austin will have to strike an unlikely deal. He is assigned to return Irene to her father, or he will lose his beloved land. But this task will prove more difficult than he had thought. How can he bring Irene back when his growing feelings for her get in the way? This long journey hides foes in plain sight. Irene and Austin should confront not only those but also illness, famine and wild animals. Will they make it through and find happiness in each other arm’s before their time together ends?

    She's newly orphaned and ruined, wanting only the peace and quiet that a governess position for Edwin's stoic daughter allows. She never expected though her new employer to be so handsome that she can barely resist the temptation. She soon discovers that she is not the only one who is hiding secrets, but that doesn't stop her lascivious longing. There is a dreadful scandal that has tarnished Edwin's name and left him broken-hearted... Can a governess full of secrets find a place in Edwin's house and most importantly in his wounded heart?Edwin Huntington moved with his jaw-droppingly gorgeous blonde, Cecily, and their young daughter, Jane, across the country, so he could work as a high-ranking military officer. Little did he know that he and his daughter would be abandoned by Cecily for his cousin, the next in line to Edwin's wealthy uncle's estate. Since Jane doesn't seem to take kindly to her mother's disappearance, Edwin soon realizes the urgent need of a governess. But when the new magnetic governess appears to be more than he ever wished for, he finds himself trying to tame his growing feelings. After all he's been through, could she really be the one to set his body and soul on fire?Emilia and Edwin know they are playing dangerously close with fire, but their intriguing lust is too overwhelming to resist. As the story of Cecily and Edwin's wealthy cousin, Marcus, is not over yet, whatever joy and passion Edwin and Emilia might have found together is at high risk. Can they defy everyone and turn this promising desire into an everlasting love? Or will their passionate affair go down in flames before it fills them with sparks?

    The pair's innovative and authentic adaptation of Dante's epic, coupled with Birk's striking play on Gustave Dor's classic illustrations, make this a "Divine Comedy" for the 21st century. Acclaimed by both the literary and art worlds; rife with contemporary turns of phrase and slang (just as the original poem was written in the vernacular of its day) and pointed visions of the afterlife as contemporary cities; and rich with bold allusion, cultural critique, and witthis is the must-have collection of modern classics.

    Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries.The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn't alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances.Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others -- no one knows the precise number -- have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy.Jonathan Harr embarks on a journey to discover the long-lost painting known as The Taking of Christ -- its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle.

    With record-collector zeal, Cook analyzes everything from Sidney Bechet's 78s to Norah Jones' recent chart-topper.

    With over ninety illustrations, this book traces the history of the chair as we know it from its crudest beginnings up through the modern office variety. Drawing on anecdotes, literary references, and famous designs, Galen Cranz documents our ongoing love affair with the chair and how its evolution has been governed not by a quest for comfort or practicality, but by the designation of status.Relating much of the modern era's rampant back pain to an increasingly sedentary lifestyle spent in traditional seating, Cranz goes beyond traditional ergonomic theory to formulate new design principles that challenge the way we think and live. A farsighted and innovative approach to our most intimate habitat, this book offers guidelines that will assist readers in choosing a chair-and designing a lifestyle-that truly suits our bodies. Praise for The Chair:  "[A] concise, multidisciplinary gem."—Publishers Weekly "Cranz is no sedentary historian. The Chair is a call to action."—Jonathan Levi, Los Angeles Times "Galen Cranz has written a provocative book. Pull up a comfortable chair-if you can find one-and read it."—Witold Rybczynski