More Sensational Knitted Socks


Charlene Schurch - 2007
    Discover more patterns, more stitches, and more styles--this follow-up to the award-winning bestseller "Sensational Knitted Socks" presents new possibilities for knitting great socks!Combine the yarn, gauge, stitch pattern, and size of your choice to knit more than 1,000 variations of adult- and kid-sized socksStart with 11 basic designs; then try loads of different looks with an all-new stitch-pattern libraryChoose your favorite technique--use four or five double-pointed needles or two circular needles

The Joy of Sox: 30+ Must-Knit Designs


Linda Kopp - 2009
    And it’s all in one flirtatiously fresh package.Aimed at the knitter who is super-passionate about socks, The Joy of Sox delivers on its name. With their tantalizing cables, intricate lacework, and intriguing color work, the patterns represent the very best in sock design. There are revamped classics, bold new styles, and even a few themed socks—like the diamond lace thigh-highs and toeless pedicure socks. In addition to the results of our online knitting poll, you’ll also get fun stuff, including info from knitting personality Laurie Perry and phenoms Laura Bryant and Shannon Okey.

Greetings from Knit Cafe


Suzan Mischer - 2006
    The result was Knit Cafe, a sleek yet homey neighborhood yarn store in one of the most famous neighborhoods in the world. This fabulous shop—and its unique spirit—are celebrated in Greetings from Knit Cafe, now available in an updated paperback edition.  Colorful and chic, the book offers 30 of Knit Cafe’s most dazzling patterns for "California-style" projects ranging from hiking socks to a bikini to a "red carpet" gown. It also features stories about how the celebrated store came to be and how its eclectic clientele came to shape it. Even a few favorite recipes from regular customers are included. Knitters nationwide will enjoy Knit Cafe’s California spirit and join its eclectic circle of devotees.

Glorious Knits: 35 Designs for Knitting Sweaters, Dresses, Vests and Shawls


Kaffe Fassett - 1985
    120 full-color photographs.(GLORIOUS KNITS is the title used for U.S. editions of GLORIOUS KNITTING, first published in the U.K. Content is reported to be identical; both have 160 pages.)

Traditional Knitted Lace Shawls


Martha Waterman - 1993
    Everything you need to know to design and knit your own shawls is provided, including detailed instructions for eight shawls.

One + One: Scarves, Shawls Shrugs: 25+ Projects from Just Two Skeins


Iris Schreier - 2012
    Scarves, Shawls & Shrugs is the first in a new series by renowned designer Iris Schreier that showcases the many possibilities of working with just two skeins of yarn. Mixing yarn types, weights, and colors, she presents a dazzling array of stylish and sophisticated wraps. Schreier created about half the projects herself, while other prominent designers provided the rest.  The projects range from easy to unique and offer new ideas for blending yarns and creating pieces with high appeal, beautiful drape, and practical functionality.

Unexpected Knitting


Debbie New - 2003
    The designs emanate from an extraordinary mind, ... but the author has written out detailed and comprehensive instructions for the rest of us. Some designs include: Form knitting, Scribble Lace, Swirl, Sculptural, Virtual, Cellular Automaton and Labyrinth knitting.

No Sheep for You: Knit Happy with Cotton, Silk, Linen, Hemp, Bamboo & Other Delights


Amy R. Singer - 2007
    Some knitters are discouraged by the thought of baggy hemp sweaters and droopy cotton socks when they consider vegetable fibers, but this authoritative, fun, and light-hearted guide promises that, while wool has no equal when it comes to elasticity and warmth, the right tricks and techniques produce non-wool fashions that fit well, wear well, and hang beautifully. Knitters are taught to knit swatches to study the behavior of a yarn, to choose an appropriate pattern, and to master techniques for reinforcing stitches and inserting knit-ins of springier yarn to keep cotton, silk, and other fibers from sagging. Key information about durability, weight, pilling, and special handling is provided for acrylic, bamboo, cotton, hemp, Ingeo, linen, lycra, nylon, polyester, rayon, silk, soy, Tencel, and viscose yarns, and a chapter of helpful tips advises on needles to use (and avoid), how to start new balls and weave in ends, how to work intarsia and Fair Isle patterns, smart ways to control the cost of materials, and the right methods for washing, drying, and blocking the finished pieces.

Mother-Daughter Knits: 30 Designs to Flatter & Fit


Sally Melville - 2009
    30 detailed and easy-to-follow patterns for garments and accessories are presented including a slimming Jackie Kennedy-style Camelot coat and a reversible tank top with scoop neck.

Romantic Hand Knits: 26 Flirtatious Designs That Flatter Your Figure


Annie Modesitt - 2007
    Exquisite drape married with figure-hugging silhouettes show off a woman’s curves in a most ladylike manner, creating flirtatious and flattering fits to please any knitter. Loosely based on ultra-feminine styles from fashion history, the designs in Romantic Hand Knits have an undeniably modern appeal. • A lace camisole is lengthened and reinvented as a lovely summer slip dress • A late-eighteenth-century corset cover inspires the design for a lacy fitted top with elbow-length sleeves• Silk stockings favored by Elizabethan ladies of the royal court return in a sexy and fresh incarnationWith the new fibers available today, knitting guru Annie Modesitt knits up fabrics that cling delicately to a woman’s body, creating an elegant hand-tailored look. Now every woman will be able to create fitted garments that make her look as pretty, desirable, and sexy as she feels.For knitters who want to heat things up in a whole new way, the alluring designs in Romantic Hand Knits will help them light the fires. An interview with Annie ModesittWhat’s your philosophy on the “romantic look”?There is a certain cultural shorthand that implies that “romantic” means lots of lace, billowy skirts, low-cut bodices, and a little more leg than usual–sexy with an extra layer. But I think that, like everything deeply personal, romance has its own specific look for each person. Romance is not so much about being desirable to another as it is about reveling in and celebrating our own hearts’ desires.In the introduction to Romantic Hand Knits, you say that romance is about dreams and hope, and how in knitting, as in romance, much of the joy is in the dream. How has knitting brought romance into your life?Knitting allows me to enjoy my time, my imagination and my mind more than I might without needles and yarn. When my mind is free–and powerful–the way it feels when I knit, then my soul soars a little and all of this adds a layer of joy to my life. Not to put too fine a point on it, this makes me love life, and love love, in a much deeper way, which in turn makes me more lovable. Nothing is more attractive than a quiet self confidence, which is what I get from knitting.You say in Romantic Hand Knits that the garment that dresses the top of the body sets the tone for the rest of your ensemble–and that this is perfectly demonstrated in the piece you’ve named Ninotchka. Can you elaborate?It’s hard to get away from the fact that the bust area–being the most important fit point on most women’s bodies and also being so near to the face–can send very strong signals. Usually we want these to be good signals: “this is a woman in control of her life and her wardrobe,” “I can trust what this woman tells me,” or “I feel this person is sympathetic and kind.”In Ninotchka, the well-supported bust area adds strength and stability to the design, allowing feminine details like the lace below the bust line and the thin twisted-cord shoulder straps to relax and soften, not weaken, the message this piece sends. “Here’s a woman confident in her femininity, but with a strong foundation.”Any stories to share from the development of Romantic Hand Knits?One of my favorite pieces, Streetcar Named Desire, was briefly a disaster! It was worked up quite beautifully by my knitter, who then attempted to block the piece. I generally like to block and finish most of the garments, and I hardly ever wet block, but in the blocking of this piece an interesting thing occurred. The fitted, springy little cardigan that I designed began to drape and hang in unexpected ways. The piece went from Sandra Dee to Blanche DuBois, and I couldn’t have been happier! It altered the way that I recommended caring for the piece (machine wash instead of dry clean), which, quite honestly, is how most folks want to deal with their clothing.With the addition of a waist tie, which can be moved to different eyelet rows to create a high, low, or natural waistline, the cardigan had an entirely different aspect–a sexier, “floatier,” more intriguing look.Is there a particular type of yarn that works best for this look? Why?I tried very hard to use a variety of fibers that represent a wide variety of price points. I do understand that not every knitter will be able to afford the silk to make Cleopatra, but I felt it was an important, inspiring piece and had to be included in a collection of romantic silhouettes. A firm, machine-washable Egyptian cotton might be a good substitute. One of the most useful skills to develop as a knitter is the ability to substitute yarn–this skill can only be honed with experience. This is why I suggest to new knitters that when they see a ball of yarn they like, they should get it and swatch it right away. Don’t wait for the right project to come along. If you swatch a yarn you love, you may just see that the right project’s been in front of you all along–perhaps in this book–just waiting for you to see the true beauty in the fabric knit from your new skein.Whenever possible I tried to use machine-washable yarns–especially for the skirts! I know that the idea of a hand knit skirt can be daunting–we’re all worried about the stretchy butt-pouch–but knit fabric is resilient and generally bounces back to its original drape. Machine washing a skirt ensures that it will return to its original silhouette.  Is there a philosophy or attitude that each book shares? How is this book different from your other books?If there’s one philosophy that all of my books share, it’s that we all have a bit of genius–of brilliance–in each of us, and if we choose to show it through our knitting, so much the better! We’re all individuals, so we may do things in unusual or nonstandard ways, but that doesn’t make us any less legitimate when we’re knitting (or cooking or sailing).This book is different in that it focuses specifically on clothes for women, and clothes that are intended to be flattering and a little body-conscious at that. My heart is most definitely in this book, which has been in me for a long time. I’m so happy to see it out and looking so beautiful!Do you have a favorite pattern in Romantic Hand Knits, or one that has a special meaning to you?I would have to say the cover skirt is very special to me. I’ve shown that photo to many knitters, and I’ve heard some women say, “I’d make that skirt, if I had that butt!” I really want folks to understand that it’s not so much about having a tiny butt, or the “perfect” butt, as much as it’s about liking the butt you have. There are a lot of ways to get to this Zen place, but if you have the greatest looking figure in the world and you’re not liking it, you may as well wear a sack. Likewise, if you have a less than perfect shape, but you love all the amazing things your body can do and have a fondness for your shape, you’ll look good in an amazing number of things. Confidence is a terrific butt-lift. Plus, the skirt is designed to help trick the eye into seeing the derriere in the most flattering light . . .

Patterns for Guernseys, Jerseys & Arans


Gladys Thompson - 1955
    Among landlubbers as well, these sweaters are perennially popular, but, especially in this country, it is often hard to find practical instructions for the patterns that are traditional in Britain. Here is a book that presents fully 82 different genuine folk patterns for both the lighter weight Jerseys and the heavier Guernseys, and diagrams many more patterns that you can use in your knitting. The author gives the names of the stitches and patterns traditionally used in making Jerseys and Guernseys, and she tells you exactly how to knit every sweater in this book using those patterns and stitches. Here you will find patterns taken from sweaters found in Yorkshire, Norfolk, the west coast of Ireland, the Scottish Hebrides, and the Aran Islands. These are sweaters that have often been handed down from father to son for several generations, they wear so well. Instructions for these sturdy sweaters are given row by row for knitting fronts, backs, sleeves, and necks, in the traditional fashion. Each set of instructions is accompanied by a diagram of the pattern and, often, by a photograph of the finished sweater. All of these sweaters can be worn by either men or women, but the author has also provided full directions for making two sets of sweaters and cardigans expressly adapted for ladies' wear. Mrs. Thompson also includes interesting information about the people who gave her the patterns for this book.

Folk Knitting in Estonia: A Garland of Symbolism, Tradition and Technique


Nancy Bush - 2000
    American knitters can finally learn the traditions behind Estonian knitting and the techniques necessary to recreate it. Illustrated step-by-step instructions guide readers through unfamiliar techniques. Detailed instructions for 25 gloves, mittens, and socks plus charts for traditional lace and multicolored patterns are included. A brief history of Estonia itself and a section on the folk culture provide a background to the technical instructions.

Knitting For Dummies: Mini Edition


Pam Allen
    

101 Designer One-Skein Wonders


Judith Durant - 2007
    In this compilation by Judith Durant, knitwear designers from across the United States offer their favorite little projects — each designed to use just one ball of yarn. Hats, scarves, bags, shawls, mittens, pillows, and other One-Skein Wonders® make fun and portable weekend projects. All 101 designs are pictured in a full-color project gallery, while clear instructions make it easy for knitters of every skill level to tie up some loose ends.

Alterknits: Imaginative Projects and Creativity Exercises


Leigh Radford - 2005
    For knitters looking for something new to spark their imaginations, AlterKnits is the answer. Featuring 27 imaginative projects, 10 creativity exercises, and thought-provoking quotes from Albert Einstein, Martha Graham, and many more, AlterKnits inspires knitters to expect the unexpected, to enjoy the rewards of experimentation, and to see the possibilities of knitting with broader vision.Some projects call for unusual materials-plastic tubing (for a bag handle) or sterling silver wire (for a necklace). Others blend different craft techniques-a pullover with sewn-on velvet cuffs, a baby blanket with painted-on polka dots. Still others apply knitting in unexpected places, such as laptop cases and bulletin boards. The creativity exercises-called AlterExercises-challenge knitters to try out new ideas and to ask provocative, sometimes amusing questions. Tucked into a pocket on the inside front cover is the 32-page AlterKnits notebook, the perfect place for readers to work on their AlterKnits exercises and do their own creative doodling .With AlterKnits, our concept of what we can knit will be forever altered!