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    Tyra went from dating deadbeats to dating athletes. But living the good life came at a price.... "The Skeletons In My Closet" By: LaShonda DeVaughn, Author of A Hood Chick's Story I & II - They say in order to receive true and real love, we must all take chances. Will Kenneth end up being the real deal? Or will Rita end up regretting her decision in courting a young thug? "Taking Chances" By: Mimi Renee, Author of Deadly Decisions and Pretty Bright - Despite years of women playing games to take her husband away from her, Jai was determined to hold on. Her best friend questions why she puts up with his infidelity. Jai reasons: It's just Something In His Backstroke. "Something In His Backstroke" By: Tysha - Author of The Boss...the story of a female hustler - Fairytales should all have happy endings. Unfortunately, in Zoe's world each ending comes with a tale of lies... "Sleeping With The Enemy" By: Kaie Golson

    But when the Blitz reaches Manchester, she is locked in the cellar by her feckless mother, Lizzie. As bombs rain down from a sky turned blood red with flame, Jess waits for Lizzie to return.But fortunes are fickle, and soon Jess finds herself packed off to live with her tyrant Uncle Bernie, a bullying black marketeer. Though he treats her like a servant, she seeks refuge in the Sally Army and her natural musical talent offers both an escape route and the chance for love.But Uncle Bernie never forgives his niece for refusing to join his illegal schemes and threatens to deprive Jess of her hard-won freedom once and for all. This is a sweeping saga of hope and resilience perfect for fans of Kitty Neale and Rosie Goodwin. Praise for Dancing on Deansgate ‘A heart-wrenching story’ 5* Reader review‘It drew me in straight away’ 5* Reader review‘Another gem from a great writer’ 5* Reader review‘A compelling story of separation and hardship, and heartache overcome at last’ 5* Reader review

    It only needed a discarded chip on a South London street to lay him literally flat. So, bedbound and bored, Philip naturally starts to write the story of his life. But the mundane catalogue of seaside holidays and bodged DIY, broken relationships and unspoken truths, reveals more surprises, both comic and touching, than Philip or his family ever bargained for. Even, perhaps, a happy ending ...

    Marcus Hubbard, rich, despotic and despised, made a fortune during the Civil War by running the blockade and worse. In his family life he is equally injurious: one son he bulldozes while the other he holds in contempt for his frailty. By Marcus's side stands his mentally deranged wife and, finally, Regina, the adored daughter amoral, conniving, and beautiful as an evil flower. Marcus, it would seem, has been on the top of the heap long enough and someone must depose him. Turning the tables on a tyrant has always made for high drama, and when Hellman puts her brilliant talents to work on such a theme the result is a play of great theatrical intensity.

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

     It was after his identical twin Bill suffered the traumatic brain injury that left him crippled and unable to speak. George would see the man sitting on a bench at the mall, or at the store standing by the magazines. But he never seemed to notice George, not even when he tried to communicate. Twenty years later, after dropping out of college to care for Bill, George has become a junior high school janitor. Between his struggling with debt, working a physically demanding job, and taking care of Bill’s needs, life has not been easy. But George doesn’t know the meaning of difficult until the man finally acknowledges him, triggering a terrifying series of supernatural events that leaves George and Bill running for their lives. And as George struggles to protect his twin from an otherworldly evil, he discovers a startling secret about Bill—one that leaves him questioning decades-old assumptions and wondering which of them truly is the stronger half.

    Ayckbourn's series of plays for 4-5 actors typify his black comedies of human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the problem of loneliness. The Mother Figure shows a mother unable to escape from baby talk; in The Drinking Companion, an absentee husband attempts seduction without success; in Between Mouthfuls, a waiter oversees a fraught dinner encounter. A garden party gets out of hand in Gosforth's Fete, whilst A Talk in the Park is a revue style curtain call piece for the five actors. Whether the comedies concern marital conflict, infidelity or motherhood and take place on a park bench or at a village fete, the characters are familiar and their cries for help instantly recognisable. Principally he is respected as a radical re-inventor of form - Dominic Dromgoole.

    For treachery, blackmail and murder.He might be saving the world in his imagination as an MI5 agent, but Jerry's real life boss, wife and ex are all sick of his shenanigans and figure they’d be better off without him.More use dead than alive, he winds up on the news, reported missing and presumed murdered, his fate a mystery to all but one person. Lies used to make life easier, but now one thing’s for sure: being Jerry is murder.

    He was on top of the world—until he nearly threw it all away. Meredith Perkins lived a life of luxury, courtesy of her husband’s hard work and diligence, but was isolated from the realities of the working world. Her days were spent decorating their spacious home, lunching with affluent friends, practicing yoga, and shopping in boutiques… Until her husband’s crime turned her world upside down. Meredith found herself hounded by the media, deserted by friends she had counted on for support, and struggling to reconstruct a life for her and her children…But her friends kept their own secrets...How much do you trust your spouse? Do you keep secrets from your partner? How much do you trust your friends? Is everything what it seems on the outside?

    Edward Shawcross absented himself as much as possible and kept a red-haired mistress in Tintern Avenue. Alice, his wife, sought solace in chocolate and continually carped at Connie, her beautiful daughter. And Connie and Gilbert, their children, formed an uneasy alliance in the face of their parents' antipathy.Twenty years before, Edward Shawcross had been an impoverished millhand, born in a slum to feckless parents. Overnight his fortunes had changed. To everyone's surprise he had married the plain and awkward daughter of the wealthy Fishwick family. Almost at once the Fishwicks, owners of a lucrative mill and a grand house, went to live abroad leaving Edward in charge of all their business interests. No-one could understand why Edward had suddenly made this leap of fortune.But as the new generation began to grow up, so the truth behind old scandals began to emerge. Then, after many years, the Fishwicks returned and violence swiftly followed. Before Connie and Gilbert could throw off the legacies of the past and build their own lives, there were to be many shocking revelations.

    The Empty House is about being in love with the wrong man; The Day of the Storm is about discovering family—and its secrets; and Under Gemini is about deception. A wonderful new omnibus edition of three full-length novels by one of America's favorites.

    He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    The McKay family gathers for a week-long holiday at a rambling old house to celebrate the fiftieth wedding anniversary of Robert and Mary. In recent years only funerals and sudden, severe illnesses have been able to draw them together and as they gather in the splendid rooms of Hunting Manor, their differences are soon uncomfortably apparent. For all their history, their traditions, the connective strands of DNA, they are relative strangers. There are truths unspoken, but the question is: how much truth can a family really stand? The family holiday mushrooms, drawing in sundry relatives both estranged and deranged. The machinations of an appalling, uninvited aunt threaten the holiday – and the family – with irreparable damage. This book will make you question your own family situation. What does it really mean to be 'family'?