While on set, Mark met the women of Ward 81, the only locked hospital security ward for women in the state: the inmates were considered dangerous to themselves or to others. In February of 1976, just before the ward closed (it ceased to exist in November of 1977, when it became the female section of a coeducational treatment ward), Mark and Karen Folger Jacobs, a writer and social scientist, were given permission to make a more extended stay, living on the ward in order to photograph and interview the women. They spent 36 days on Ward 81, photographing and documenting. Jacobs recalls their slow, inevitable assimilation: "We felt the degeneration of our own bodies and the erosion of our self-confidence. We were horrified at the thought of what we might become after a year or two of confinement and therapy on Ward 81." This new hardcover edition adds 10 new pictures to the original. Ward 81 is a sobering investigation into the lives and treatment of the mentally ill.

    Already different from everyone else because of her unnatural intuition, Deka prays for red blood so she can finally feel like she belongs.But on the day of the ceremony, her blood runs gold, the color of impurity--and Deka knows she will face a consequence worse than death.Then a mysterious woman comes to her with a choice: stay in the village and submit to her fate, or leave to fight for the emperor in an army of girls just like her. They are called alaki--near-immortals with rare gifts. And they are the only ones who can stop the empire's greatest threat.Knowing the dangers that lie ahead yet yearning for acceptance, Deka decides to leave the only life she's ever known. But as she journeys to the capital to train for the biggest battle of her life, she will discover that the great walled city holds many surprises. Nothing and no one are quite what they seem to be--not even Deka herself.

    But when the Katas’ idyllic lifestyle takes a turn for the worse, Abeo’s father, following his mother’s advice, places her in a religious shrine, hoping that the sacrifice of his daughter will serve as religious atonement for the crimes of his ancestors. Unspeakable acts befall Abeo for the fifteen years she is enslaved within the shrine. When she is finally rescued, broken and battered, she must struggle to overcome her past, endure the revelation of family secrets, and learn to trust and love again.In the tradition of Chris Cleave’s Little Bee, Praise Song for the Butterflies is a contemporary story that offers an educational, eye-opening account of the practice of ritual servitude in West Africa. Spanning decades and two continents, Praise Song for the Butterflies will break and heal your heart.

    The other has ideas: about rhythm and time, about black bodies and black music, about what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from northwest London to West Africa, it is an exuberant dance to the music of time.

    Phiona has been out of school most of her life because her mother cannot afford it, so she is only now learning to read and write. Phiona Mutesi is also one of the best chess players in the world.One day in 2005, while searching for food, nine-year-old Phiona followed her brother to a dusty veranda where she met Robert Katende, who had also grown up in the Kampala slums. Katende, a war refugee turned missionary, had an improbable dream: to empower kids through chess—a game so foreign there is no word for it in their native language. Laying a chessboard in the dirt of the Katwe slum, Robert painstakingly taught the game each day. When he left at night, slum kids played on with bottlecaps on scraps of cardboard. At first they came for a free bowl of porridge, but many grew to love chess, a game that—like their daily lives—means persevering against great obstacles. Of these kids, one stood out as an immense talent: Phiona.By the age of eleven Phiona was her country’s junior champion and at fifteen, the national champion. In September 2010, she traveled to Siberia, a rare journey out of Katwe, to compete in the Chess Olympiad, the world’s most prestigious team-chess event. Phiona’s dream is to one day become a Grandmaster, the most elite title in chess. But to reach that goal, she must grapple with everyday life in one of the world’s most unstable countries, a place where girls are taught to be mothers, not dreamers, and the threats of AIDS, kidnapping, and starvation loom over the people.Like Katherine Boo’s Behind the Beautiful Forevers and Gayle Tzemach Lemmon’s The Dressmaker of Khair Khana, The Queen of Katwe is an intimate and heartrending portrait of human life on the poor fringes of the twenty-first century.

    . . . Iweala never wavers from a gripping, pulsing narrative voice. . . . He captures the horror of ethnic violence in all its brutality and the vulnerability of youth in all its innocence.”  —Entertainment Weekly  (A)The harrowing, utterly original debut novel by Uzodinma Iweala about the life of a child soldier in a war-torn African countryAs civil war rages in an unnamed West-African nation, Agu, the school-aged protagonist of this stunning novel, is recruited into a unit of guerilla fighters. Haunted by his father’s own death at the hands of militants, which he fled just before witnessing, Agu is vulnerable to the dangerous yet paternal nature of his new commander.While the war rages on, Agu becomes increasingly divorced from the life he had known before the conflict started—a life of school friends, church services, and time with his family, still intact. As he vividly recalls these sunnier times, his daily reality continues to spin further downward into inexplicable brutality, primal fear, and loss of selfhood. In a powerful, strikingly original voice, Uzodinma Iweala leads the reader through the random travels, betrayals, and violence that mark Agu’s new community. Electrifying and engrossing, Beasts of No Nation announces the arrival of an extraordinary writer.

    senator, in January 2005, and served as the chief official White House photographer for the President's full two terms. Souza was with President Obama more often, and at more crucial moments, than any friend or staff member, or even the First Lady--and he photographed it all. Souza captured nearly 2 million photographs of Obama, in moments ranging from classified to disarmingly candid.This large-format (12"x10"), exquisitely produced book presents more than 300 of Souza's favorite and most iconic images from these historic years; many have never been seen before. This seminal work on the Obama presidency documents moments of national importance--including the historic image of the President and his advisors watching tensely in the Situation Room as the Bin Laden mission unfolded--alongside unguarded moments with the President's family, his many encounters with children, and his time spent interacting with world leaders, members of Congress, White House staff, artists, musicians and more.The photographs are paired with captions and stories providing behind-the-scenes context for each, and offer insight into the special relationship Souza and the President forged during their time together. The result is a stunning record of a landmark era in American history.Souza's work enabled us to feel that we knew the President. This book puts us in the White House with him.

     Naomi—whose husband left her for a man, crushing her small amount of self-confidence—is stuck with a dead-end job and a big house in a neighborhood filled with couples. She hates the loneliness of weekends and the empty side of the king-size bed. Miriam, an only child of parents who were also only children, struggles with the fact that she has no blood relatives besides her children. She recognizes that it’s siblings who connect the past, the present, and the future, and the closest thing she has to sisters are Becky and Naomi. Then a dusty discovery delivers a potentially lethal blow to their friendship. While two of the women fight to save the relationship, one desires nothing more than its demise.

    . . Between grad school and multiple jobs, Naledi Smith doesn’t have time for fairy tales…or patience for the constant e-mails claiming she’s betrothed to an African prince. Sure. Right. Delete! As a former foster kid, she’s learned that the only things she can depend on are herself and the scientific method, and a silly e-mail won’t convince her otherwise.Prince Thabiso is the sole heir to the throne of Thesolo, shouldering the hopes of his parents and his people. At the top of their list? His marriage. Ever dutiful, he tracks down his missing betrothed. When Naledi mistakes the prince for a pauper, Thabiso can’t resist the chance to experience life—and love—without the burden of his crown.The chemistry between them is instant and irresistible, and flirty friendship quickly evolves into passionate nights. But when the truth is revealed, can a princess in theory become a princess ever after?Selected as one of the New York Times 100 Notable Books of 2018!

    But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart—one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom.

    1935. With the threat of Mussolini's army looming, recently orphaned Hirut struggles to adapt to her new life as a maid. Her new employer, Kidane, an officer in Emperor Haile Selassie's army, rushes to mobilize his strongest men before the Italians invade.Hirut and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms. But how could she have predicted her own personal war, still to come, as a prisoner of one of Italy's most vicious officers? The Shadow King is a gorgeously crafted and unputdownable exploration of female power, and what it means to be a woman at war.

    Heir to two lines of powerful witchdoctors, Arrah yearns for magic of her own. Yet she fails at bone magic, fails to call upon her ancestors, and fails to live up to her family’s legacy. Under the disapproving eye of her mother, the Kingdom’s most powerful priestess and seer, she fears she may never be good enough.But when the Kingdom’s children begin to disappear, Arrah is desperate enough to turn to a forbidden, dangerous ritual. If she has no magic of her own, she’ll have to buy it—by trading away years of her own life.Arrah’s borrowed power reveals a nightmarish betrayal, and on its heels, a rising tide of darkness that threatens to consume her and all those she loves. She must race to unravel a twisted and deadly scheme… before the fight costs more than she can afford.

    The narrative begins in Addis Ababa, Ethiopia, when twin boys, Shiva and Marion, are born to a nun (who dies) and a surgeon (who runs away). The babies, conjoined at the head, are successfully separated immediately after birth. The original conjoinment and separation of the boys becomes the operating theme of the novel and we are given situation after situation in which to consider the concepts of fusion and partition. Bookclub-in-a-Box looks at all that Verghese provides: history (Ethiopia and Eritrea), medicine (blood and liver disease), psychology (the search for identity), sociology (human relationships) and philosophy (of both science and religion). The narrative's real facts and descriptions are especially interesting for their thematic implications. Every Bookclub-in-a-Box printed discussion guide includes complete coverage of the themes and symbols, writing style, and interesting background information on the novel and the author.

    Plantations are as foreign to him as the African plain that birthed the slaves his uncle owns. Surely, though, he knows his own heart. She has no say in his decisions, his day, his life. She doesn't even have a say in her own. But when Nathaniel Pereira plunges into the murky mysteries of freedom and survival in the suffocating Southern heat, Liza can see how she might change her life forever.Tracing the thread of slavery from sixteenth-century Timbuktu, "Song of Slaves in the Desert "explores one man's struggle to understand a world where honor is in short supply yet dignity cannot be sold. His mission in peril, his mind nearly undone, Nathaniel's obsession binds him to his fate more tightly than chains ever could."Cheuse shows that in one way or another, we all experience slavery, and that freedom is never given but must be taken at all cost. The book's epic vision is deeply human and humane." Helon Habila, author of "Waiting for an Angel "and "Measuring Time""""Alan Cheuse, one of our most respected men of letters, has written a daring, provocative novel. Some readers will be captivated by his depiction of the horrors of slavery and Jewish involvement in the peculiar institution, and others will be troubled and perhaps even offended, for the subject of race in America is always controversial, but no one who reads "Song of Slaves in the Desert "will emerge from its pages unaffected." Charles Johnson, author of the National Book Award winner "Middle Passage""""A novelist's dream is to conjure up a whole world, one the reader can tumble right into and inhabit. I fell into Alan Cheuse's "Song of Slaves in the Desert "like that. I confess I felt a twinge of envy at Cheuse's success, his fully imagined song and its people. But the envy immediately gave way to gratitude for having had the chance to enter and treasure the world he's made here." Josephine Humphreys, author of "Dreams of Sleep""""Cheuse passionately evokes a vanished world of master and slave, Jew and Gentile, all hurtling toward the tumult and destruction of war. The novel is full of the loss and longing that come with a world divided forever, people from their people and from their past. Fascinating." Lynn Freed, author of "The Servants"' "Quarters"A masterful writer skilled in both accuracy and nuance, Alan Cheuse grapples with the nether parts of our history, the murky boundary between right and wrong, and the wild tendency of love to break free.For more than two decades, Alan Cheuse has served as NPR's "voice of books." He is the author of four novels, including "The Grandmothers' Club, The Light Possessed," and "To Catch the Lightning "(winner of the 2009 Grub Street National Prize for fiction), several collections of short stories, and a pair of novellas. He is also the editor of "Seeing Ourselves: Great Early American Short Stories "and coeditor of "Writers Workshop in a Book.""

    These women's children are not taken by a stranger—they are snatched by their own fathers, usually Middle Eastern men who do not wish their children to be exposed to a Western upbringing, and so take the children back to the countries of origin. What started as a favor to a friend has turned into a life's work for Al-Nahi. In this book, she describes her adventures, venturing into the most dangerous parts of the world, such as Iraq, Libya and Dubai, in order to find the children and bring them home to their mothers. She has been arrested and thrown in jail, but this has not dampened her determination to do the right thing and reunite mother and child.