It tells the story of William Stoner, who attends the state university to study agronomy, but instead falls in love with English literature and becomes an academic. The novel narrates the many disappointments and struggles in Stoner's academic and personal life, including his estrangement from his wife and daughter, set against the backdrop of the first half of the twentieth century.In his entry in the Bookmarked series, author Steve Almond writes about why Stoner has endured, and the manner in which it speaks to the impoverishment of the inner life in America. Almond will also use the book as a launching pad for an investigation of America’s soul, in the process, writing about his own struggles as a student of writing, as a father and husband, and as a man grappling with his own mortality.

    Two hundred of his creatures inhabit his fictional world, and sixty writers hover over them. These writers--among them various classical authors of the seventeenth century such as Mme de Sévigné the letter-writer, Racine the playwright, Saint-Simon the memoirist, and novelists and poets of the nineteenth century, including Balzac, Baudelaire and Dostoevsky--are not there for show; their works play an active role in the construction of In Search of Lost Time. A life without books was inconceivable for Proust. Not surprisingly, he made literary taste and reading habits a primary means of defining his characters. Everybody in the novel reads: servants and masters, children, parents and grandparents, artists and physicians, and even generals. Conversations at dinner tables and among friends are mostly literary. The more sophisticated characters find it natural to speak in quotations, and quoting from memory is much appreciated in the narrator's family--his grandmother, grandfather, and mother all excel at this pastime.Literature is omnipresent in Proust's work but takes many different forms. It may be straightforward when it comes to the books read by the narrator and other characters; it may be a tool used to define the personality of a personage, a clue to hidden traits of character, or a comical ploy when quotations are taken out of context or when turns of speech are directly inspired by classical writers.In this wonderfully entertaining book, scholar and biographer Anka Muhlstein, the author of Balzac's Omelette, draws out these themes in Proust's work and life, thus providing an indispensable introduction to his long and intricate novel.More Praise for Balzac's Omelette:"Original, delectable, and entirely readable." --Washington Post"Scholarly yet escapist . . . irresistible." --Daily Beast"Balzac's Omelette . . . is a charming and modest little book." --New York Review of Books

    Complemented by many photos and interesting appendices, the book is most distinguished by Fante's letters to his mother-letters in which he is just as apt to lie about church attendance as he is to describe, with peculiar candor, skinny-dipping with a girl friend.

    Each essay charts some experience or remembrance of the past through the sieve of Tony Judt s prodigious mind. His youthful love of a particular London bus route evolves into a reflection on public civility and interwar urban planning. Memories of the 1968 student riots of Paris meander through the divergent sex politics of Europe, before concluding that his generation was a revolutionary generation, but missed the revolution. A series of road trips across America lead not just to an appreciation of American history, but to an eventual acquisition of citizenship. Foods and trains and long-lost smells all compete for Judt s attention; but for us, he has forged his reflections into an elegant arc of analysis. All as simply and beautifully arranged as a Swiss chalet—a reassuring refuge deep in the mountains of memory.

    From there he moved to documentary series for LWT and over the years worked on a variety of quiz shows (Win, Lose or Draw, Pets Win Prizes, TV Heroes), as well two television commercials which made him a household name—Daz and Mars Bars. With a number of guest appearences on comedy shows such as Have I Got News For You, Shooting Stars, and Room 101, Danny has also presented on BBC Radio since 1989. Most recently he presents a weekday show on BBC London 94.9 and a weekly show on BBC Radio 5 Live. This book charts Danny's showbiz career, the highs and lows, and everything in between, including the accusation that he killed Bob Marley.

    In fact, letter-writing was something of an addiction for young women of Jane Austen's time and in her social position, and Austen's letters have a freedom and familiarity that only intimate writing can convey. Wiser than her critics, who were disappointed that her correspondence dwelt on gossip and the minutiae of everyday living, Austen understood the importance of Little Matters, of the emotional and material details of individual lives shared with friends and family through the medium of the letter. Ironic, acerbic, always entertaining, Jane Austen's letters are a fascinating record not only of her own day-to-day existence, but of the pleasures and frustrations experienced by women of her social class which are so central to her novels.Vivien Jones's selection includes nearly two-thirds of Austen's surviving correspondence, and her lively introduction and notes set the novelist's most private writings in their wider cultural context.

    In this masterful memoir, Korda reveals the unforgettable cast of characters and outrageous anecdotes behind four decades of blockbuster publishing, bringing us face-to-face with dozens of larger-than-life figures: Richard Nixon, who maintained his "presidential" persona long after his public life was over; Joan Crawford, whose autobiography reflected a life she would have liked to have lived but did not; Joseph Bonanno, the retired Mafia don who'd do anything to keep from being killed by the reviewers. And in a revelatory account that reads as compulsively as fiction, Another Life paints a vivid picture of publishing's glitterati, including Jacqueline Susann, who liberated women's fiction--and terrorized a publishing house, and Tennessee Williams, who nourished his genius on four-course vodka lunches. A veritable Who's Who of stage, screen, and letters, Another Life is the deft interweaving of publishing at it most fascinating--and storytelling at its finest.

    To comprehend Joyce's masterpiece fully, to gain insight into its significance and structure, the serious reader will find this analytical and systematic guide invaluable. In this exegesis, written under Joyce's supervision, Stuart Gilbert presents a work that is at once scholarly, authoritative and stimulating.

    Witness to My Life offers unique insight into their remarkable 52-year liaison.

    Every morning, Anjelica and her brother visited their father while he took his breakfast in bed. “What news?” he’d ask. “I’d seen him the night before,” Anjelica recalls. “There wasn’t much to report.” So she became a storyteller.In London, where she lives with her mother and brother in the early sixties when her par­ents separate, Huston encounters the Rolling Stones and Fleetwood Mac. She understudies Marianne Faithfull in Hamlet. Seventeen, striking, precocious, but still young and vulnerable, she is devastated when her mother dies in a car crash.Months later she moves to New York, falls in love with the much older, brilliant but disturbed photographer Bob Richardson, and becomes a model. Living in the Chelsea Hotel, working with Richard Avedon and other photographers, she navigates a volatile relationship and the dynamic cultural epicenter of New York in the seventies.A Story Lately Told ends as Huston launches her Hollywood life. The second part of her story—Watch Me—opens in Los Angeles in 1973 and will be published in Fall 2014. Beguiling and beautifully written, Huston’s memoir is a treasure.

    Randy Taraborrelli comes the definitive biography of the most enduring icon in popular American culture. When Marilyn Monroe became famous in the 1950s, the world was told that her mother was either dead or simply not a part of her life. However, that was not true. In fact, her mentally ill mother was very much present in Marilyn's world and the complex family dynamic that unfolded behind the scenes is a story that has never before been told...until now. In this groundbreaking book, Taraborrelli draws complex and sympathetic portraits of the women so influential in the actress' life, including her mother, her foster mother, and her legal guardian. He also reveals, for the first time, the shocking scope of Marilyn's own mental illness, the identity of Marilyn's father and the half-brother she never knew, and new information about her relationship with the Kennedy's-Bobby, Jack, and Pat Kennedy Lawford. Explosive, revelatory, and surprisingly moving, this is the final word on the life of one of the most fascinating and elusive icons of the 20th Century.

    He is famous for two masterpieces, Miss Lonelyhearts (1933) and The Day of the Locust (1939). Seventy years later, The Day of the Locust remains the most penetrating novel ever written about Hollywood. EILEEN MCKENNEY—accidental muse, literary heroine—was the inspiration for her sister Ruth’s humorous stories, My Sister Eileen, which led to stage, film, and television adaptations, including Leonard Bernstein’s 1953 musical Wonderful Town.  She grew up in Cleveland and moved to Manhattan at 21 in search of romance and adventure. She and her sister lived in a basement apartment in the Village with a street-level window into which men frequently peered.  Husband and wife were intimate with F. Scott Fitzgerald, Dorothy Parker, Katharine White, S.J. Perelman, Bennett Cerf, and many of the literary, theatrical, and movie notables of their era.  With Lonelyhearts, biographer Marion Meade, whose Bobbed Hair and Bathtub Gin earned accolades from the Washington Post Book World ("Wonderful") to the San Francisco Chronicle ("Like looking at a photo album while listening to a witty insider reminisce about the images"), restores West and McKenney to their rightful places in the rich cultural tapestry of interwar America.

    Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...," a childrens story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Goreys shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Goreys drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969.Those letters, published here for the first time, are remarkable in their quantity and their content. While the creative collaborations of Gorey and Neumeyer centered on illustrated books, they held wide-ranging interests; both were erudite, voracious readers, and they sent each other many volumes. Reading their discussions of these books, one marvels at the beauty of thoughtful (and merry) discourse driven by intellectual curiosity.The letters also paint an intimate portrait of Edward Gorey, a man often mischaracterized as macabre or even ghoulish. His gentleness, humility, and brilliance--interwoven with his distinctive humor--shine in these letters; his deft artistic hand is evident on the decorated envelopes addressed to Neumeyer, 38 of which are reproduced here.During the time of their correspondence, Peter Neumeyer was teaching at Harvard University and at SUNY Stony Brook, on Long Island. His acumen and compassion, expressed in his discerning, often provocative missives, reveal him to be an ideal creative and intellectual ally for Gorey.More than anything else, "Floating Worlds" is the moving memoir of an extraordinary friendship. Gorey wrote that he felt they were part of the same family, and I dont mean just metaphorically. I guess that even more than I think of you as a friend,

     Born in 1931, the illegitimate child of an abandoned mother, Thomas Bernhard was brought up by an eccentric grandmother and an adored grandfather in right-wing, Catholic Austria. He ran away from home at age fifteen. Three years later, he contracted pneumonia and was placed in a hospital ward for the old and terminally ill, where he observed first-hand—and with unflinching acuity—the cruel nature of protracted suffering and death. From the age of twenty-one, everything he wrote was shaped by the urgency of a dying man’s testament—and where this account of his life ends, his art begins. Included in this edition is My Prizes, a collection of Bernhard’s viciously funny and revelatory essays on his later literary life. Here is a portrait of the artist as a prize-winner: laconic, sardonic, shaking his head with biting amusement at the world and at himself.

    In Charmed Circle, James R. Mellow has re-created this fascinating world and the complex woman who dominated it. His engaging narrative illuminates Stein’s writing—now celebrated along with the work of such literary giants as Joyce and Woolf—including her difficult early periods, which adapted cubism and abstraction to the written word. Rich with detail and insight, it conveys both the serene rhythms of daily life with her devoted partner, Alice B. Toklas, and the radical pulse and dramatic upheavals of her exciting era.Spanning the years from 1903, when Stein first arrived in Paris, to her final days at the end of the Second World War, Charmed Circle is a penetrating and lively account of a writer at the heart of modernity.