Yearning to make sense of his shocking departure and to escape her overbearing mother—a woman as grounded as her father is mercurial—Olivia runs away from home and retraces his path to a place known as the Levitation Center.Once there, she enrolls in their summer program for troubled teens, which Olivia refers to as “Buddhist Boot Camp for Bad Girls”. Soon, she finds herself drawn into the company of a close-knit trio of girls determined to transcend their circumstances, by any means necessary. Led by the elusive and beautiful Serena, and her aloof, secretive acolytes, Janet and Laurel, the girls decide this is the summer they will finally achieve enlightenment—and learn to levitate, to defy the weight of their bodies, to experience ultimate lightness. But as desire and danger intertwine, and Olivia comes ever closer to discovering what a body—and a girl—is capable of, it becomes increasingly clear that this is an advanced and perilous practice, and there’s a chance not all of them will survive. Set over the course of one fateful summer that unfolds like a fever dream, The Lightness juxtaposes fairy tales with quantum physics, cognitive science with religious fervor, and the passions and obsessions of youth with all of these, to explore concepts as complex as faith and as simple as loving people—even though you don’t, and can’t, know them at all.

    Which is fair enough, since New York seems to hate her back. Just weeks after moving from Wisconsin to Manhattan, she receives the world's worst marriage proposal, stabs her boyfriend with a shrimp fork in a very public venue, and accidentally becomes notorious. And that’s before she gets mugged.At her wit's end, May washes up at a Packers bar in Greenwich Village, where she meets a surly, unhelpful guy who hates her shoes and calls her ex a douche.His name is Ben. He used to be a chef. Now he's a rooftop beekeeper with anger management issues. She wouldn't even like him, but he reminds her of home … and he knows where to find all the best food in the Village.She makes him laugh. He buys her tacos and cowboy boots. The longer they’re stuck together, the better May and Ben get along … and the harder they fall. TRULY is a quirky, modern New York love story unlike any you've read before.

    Isa Epley is all of twenty-one years old, and already wise enough to understand that the purpose of life is the pursuit of pleasure. After a sojourn across the pond, she arrives in New York City for a summer of adventure with her best friend, one newly blond Gala Novak. They have little money, but that’s hardly going to stop them from having a good time. In her diary, Isa describes a sweltering summer in the glittering city. By day, the girls sell clothes in a market stall, pinching pennies for their Bed-Stuy sublet and bodega lunches. By night, they weave from Brooklyn to the Upper East Side to the Hamptons among a rotating cast of celebrities, artists, Internet entrepreneurs, stuffy intellectuals, and bad-mannered grifters. Money runs ever tighter and the strain tests their friendship as they try to convert their social capital into something more lasting than their precarious gigs as au pairs, nightclub hostesses, paid audience members, and aspiring foot fetish models. Through it all, Isa’s bold, beguiling voice captures the precise thrill of cultivating a life of glamour and intrigue as she juggles paying her dues with skipping out on the bill.Happy Hour announces a dazzling new talent in Marlowe Granados, whose exquisite wit recalls Anita Loos’s 1925 classic, Gentlemen Prefer Blondes, updated to evoke a recent, golden period of hope and transformation—the summer of 2013. A cri de cœur for party girls and anyone who has ever felt entitled to an adventure of their own, Happy Hour is an effervescent tonic for the ails of contemporary life.

    Thus begins the unraveling of Su Lan, a brilliant physicist who until this moment has successfully erased her past, fighting what she calls the mind’s arrow of time.When Su Lan dies unexpectedly seventeen years later, it is her daughter Liya who inherits the silences and contradictions of her life. Liya, who grew up in America, takes her mother’s ashes to China, Liya’s memories are joined by those of two others: Zhu Wen, the woman last to know Su Lan before she left China, and Yongzong, the father Liya has never known. In this way a portrait of Su Lan emerges: an ambitious scientist, an ambivalent mother, and a woman whose relationship to her own past shapes and ultimately unmakes Liya’s own sense of displacement.

    But so far, all she has to show for her efforts is a single line in an ad for ugly Christmas sweaters and a degrading waitressing job. She lives in Brooklyn with two roommates - Jane, her best friend from college, and Dan, a sci-fi writer, who is very definitely not boyfriend material - and is struggling with her feelings for a suspiciously charming guy in her acting class, all while trying to find a hair-product cocktail that actually works. Meanwhile, she dreams of doing "important" work, but only ever seems to get auditions for dishwashing liquid and peanut butter commercials. It's hard to tell if she'll run out of time or money first, but either way, failure would mean facing the fact that she has absolutely no skills to make it in the real world. Her father wants her to come home and teach, her agent won't call her back, and her classmate Penelope, who seems supportive, might just turn out to be her toughest competition yet. Someday, Someday, Maybe is a funny and charming debut about finding yourself, finding love, and, most difficult of all, finding an acting job.

    The work is consuming, the unending dramas of women in crisis. For its patients, Mercy Street offers more than health care; for many, it is a second chance.But outside the clinic, the reality is different. Anonymous threats are frequent. A small, determined group of anti-abortion demonstrators appears each morning at its door. As the protests intensify, fear creeps into Claudia's days, a humming anxiety she manages with frequent visits to Timmy, an affable pot dealer in the midst of his own existential crisis. At Timmy's, she encounters a random assortment of customers, including Anthony, a lost soul who spends most of his life online, chatting with the mysterious Excelsior11--the screenname of Victor Prine, an anti-abortion crusader who has set his sights on Mercy Street and is ready to risk it all for his beliefs.Mercy Street is a novel for right now, a story of the polarized American present. Jennifer Haigh has written a groundbreaking novel, a fearless examination of one of the most divisive issues of our time.

    A distracted woman boards the train, takes her seat, and moments later a fiery explosion rips through the frigid air, tearing the car apart in a horrific attack on the city’s transit system. One life is spared. Twenty-two are lost. A year later, Autumn Manning can’t remember the day of the bombing and she is tormented by grief—by guilt. Twelve months of the question constantly echoing. Why? Why? Why? Searching for answers, she haunts the lives of the victims, unable to rest. Paul Elliott lost his wife in the train bombing and wants to let the dead rest in peace, undisturbed and unable to cause more pain for his loved ones. He wants normalcy for his twelve-year-old daughter and young son, to see them move beyond the heartbreak. But when the Elliotts and Autumn are unexpectedly forced together, he fears she’ll bring more wreckage in her wake. In Life After, Katie Ganshert’s most complex and unforgettable novel yet, the stirring prose and authentic characters pose questions of truth, goodness, and ultimate purpose in this emotionally resonant tale.

    . . Cocktail waitress Sophie Dalton doesn't exactly have a life plan. She's perfectly happy being everyone's favorite party girl. But when a Las Vegas bachelorette party goes awry and an uptight businessman mistakes Sophie for a prostitute . . . well, Sophie wonders if it's time to reevaluate her priorities. Swearing off her thigh-high boots for good, Sophie slinks back home with damaged pride-and a jackpot of a hangover.Yet what happens in Vegas doesn't always stay there. On a trip to Seattle to open a new office, Grayson Wyatt meets his latest employee-who turns out to be the same woman he recently called a hooker. Wealthy and gorgeous, Gray is a man used to getting what he wants. And it doesn't take long to figure out that smart, sassy, sexy Sophie is everything he's been looking for. As their late nights at the office turn into hot morning-afters, they realize their Vegas misunderstanding may lead to the real thing . . .

    Keeping it secret will destroy him.It’s Livia’s 40th birthday, and her husband Adam is throwing her the party of a lifetime to make up for the wedding they never had. Everyone she loves will be there, except her daughter Marnie, who’s studying abroad. But Livia is secretly glad Marnie won’t be there. Livia has recently uncovered a secret about their daughter which, if revealed, will shake the foundation of their family to its core. She needs to tell Adam, but she’s waiting until the party is over so they can have this last happy time together.Adam, meanwhile, has his own surprise for Livia: he’s arranged for Marnie to secretly fly back for the party. But before Marnie arrives, Adam hears some terrible news. Now he too is faced with a dilemma: Does he share what he's learned with his wife? Is hiding the truth the same as telling a lie? And how far are Adam and Livia willing to go to protect the ones they love—and give each other a last few hours of happiness?

    When the young woman ends up dead, Lena revisits her own fraught history with the senator and the violent incident that ended their relationship.Why didn't Lena speak up then, and will her family's support of the former regime still impact her credibility? What if her hunch about this young woman's death is wrong?What follows is a riveting exploration of the cost of staying silent and the mixed rewards of speaking up in a profoundly divided country. Those Who Knew confirms Novey's place as an essential new voice in American fiction.

    The person is genderless, racially ambiguous, and refuses to speak. One family takes the strange visitor in and nicknames them Pew.As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. Pew listens and observes while experiencing brief flashes of past lives or clues about their origins. As days pass, the void around Pew’s presence begins to unnerve the community, whose generosity erodes into menace and suspicion. Yet by the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of their true nature—as a devil or an angel or something else entirely—is dwarfed by even larger truths.Pew, Catherine Lacey’s third novel, is a foreboding, provocative, and amorphous fable about the world today: its contradictions, its flimsy morality, and the limits of judging others based on their appearance. With precision and restraint, one of our most beloved and boundary-pushing writers holds up a mirror to her characters’ true selves, revealing something about forgiveness, perception, and the faulty tools society uses to categorize human complexity.

    She never imagined it would go this far. It begins with a reality TV show. Twelve contestants are sent into the woods to face challenges that will test the limits of their endurance. While they are out there, something terrible happens—but how widespread is the destruction, and has it occurred naturally or is it human-made? Cut off from society, the contestants know nothing of it. When one of them—a young woman the show’s producers call Zoo—stumbles across the devastation, she can imagine only that it is part of the game. Alone and disoriented, Zoo is heavy with doubt regarding the life—and husband—she left behind, but she refuses to quit. Staggering countless miles across unfamiliar territory, Zoo must summon all her survival skills—and learn new ones as she goes. But as her emotional and physical reserves dwindle, she grasps that the real world might have been altered in terrifying ways—and her ability to parse the charade will be either her triumph or her undoing. Sophisticated and provocative, The Last One is a novel that forces us to confront the role that media plays in our perception of what is real: how readily we cast our judgments, how easily we are manipulated.

    The first story belongs to sophisticated, spoiled, and stylish Pia, who finds herself completely unemployed, unemployable, and broke. So what is a recent grad with an art history degree and an unfortunate history of Facebook topless photos to do? Start a food truck business of course! Pia takes on the surprisingly cutthroat Brooklyn world of hybrid lettuce growers, artisanal yogurt makers and homemade butter producers to start SkinnyWheels—all while dealing with hipster bees, one-night-stands, heartbreak, parental fury, wild parties, revenge, jail, loan sharks, playboys, karaoke, true love, and one adorable pink food truck. And that's without counting her roommates' problems, too. Gemma Burgess has captured the confusion, hilarity and excitement of the post-graduate years against a backdrop of the pressures and chaos of New York City life, with heartfelt empathy, fast humor and sharp honesty.A charming debut series about five twenty-something girls and the humor, heartbreak, and drama that bring them together.

    She may follow the stifling rules of this odd place, but no one will forget that she came from elsewhere. When Billie Jean vanishes one cold October night in her bare feet and track suit with only her truck keys, those closest to her begin a frantic search. Her daughter, Pony, a girl struggling against being a teen in the middle of nowhere; her killer dog to whom she cannot tell a lie; her husband, The Heavy, a man haunted by his past; and the charismatic Supernatural, a teenage boy longing only to be average. Each holding a different piece of the puzzle, they must come together to understand the darkest secrets of their beloved, and lay bare the mysteries of the human heart.With her luminous prose, wry humour and dead-on cultural observations, Claudia Dey has created a storytelling tour de force about what it means to love, no matter the consequences.

    Even in the grip of grief and panic Letty heeds her late sister’s warnings: “If anything bad happens to me—it’s Evan. Promise me you’ll take Maya and run. Promise me.” With a trunkful of emotional baggage...So Letty grabs her sister’s Mercedes and hits the road with her wailing four-year-old niece Maya. Letty is determined to out-run Evan and the law, but run to where? Tanya, a woman with a past shrouded in secrets, left behind a “go-bag” of cash and a big honking diamond ring—but only one clue: a faded magazine story about a sleepy mom-and-pop motel in a Florida beach town with the improbable name of Treasure Island. She sheds her old life and checks into an uncertain future at The Murmuring Surf Motel. The No Vacancy sign is flashing & the sharks are circling... And that’s the good news. Because The Surf, as the regulars call it, is the winter home of a close-knit flock of retirees and snowbirds who regard this odd-duck newcomer with suspicion and down-right hostility. As Letty settles into the motel’s former storage room, she tries to heal Maya’s heartache and unravel the key to her sister’s shady past, all while dodging the attention of the owner’s dangerously attractive son Joe, who just happens to be a local police detective. Can Letty find romance as well as a room at the inn—or will Joe betray her secrets and put her behind bars? With danger closing in, it’s a race to find the truth and right the wrongs of the past.