When the elder Thaddeus Gropius confronts Wally with the boilerplate plot ultimatum that he must marry "the saddest girl in the world" or be disinherited, a yarn unravels that is part screwball comedy and part unhinged parable on the lucrativeness of changing your identity.Hensley's dialogue is witty, lyrical, sampled, dada, and elliptical--all in the service of a very bizarre mystery. There's sex, violence, rock and roll, intrigue, and betrayal--all brought home in Hensley's truly inimitable style.Created during an era when another well-off "W" was stuffing the coffers of the morbidly solvent, Wally Gropius transforms futile daydreams and nightmares into the absurdity of capital.

    For this collection, Munoz has painstakingly reviewed every page -- every panel -- making clarifications, adding invaluable insight to this provacative story. Sinner is a hard-boiled private detective whose adventures are played out to a jazz soundtrack in a noir New York from 1975 through the 2000s. The stories are imbued with a deep political conscience and present a scathing critique of corruption in society, juxtaposed with meditations on the nature of violence and exile. The authhors have also rearranged the stories in chronological order of the characters and events, rather than dates of first publication, providing a novel reading experience for both new fans and old. The Age of Innocence collects eleven stories, including "Talkin' with Joe," "The Webster Case," "The Fillmore Case," "Viet Blues," "Life Ain't a Comic Book, Baby," "Twinkle, Twinkle," and "Dark City." Alack Sinner is an international bestseller and between them Munoz and Sampayo are winners of Europe's top comics awards.

    Their relationship throughout the decades mirrors the Beatles’s. In the other stories in this book, thematically bound by relationship flux and the impact of culture, Dean experiments beautifully with style and storytelling devices in each piece.

    With over 500 daily strips and 80 full-color Sunday pages, this is satire, and Doonesbury, at its best.

    Is she a brave and reckless heroine taking on a monstrous evil? Or is she a deranged angel of death? One thing is clear: whether she is dropping from a high window into a crowd of red-robed fanatical cultists, or facing down a horde of psychotic hillbillies, you don’t want to get in her way. Fast moving, Violenzia is a blast of pulpy fun, told in scenes of audacious action and splashes of rich watercolors. With elements of golden age comics and old movies mixed with Sala’s trademark humor and sense of the absurd, Violenzia is a bloody enigma masked as eye candy, a puzzle box riddled with bullet holes from comics’ master of the macabre.

    When she comes to America for a better life, she marries a drug kingpin, whose son learns Maria’s darkest secret, leading to the most violent gangland bloodbath in organized crime history. Maria M. collects 2013’s Book One (now out of print), and the never-before-published Book Two, presenting the complete graphic novel for the first time. Longtime readers of Hernandez’s books will recognize a metatwist worthy of Maria M.’s pulpy pages: Maria M. doubles as a “biopic” of the mother of Hernandez’s most beloved character: Luba from Love and Rockets!

    With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is invited to the festival as an honored guest. From the moment he arrives, things start going wrong, and since no one seems ready to step in, Pieterjan takes over the show. He decides to build a giant garden gnome as a symbol of Flemish identity, but the construction process brings buried tensions to the surface as the other artists become jealous of Pieterjan’s authority. In The Making Of, Evens delves deep into the petty tensions, small misunderstandings, and deadpan humor that pervade modern relationships. With a keen eye for the subtleties of body language, Evens’s The Making Of builds on the iconic visual style showcased in The Wrong Place. Sweeping watercolors jump off the page, surrealist scenery intermingles with crowds of people, and small suburban plot homes have never looked so lovely.

    The Man Without Talent, his first book ever to be translated into English, is an unforgiving self-portrait of frustration. Swearing off cartooning as a profession, Tsuge takes on a series of unconventional jobs—used camera salesman, ferryman, and stone collector—hoping to find success among the hucksters, speculators, and deadbeats he does business with.Instead, he fails again and again, unable to provide for his family, earning only their contempt and his own. The result is a dryly funny look at the pitfalls of the creative life, and an off-kilter portrait of modern Japan. Accompanied by an essay from translator Ryan Holmberg that discusses Tsuge’s importance in comics and Japanese literature, The Man Without Talent is one of the great works of comics literature.

    This volume deals with the period leading up to World War II, a time of high unemployment and other economic hardships caused by the Great Depression. Mizuki's photo-realist style effortlessly brings to life the Japan of the 1920s and 1930s, depicting bustling city streets and abandoned graveyards with equal ease. When the Showa era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the time. With his trusty narrator Nezumi Otoko (Rat Man), Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki's stance toward war is thoughtful and often downright critical--his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki's "Showa 1926-1939" is a beautifully told history that tracks how technological developments and the country's shifting economic stability had a role in shaping Japan's foreign policy in the early twentieth century.

    Perfect for long-time readers and fans of the Cinemax TV show.Collects OUTCAST #13-24.

    A dreadful event midway through the story changes their lives forever, and the story becomes the summary of lives lived, wasted, and lost. Jason's sparse dialogue, dark wit, and supremely bold use of "jump-cuts" from one scene to the next make "Hey, Wait..." a surprising and engaging debut."Sshhhh!" is one of Jason’s virtuoso silent performances, the cradle-to-grave life of one of his bird-headed characters. A sharp suite of short tales, ranging from funny to terrifying to surreal to touching, all told entirely in pantomime. Jason's clean, deadpan art style hides a wealth of emotion and human complexity, leavened with a wicked wit.And the one Jason fans have been waiting for is the long-out-of-print "The Iron Wagon," an ingenious, atypically (for Jason) talky murder mystery set in early-20th-century Norway, adapted from a classic Norwegian novel by Stein Riverton — albeit starring Jason’s patented blank-eyed animal-headed characters and told in moody two-color panels.

    Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention.Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

    Stuffed with engaging supporting characters, villains, and even a romantic interest or two, Usagi Yojimbo chronicles the action-packed wanderings of a masterless samurai (a “ronin”) in feudal Japan — as told with funny-animals. (If Pixar and the late Akira Kurosawa were to collaborate on a movie, it might very well look like this.)For the first ten years of his career, the battling bunny was published by Fantagraphics Books. In honor of his 25th anniversary, Fantagraphics is releasing a deluxe slipcase set collecting the first seven Usagi books, including the earliest stories; the origin story, “Samurai”; “The Dragon Bellow Conspiracy,” a full graphic novel; and literally dozens more. With over 1000 pages of story, this is the complete, definitive, early Usagi. But that’s not all! This Special Edition will also be brimming with extra material, some from the long-out-of-print hardcover editions of those first seven volumes, some brand new. Just a few of the goodies are a complete full-color gallery of the more than 50 Usagi covers from that period (never-before-collected); many preparatory sketches, including Sakai’s original first draft of the “Samurai” story; two “non-canon” Usagi stories by Sakai co-starring the Teenage Mutant Ninja Turtles (with whom Usagi also shared screen time in the TMNTs’ TV series); and an updated and expanded, long out-of-print and feature-length, career-spanning interview with Sakai from the pages of The Comics Journal.

    This is the first time these hilarious stories, starring the hapless Buddy Bradley and his cast of loser cohorts, have ever been available under one cover, and never have they been available at such a low price (it would have cost at least three times as much to read all of these classic stories in any previous editions). Bagge's riotous tales of the early 1990s subculture are more hilarious now than ever, find out why he has been praised by R. Crumb, Matt Groening, John Kricfalusi, Publishers Weekly, Entertainment Weekly and many more. Comedy genius.

    The Dungeon is attacked by a swarm of flying venomous toads so large it almost succumbs as the perpetrators look to get free rein inside! In the second story, Herbert is sent on a mission to… clear out the septic tank where a whole beautiful ecology has evolved.