The death of legendary private eye George Rowell looked like an accident; but searching for the truth behind it will put down-and-out East Village detective Payton Sherwood on the corpse-littered trail of a runaway investment scam artist, a drug-addicted reality TV star, and the bewitching beauty whose appearance set it all in motion...

    Jefferson Parker, Lawrence Block, Terrance Hayes, Jerome Charyn, Jeffery Deaver, Maggie Estep, Bayo Ojikutu, Tim McLoughlin, Barbara DeMarco-Barrett, Reed Farrel Coleman, Megan Abbott, Elyssa East, James W. Hall, J. Malcolm Garcia, Julie Smith, Joseph Bruchac, Pir Rothenberg, Luis Alberto Urrea, Domenic Stansberry, John O'Brien, S.J. Rozan, Asali Solomon, William Kent Krueger, Tim Broderick, Bharti Kirchner, Karen Karbo, and Lisa Sandlin.Launched with the summer 2004 award-winning bestseller Brooklyn Noir, the groundbreaking Akashic Noir series now includes over sixty volumes and counting. Each book is comprised of all-new stories, each one set in a distinct location within the city or region of the book. This is the first "best of" volume and it powerfully conveys what the series has accomplished.

    Pub Date: October 1994 Pages: 528 in Publisher: Warner A biography of Bette Davis. Revealing a life replete with scandal. The sex. Violence courage sacrifice and hearteak. After three years of research and more than 150 It doesn'' James Spada has written a revealing biography of one of the greatest Hollywood Legends. Spada has convinced Bette Davis's relatives and friends to speak out for the first time. and he has gained new access to court documents. long-lost inquest transcript. and personal correspondence to paint a portrait of one of the most complex and misrepresented women in Hollywood history. This book reveals Bette Davis' oddly close relationship with her mother (who bathed her until she was in her teens); her ambivalent feelings about the sex act. as revealed by a directorlover; her possible role in the ain damage of her adopted daughter; the bizarre be...

    Each book comprises all new stories, each one set in a distinct location within the geographic area of the book. Grady and Graff, both Montana natives, masterfully curate this collection of hard-edged Western tales.From the introduction by James Grady and Keir Graff: This anthology is a road trip through the dreams and disasters of the true Montana, stories written by authors with Montana in their blood, tales that circle you around the state through its cities and small towns. These are twenty-first century authors writing timeless sagas of choice, crime, and consequences...You'll meet students and strippers, cops and cons, druggies and dreamers, cold-eyed killers and caught-in-their-gunsights screwed-up souls. But mostly, through all our fiction here, you'll meet quiet heroes and see the noir side of life that makes our Montana as real as it is mythic. No doubt the state's beauty will still make the very idea of Montana Noir seem incongruous to some. Noir is black-and-white. Streets and alleys. Flashing neon lighting a rain-streaked window. But while noir was definitely an urban invention, it knows no boundaries. Noir is struggle. It's doing the wrong thing for the right reasons. It's being trapped. It's hubris. It's being defeated yet going on. Sometimes it's being defeated and not going on.That's life everywhere. This is our Montana.

    His territory: the brothels of San Francisco. But the path was littered with bodies and broken dreams - some of them his. 1952 under alias Douglas Ring. 1963 as self Richard S. Prather.

    After witnessing an explosion that decimates the city’s organized crime community, killing dozens, the Black Beetle—Colt City’s sleuthing sentinel—is on the hunt for answers and justice! Follow Francesco Francavilla’s critically acclaimed pulp hero as he searches island prisons, dank sewers, and swanky nightclubs for the mysterious man known as Labyrinto.

    Raymond Chandler's screenplay for The Blue Dahlia is a valuable addition to the published canon for the writer who has been called "the Shakespeare of hard­boiled fiction." Converted from a never-completed novel, this screenplay is all that survives of the novel Chandler worked on between The Lady in the Lake and The Little Sister. In 1944 Paramount Pictures, where Chandler was under contract, needed a rush script for Alan Ladd. Chandler agreed to cannibalize his novel-in-progress, but-as detailed in producer John Houseman's memoir-he became stuck and decided that he could only complete his screenplay drunk. The Blue Dahlia was completed on schedule and was well received, earning Chandler his second Academy Award nomination. Although the writer's screenplay is metamorphosed by other hands in the movie-making process, the screenplay as written has an independent existence, and may be read and judged as a literary work. Indeed, the movie studio archives are a valuable literary resource; and it is inevitable that many screenplays will be published as the study of movies ex­pands. The Blue Dahlia is the story of a war hero who is suspected of having mur­dered his unfaithful wife. Although it does not involve a private-eye, the work utilizes familiar elements of Chandler's world: the loner hero, the quest for jus­tice, the sense of a corrupt society, and- above all-the theme of personal honor.

    It's 1955. It's dark; it's sexy. It's dangerous. Everyone has an angle. And while infamous gangster Mickey Cohen rots in a prison cell, Los Angeles ignores the blackest parts of the city's heart...where clandestine groups of LAPD detectives moonlight as sanctioned hitmen knows as "Hit Squads." HIT is a dark crime drama filled with murderers, rapists, and drug lords...and the men who will stop at nothing to bring them to justice. Based on true events. Some of the details of this story and certainly the names have been changed.

    Though he died at the young age of fifty-seven more than half a century ago, his influence among actors and filmmakers, and his enduring appeal for film lovers around the world, remains as strong as ever. What is it about Bogart, with his unconventional looks and noticeable speech impediment, that has captured our collective imagination for so long? In this definitive biography, Stefan Kanfer answers that question, along the way illuminating the private man Bogart was and shining the spotlight on some of the greatest performances ever captured on celluloid.Bogart fell into show business almost by accident and worked for nearly twenty years before becoming the star we know today. Born into a life of wealth and privilege in turn-of-the-century New York, Bogart was a troublemaker throughout his youth, getting kicked out of prep school and running away to join the navy at the age of nineteen. After a short, undistinguished stint at sea, Bogart spent his early twenties drifting aimlessly from one ill-fitting career to another, until, through a childhood friend, he got his first theater job. Working first as a stagehand and then, reluctantly, as a bit-part player, Bogart cut his teeth in one forgettable role after another. But it was here he began to develop a work ethic; deciding that there were “two kinds of men: professionals and bums,” Bogart, for the first time in his life, wanted to be the former.After the Crash of ’29, Bogart headed west to try his luck in Hollywood. That luck was scarce, and he slogged through more than thirty B-movie roles before his drinking buddy John Huston wrote him a part that would change everything; with High Sierra, Bogart finally broke through at the age of forty—being a pro had paid off. What followed was a string of movies we have come to know as the most beloved classics of American cinema: The Maltese Falcon, Casablanca, The Big Sleep, The African Queen . . . the list goes on and on. Kanfer appraises each of the films with an unfailing critical eye, weaving in lively accounts of behind-the-scenes fun and friendships, including, of course, the great love story of Bogart and Bacall. What emerges in these pages is the portrait of a great Hollywood life, and the final word on why there can only ever be one Bogie.

    From an international best-selling and award winning author. On an early morning in May, the police find the heavily beaten body of Maja Nielsen in a public park in central Aarhus in Denmark.She has fallen from a great height and her right arm has been cut repeatedly. Everything points to a suicide, and as the police dig deeper into the world of Maja, they discover a young woman plagued by paranoia and violent nightmares. Something was tormenting her. The investigation leads Daniel Trokic and his team to a distinct blood profile with traces of an unknown drug, a tattooed Colombian, and a particularly uncompromising animal rights activist who has been run over in a hit-and-run accident. SONGBIRD is the third book in the bestselling Scandinavian mystery series about Police Inspector Daniel Trokic, his colleague Lisa Kornelius, and the rest of the investigative unit at Århus Police station. If you like Stieg Larsson and Scandinavian mysteries, then you’ll love Inger Wolf’s spine-chilling who-done-it. Buy SONGBIRD to guess the chilling plot today!

    Trinidad Noir reveals the Caribbean island’s darkness and its appeal with an unexpected and gratifying result.Features brand-new stories by Robert Antoni, Elizabeth Nunez, Lawrence Scott, Ramabai Espinet, Shani Mootoo, Kevin Baldeosingh, Vahni Capildeo, Willi Chen, Lisa Allen-Agostini, Keith Jardim, Reena Andrea Manickchand, Tiphanie Yanique, and more.

    Now, the toughest of tough detectives are resurrected in sonic dramatization.

    Serling's legendary television series The Twilight Zone consistently demonstrated his remarkable gift for storytelling. In the years that have followed, millions have experienced and remembered these timeless scenarios, now airing regularly on the Sci-Fi Channel.These haunting stories by the fabled creator, producer, and series host were the basis for some of the most celebrated, eerie programs ever seen on the home screen. In this collector's edition, compiled from three previously published volumes, we rediscover the brilliance of these beautifully turned, inspired stories by a uniquely American writer.Rod Serling continues to leave us spellbound with his imaginative and unsettling tales.

    For anyone who has never been to New Orleans, this is a great introduction to its neighborhoods and history."-- Publishers Weekly , Starred review"Ten years after the publication of the original New Orleans Noir, Akashic's 'Noir' series returns with a follow-up....Each entry is strong, but the collection is worth reading alone for Poppy Z. Brite's 'Mussolini and the Axeman's Jazz,' a delirious and brutal ghost story....Strongly recommended for fans of the Akashic anthologies and Hard Case Crime mysteries and lovers of New Orleans fiction. Devotees of Southern gothic fiction (e.g., the works of Flannery O'Connor and Tom Franklin.) will also find much to enjoy."-- Library Journal , Starred review"Smith, who edited Akashic's original New Orleans Noir (2007), goes back for a second trip to the Big Easy."-- Kirkus Reviews "A riveting read."--Back to Books"Eighteen diverse stories...capture the feeling of this fascinating city. New Orleans Noir: The Classics embraces the city's rich literature and spans two centuries, from the pre–Civil War era to post-Katrina."--Underrated Reads"This anthology really has the feel of New Orleans....I enjoyed this batch of stories. Good ones all the way through. Give it a try."--Journey of a BooksellerAkashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each volume comprises stories set in a distinct neighborhood or location within the respective city.Classic reprints from: James Lee Burke, Armand Lanusse, Grace King, Kate Chopin, O. Henry, Eudora Welty, Tennessee Williams, Shirley Ann Grau, John William Corrington, Tom Dent, Ellen Gilchrist, Valerie Martin, O’Neil De Noux, John Biguenet, Poppy Z. Brite, Nevada Barr, Ace Atkins, and Maurice Carlos Ruffin.From the introduction by Julie Smith:"A glittering constellation of writers has passed through New Orleans--including Mark Twain, Sherwood Anderson, O. Henry, and even Walt Whitman, to name some of the not-so-usual suspects. Then there are the ones whose sojourns here are better known, the ones on whom we pride ourselves, such as Tennessee Williams, William Faulkner, Eudora Welty, Ellen Gilchrist, and James Lee Burke.It was an anthologist's feast--just about everybody who came to New Orleans wrote about it. But there were surprises as well...If you're from New Orleans, the neighborhood theme will resonate like Tibetan temple bells. And yet, surely every city has similar hoods, similar behavior patterns, similar travails--and has had them forever. 'Indeed,' wrote Voltaire, 'history is nothing more than a tableau of crimes and misfortunes.'"

    It made the New York Times bestseller list and won coveted Eisner and Harvey awards. The second graphic novel, The Outfit, was released last year and was met with similar response, and is currently under consideration for nominations in this year's awards season. The Hunter and The Outfit tell the story of Parker, Richard Stark's classic anti-hero, as he returns to New York to settle the score with his wife and partner in crime after they betray him in a heist gone terribly wrong. After evening the field and reclaiming his prize, the Outfit decide to do some score settling of their own... and learn much too late that when you push a man like Parker, it had better be all the way to the grave.