These 12 all new and original stories from Rusty Wilson, the World’s Greatest Bigfoot Storyteller, will keep you intrigued, hanging onto the edge of your seat, or wishing you could travel up north and see what all the excitement’s about for yourself. Come read about a young man who finally gets his wish to visit one of the world’s wildest places, where he quickly realizes that maybe his parents were right after all—then read about the strange case where a Sasquatch discovers a rare fossilized dinosaur skeleton—and then, if you dare, read about a woman who stops for a break on a remote Canadian backroad and ends up taking something home with her that she really doesn’t want—and there’s the Sasquatch that ends up saving peoples’ lives by stealing all their food in the dead of winter—and a Sasquatch that brings a couple together through its death—one who decides it wants to be in a painting—another who likes the taste of loons—and a man who discovers a secret Bigfoot food source—all these and more great campfire tales are guaranteed to make you happy you’re safe and sound in your house instead of listening to a Sasquatch screaming in the darkness from inside your thin nylon tent, deep in the Canadian wilds. Or, if you’re truly the adventurous type, maybe you’ll want to buy a thin nylon tent and head to British Columbia or Alberta. Fly-fishing guide Rusty Wilson spent years collecting these stories from his clients around the campfire, stories guaranteed to scare the pants off you—or make you want to meet the Big Guy! “I suspect that Canada has more wild things than we could imagine in our wildest dreams. If you take a look at a map, you’ll see just how immense and rugged many parts of this country are, especially those regions in the north and around the Canadian Rockies and Coastal Mountains. I’m sure there are things out there we could only imagine, one of them being Bigfoot—or Sasquatch, as our northern friends call him.” —Rusty Wilson

    A new collection of short stories from Hopkinson, including "Greedy Choke Puppy," which Africana.com called "a cleverly crafted West Indian story featuring the appearance of both the soucouyant (vampire) & lagahoo (werewolf)," "Ganger (Ball Lightning)," praised by the Washington Post Book World as written in "prose [that] is vivid & immediate," this collection reveals Hopkinson's breadth & accomplishments as a storyteller.

    BowmanA GOOD TRICKA Haunted Library StoryBy Dori Hillestad ButlerHALLOWEENINGA Tales of the Spooky Folk StoryBy J.K. CampbellSTICKY FINGERSFeaturing characters from The Boy Who Cried GhostBy Richard ClarkA KANDY BRAINZ HALLOWEENFeaturing characters from Books Make Brainz Taste BadBy Eli CranorSIDE QUESTA Magic Eaters StoryBy Connor GraysonA TRICKSTER HALLOWEENA Prentiss Twins StoryBy Deb LoganTHE MYSTERY OF THE HAUNTED EGYPTIAN KITCHENA Kid Detective Zet StoryBy Scott PetersFLYING SOLOBy D.M. PotterAuthor of the You Say Which Way SeriesTRICKING THE TREAT WITCHA Zombie Reconstruction Squad StoryBy M.K. Radican

    She can find air to breathe under a capsized boat, drive in a blizzard, or capture a wild duck. As part of a large struggling family, she tiptoes around her explosive father whose best days always come right after he’s poached something and her neurotically optimistic mother whose bursts of vigor bring added chaos. Lillian barrels through adolescence with no illusions about her future, honing her clerical skills while working the nightshift as a salad girl in the airport kitchen. Just as she’s on her feet and moving out, their house is literally sinking into the marsh. Stunningly honest, this story explores the fierce love that binds family together.

    Edited by writer Karen Lord, New Worlds, Old Ways is the third publication of Peekash Press, an imprint of Akashic Books and Peepal Tree Press committed to supporting the emergence of new Caribbean writing, and as part of CaribLit project.

    Packed with nearly 70 exclusive interviews with some of his closest friends, colleagues, and fellow musicians—among them Tony Iommi, Joe Elliott, Richie Sambora, Bruce Dickinson, Raul Rodgers, Cliff Richard, and Spike Edney—this is the definitive life of the guitar virtuoso. It charts his life from his childhood through his years studying astrophysics and his initial success with Queen. May’s camaraderie and conflicts within Queen are addressed as are his most difficult years, which include the disintegration of his first marriage, the death of his father, and the profound professional and emotional effects of Freddie Mercury's illness and death. Hard-hitting and completely up to date, this is an engaging look at a life lived in the spotlight.

    She is an artist who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage.When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak! Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty.

    Their principal themes are the stasis, both stultifying and provocative, of midsummer in the tropics; the pull of the sea, family, and friendship on one whose circumstances lead to separation; the relationship of poetry to painting; and the place of a poet between two cultures. Walcott records, with his distinctive linguistic blend of soaring imagery and plainly stated facts, the experience of a mid-life period--in reality and in memory or the imagination. As Louis Simpson wrote on the publication of Wacott's The Fortunate Traveller, "Walcott is a spellbinder. Of how many poets can it be said that their poems are compelling--not a mere stringing together of images and ideas but language that delights in itself, rhythms that seem spontaneous, scenes that are vividly there?...The poet who can write like this is a master."

    Jamaica Kincaid's expansive essay candidly appraises the ten-by-twelve-mile island in the British West Indies where she grew up, and makes palpable the impact of European colonization and tourism. The book is a missive to the traveler, whether American or European, who wants to escape the banality and corruption of some large place. Kincaid, eloquent and resolute, reminds us that the Antiguan people, formerly British subjects, are unable to escape the same drawbacks of their own tiny realm—that behind the benevolent Caribbean scenery are human lives, always complex and often fraught with injustice.

    

    Still, Milagros loves her small island in the Caribbean, and she finds comfort in those who recognize her special gifts. But everything changes when marauders destroy Milagros’s island and with it, most of the inhabitants. Milagros manages to escape in a rowboat where she drifts out to sea with no direction, save for the mysterious manta rays that guide her to land. In stunning prose,Meg Medina creates a fantastical world in which a young girl uncovers the true meaning of family, the significance of identity, and, most important, the power of a mother’s love.

    Included in this collection are stories, painstakingly culled and thoughtfully crafted, from the Mahabharata (‘Shiva’s Anger’ and ‘Shakuntala’); the Jataka (‘The Hare in the Moon’ and ‘The Crane and the Crab’) and from regional folklore (‘The Tiger-King’s Gift’ and ‘The Happy Herdsman’). With detailed annotations on the sources of each of these stories, Tales and Legends from India showcases the unique and wonderful ethos of India, as told by its most beloved storyteller, Ruskin Bond.

    Curl up in front of a warm fire on a silent night and choose your poison.

    With equal wit and sensitivity, he reflects the depression of hard times in London, where people live in cold, damp basements, hustling for survival.

    Alternating between the perspectives of the woman and the boy, the story engages with issues of race and class, examines the complexities of relationships between people of very different backgrounds, and explores the difficulties faced by individuals seeking to bring about social change through their own actions. The dramatic climax and tragic choices made grow from the gulf of incomprehension between middle-class and poor Jamaicans and provide penetrating insights into the roots of violence in impoverished communities.