Introducing: Billy! Whilst on a lovely walk in the woods, Billy and her trusty sidekick Fatcat hear a terrible rumble… a terrible rumble coming from a Terrible Beast… He’s making a Terrible Soup out of all of Billy and Fatcat’s friends! Luckily, our brave heroine Billy has a trick or two up her sleeve (or in her hair)… Join Billy on her mission to defeat the Terrible Beast (and save those adorable little bunny rabbits too).

    As she hears the story of her name, Alma starts to think it might be a perfect fit after all — and realizes that she will one day have her own story to tell. In her author-illustrator debut, Juana Martinez-Neal opens a treasure box of discovery for children who may be curious about their own origin stories or names.

    Tim was about to enter a world of the past, with bullying boys, stones and Indian spirits of long ago. But they were real spirits, real stones, very real memories…In this powerful family saga, author Tim Tingle tells the story of his family’s move from Oklahoma Choctaw country to Pasadena, TX. Spanning 50 years, Saltypie describes the problems encountered by his Choctaw grandmother—from her orphan days at an Indian boarding school to hardships encountered in her new home on the Gulf Coast.Tingle says, “Stories of modern Indian families rarely grace the printed page. Long before I began writing, I knew this story must be told.” Seen through the innocent eyes of a young boy, Saltypie — a 2011 Skipping Stones honor book, WordCraft Circle 2012 Children's Literature Award-winner, and winner of the 2011 Paterson Prize for Books for Young People in the category of Grades 4-6 — is the story of one family’s efforts to honor the past while struggling to gain a foothold in modern America.Tim Tingle, a member of the Choctaw Nation of Oklahoma, is a sought-after storyteller for folklore festivals, library conferences, and schools across America. At the request of Choctaw Chief Pyle, Tim tells a story to the tribe every year before Pyle’s State of the Nation Address at the Choctaw Labor Day Gathering. Tim’s previous and often reprinted books from Cinco Puntos Press—Walking the Choctaw Road and Crossing Bok Chitto—received numerous awards, but what makes Tim the proudest is the recognition he receives from the American Indian communities.Karen Clarkson, a Choctaw tribal member, is a self-taught artist who specializes in portraits of Native Americans. She did not start painting until after her children had left home; she has since been widely acclaimed as a Native American painter. She lives in San Leandro, California.

    This joyous and loving celebration of family is the first-ever picture book to highlight Black nighttime hair traditions--and is perfect for every little girl who knows what it's like to lose her bonnet just before bedtime. In my family, when the sun goes down, our hair goes up!My brother slips a durag over his locs.Sis swirls her hair in a wrap around her head.Daddy covers his black waves with a cap.Mama gathers her corkscrew curls in a scarf.I always wear a bonnet over my braids, but tonight I can't find it anywhere!Bedtime Bonnet gives readers a heartwarming peek into quintessential Black nighttime hair traditions and celebrates the love between all the members of this close-knit, multi-generational family.Perfect for readers of Hair Love and Crown: An Ode to the Fresh Cut

    Part autobiographical, part fictional, this allegorical tale sparkles with symbolic and historical references central to African-American culture. The spectacular artwork resonates with color and texture. Children will delight in the universal dream of mastering one's world by flying over it.

    So her brothers call her a baby and refuse to play with her.Yoomi is determined to eat kimchi. She tries to disguise it by eating it on a cookie, on pizza, and in ice cream. But that doesn't work. Then Grandma shows Yoomi how to make kimchi pancakes. This story about family, food, and a six-year-old "coming of age" has universal themes, and at the same time celebrates Korean culture. A kimchi pancake recipe and other back matter are included.A Junior Library Guild SelectionBank Street College's Best Children's Book of the Year (2018)A Baker's Dozen Award: The Best Children's Books for Family Literacy by the Pennsylvania Center for the Book (2018)

    When Greg finds a stick and draws a lion in the sand, his father says, "Don't go in the water, and don't leave Sandy." The little boy follows his father's advice. But he still manages to travel down the beach quite a way before realizing he can no longer see the blue umbrella where Dad is waiting. Greg's journey takes him past such landmarks as a jellyfish, a sand castle, a big pit in the sand, a ghost-crab hole, and more. Fortunately, he has his stick-and Sandy's tail-with him the whole way.

    She also sees a community that is rapidly changing around her.But as the sun sets purple-blue-gold behind Daisy Ramona and her papi, she knows that the love she feels will always be there.

    Meet a most unusual crocodile!   Everybody knows that crocodiles love water, but this little crocodile is different—he doesn't like it at all! He tries to his best to change, but when attempt at swimming causes a shiver then a sneeze—could it be that this little crocodile isn't a crocodile at all? A hilarious and uplifting story about being yourself from a talented debut author-illustrator!

    But Max the cat isn't quite what the family expected. He shuns the toy mouse, couldn't care less about the hand-knitted sweater, and spends most of his time facing the wall. One by one, the family gives up on Max, but the boy loves his negative cat so much, he'll do anything to keep him. Even the thing he dreads most: practicing his reading. Which, as it turns out, makes everything positive!

     A young Italian boy has moved to the Welsh hills with his family. He feels isolated and unhappy, a stranger in a strange land. It is only when he makes an unlikely friend, an old man who lets him fly one of his pigeons in a race, that he learns how he can belong. Nicola Davies s beautiful story an immigrant s tale with powerful resonance in our troubled times is illustrated by an artist who makes the world anew with every picture."

    Is the whale dead? While the man worries about losing their net, the boy worries about the whale. He remembers the fear he felt when, caught in a net himself in childhood, he almost drowned before being rescued by his father. When the whale blinks an enormous eye, the boy knows that he has to try to save the creature, no matter how dangerous doing so may be.Expressive and perfectly paced, this powerful story, The Boy and the Whale, by Caldecott Medal–winner Mordicai Gerstein was inspired in part by a real-life video of a whale’s rescue, and the creature’s joyful dance through the waves after being freed.

    . .” A boy and his family are packing up their old home, and the morning feels scary and sad. But when he arrives at his new home, an evening of good byes awaits: bye to new friends, bye to glowing fireflies, bye to climbing trees. The New York Times bestselling author Deborah Underwood's spare text and the Boston Globe–Horn Book Award winner Jonathan Bean's lush, layered illustrations perfectly capture the complex emotions of moving day. The child-centric transition from dreary morning to cheerful evening comforts young readers facing big changes of their own.

    Hundreds of Maasai surround an American diplomat to bestow a gift on the American people. The gift is as unsought and unexpected as it is extraordinary. A mere nine months have passed since the September 11 attacks, and hearts are raw. Tears flow freely as these legendary warriors offer their gift to a grieving people half a world away. Word of the gift will travel news wires around the globe. Many will be profoundly touched, but for Americans, this selfless gesture will have deeper meaning still. For a heartsick nation, the gift of fourteen cows emerges from the choking dust and darkness as a soft light of hope and friendship. Master storyteller Carmen Agra Deedy hits all the right notes in this story of generosity that crosses boundaries, nations, and cultures. An afterword by Wilson Kimeli Naiyomah, the Maasai warrior at the center of the story, provides additional information about his tribe and their generosity. Thomas Gonzalez's stunning paintings are saturated with rich hues of oranges and browns and blues and greens, which capture the nobility of the Maasai people and the distinctive landscape of the African plain.

    Soon she is running her own busy farm, and in the midst of all the repairing and restoring, it may be time to bring her faithful childhood companion back to life.With an eye-catching retro design and cleverly nuanced illustrations, The Old Truck celebrates the rewards of determination and the value of imagination.