She survived—and famously testified that her fifteen-year-old brother, Ben, was the killer. Twenty-five years later, the Kill Club—a secret secret society obsessed with notorious crimes—locates Libby and pumps her for details. They hope to discover proof that may free Ben. Libby hopes to turn a profit off her tragic history: She’ll reconnect with the players from that night and report her findings to the club—for a fee. As Libby’s search takes her from shabby Missouri strip clubs to abandoned Oklahoma tourist towns, the unimaginable truth emerges, and Libby finds herself right back where she started—on the run from a killer.

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    Businesses went under by the hundreds, debt and foreclosures boomed, and breadlines grew in many American cities. In the midst of this misery, some folks explored unscrupulous ways to make money. Angel-faced John Partlow and carnival huckster Ginger LaFrance are among the worst of this lot. Joining together they leave their small time confidence scams behind to attempt an elaborate kidnapping-for-ransom scheme in New Orleans.In a different part of town, Curtis Mayhew, a young black man who works as a redcap for the Union Railroad Station, has a reputation for mending quarrels and misunderstandings among his friends. What those friends don't know is that Curtis has a special talent for listening... and he can sometimes hear things that aren't spoken aloud.One day, Curtis Mayhew's special talent allows him to overhear a child's cry for help (THIS MAN IN THE CAR HE'S GOT A GUN), which draws him into the dangerous world of Partlow and LaFrance.This gritty depression-era crime thriller is a complex tale enriched by powerfully observed social commentary and hints of the supernatural, and it represents Robert McCammon writing at the very top of his game.

    . . Massachusetts State Trooper Bobby Dodge watches a tense hostage standoff unfold through the scope of his sniper rifle. Just across the street, in wealthy Back Bay, Boston, an armed man has barricaded himself with his wife and child. The man’s finger tightens on the trigger and Dodge has only a split second to react . . . and forever pay the consequences.Alone . . . that’s where the nightmare began for cool, beautiful, and dangerously sexy Catherine Rose Gagnon. Twenty-five years ago, she was buried underground during a month-long nightmare of abduction and abuse. Now her husband has just been killed. Her father-in-law, the powerful Judge Gagnon, blames Catherine for his son’s death . . . and for the series of unexplained illnesses that have sent her own young son repeatedly to the hospital. Alone . . . a madman survived solitary confinement in a maximum security prison where he’d done hard time for the most sadistic of crimes. Now he walks the streets a free man, invisible, anonymous . . . and filled with an unquenchable rage for vengeance. What brings them together is a moment of violence—but what connects them is a passion far deeper and much more dangerous. For a killer is loose who’s woven such an intricate web of evil that no one is above suspicion, no one is beyond harm, and no one will see death coming until it has them cornered, helpless, and alone.

    Life isn’t easy, but Judi’s family means everything to her and together, they manage. Then Ben meets Amber. Everyone thinks this is a perfect match for Ben but Judi isn’t sure … there’s just something about Amber that doesn’t add up. Ben can’t see why his mother dislikes his new girlfriend. And Amber doesn’t want Judi anywhere near her new family. Amber just wants Ben and the children. The further Judi delves into Amber’s personal life, the closer she gets to shocking secrets that could change everything. And Judi must make a decision that could lead to the most disastrous consequences.

    J. Simpson trial prosecutor Marcia Clark, a “terrific writer and storyteller” (James Patterson). Samantha Brinkman, an ambitious, hard-charging Los Angeles criminal defense attorney, is struggling to make a name for herself and to drag her fledgling practice into the big leagues. Sam lands a high-profile double-murder case in which one of the victims is a beloved TV star—and the defendant is a decorated veteran LAPD detective. It promises to be exactly the kind of media sensation that would establish her as a heavy hitter in the world of criminal law.Though Sam has doubts about his innocence, she and her two associates (her closest childhood friend and a brilliant ex-con) take the case. Notorious for living by her own rules—and fearlessly breaking everyone else’s—Samantha pulls out all the stops in her quest to uncover evidence that will clear the detective. But when a shocking secret at the core of the case shatters her personal world, Sam realizes that not only has her client been playing her, he might be one of the most dangerous sociopaths she’s ever encountered.

    There's no explanation: just a grainy image, a website address and a phone number. She takes it home to her family, who are convinced it's just someone who looks like Zoe. But the next day the advert shows a photo of a different woman, and another the day after that.Is it a mistake? A coincidence? Or is someone keeping track of every move they make...If you like Shari Lapena, Paula Hawkins, Rachel Abbott, B A Paris, Fiona Barton, Ruth Ware and CL Taylor, you'll love this gripping psychological thriller.

    But something goes terribly wrong on their way home, and the last time Zoë sees her, Holli is in the clutches of a sadistic killer. Zoë flees with her life, changed forever.A year later and still tortured with guilt, Zoë latches on to a police investigation where the crime eerily resembles her abduction. Along with a zealous detective, she retraces the steps of that fateful night in the desert, hoping that her memory will return and help them find justice for Holli. Her abductor—labeled the “Tally Man” by a fascinated media—lies in wait for Zoë. For him, she is not a survivor but simply the one that got away.With an unforgettable heroine, a chillingly disturbed psychopath, and a story that moves at breakneck speed, The One That Got Away is thriller writer Simon Wood at his finest.

    Her younger sister, Madison, claims she was asleep in her room. Her older sister, Tara, claims she was out with friends. The tragedy drove their mother to suicide and Tara to leave town forever. The killer was caught. The case closed.Ever since, Emily and Madison have tried to forget what happened that night—until an eerily similar murder brings it all back. It also brings FBI special agent Zander Wells to the Oregon logging town. As eager as he is to solve the brutal double slaying, he is just as intrigued with the mystery of Emily’s and her sisters’ past.When more blood is shed, Zander suspects there’s a secret buried in this town no one wants unearthed. Is it something Emily and Madison don’t know? Or aren’t telling? And Tara? Maybe Emily can’t bear to find her. Because when Tara disappeared, she took a secret of her own with her.

    A new beginning, a new house, a new town: Featherbank.But Featherbank has a dark past. Twenty years ago, a serial killer abducted and murdered five residents. Until Frank Carter was finally caught, he was nicknamed "The Whisper Man," for he would lure his victims out by whispering at their windows at night.Just as Tom and Jake settle into their new home, a young boy vanishes. His disappearance bears an unnerving resemblance to Frank Carter's crimes, reigniting old rumors that he preyed with an accomplice. Now, detectives Amanda Beck and Pete Willis must find the boy before it is too late, even if that means Pete has to revisit his great foe in prison: The Whisper Man. And then Jake begins acting strangely. He hears a whispering at his window.

    Now, in THE MERMAIDS SINGING, she continues her trademark ingenuity for suspense, and introduces criminal profiler Tony Hill, who has spent years exploring the psyches of madmen. But now he's become one of the hunted...YOU ALWAYS REMEMBER THE FIRST TIME...This was the summer he discovered what he wanted—at a gruesome museum of criminology far off the beaten track of more timid tourists. Visions of torture inspired his fantasies like a muse. It would prove so terribly fulfilling.BUT THE NEXT TIME WOULD BE BETTER...The bodies of four men have been discovered in the town of Bradfield. Enlisted to investigate is criminal psychologist Tony Hill. Even for a seasoned professional, the series of mutilation sex murders is unlike anything he's encountered before. But profiling the psychopath is not beyond him. Hill's own past has made him the perfect man to comprehend the killer's motives. It's also made him the perfect victim.AND PRACTICE MAKES PERFECT.A game has begun for the hunter and the hunted. But as Hill confronts his own hidden demons, he must also come face-to-face with an evil so profound he may not have the courage—or the power—to stop it...

    Not socially, Harry had never met Buck's wife, but friends in the way they trusted one another and always had time to talk about other things than what they did for a living. Right now, 66-year-old Harry Arno's in trouble. In order to get at his boss, Jimmy Cap, the feds told Jimmy that Harry's skimming off the sports book he runs, the idea being that Harry will testify in exchange for protection from Tommy Bucks (a.k.a. the Zip), Jimmy's enforcer. But Harry's got a few tricks up his sleeve. Then when a straight-shooting U.S. Marshall decides to spend his vacation tracking Harry down, all hell breaks loose. Set in Miami, Florida, and Rapallo, Italy, Pronto is another brilliantly executed combination of suspense and black humor from the master of crime fiction. --Ron Hogan

    And then he is given the biggest opportunity of his career: to help defend a millionaire accused of murdering a woman in his hotel suite.The only problem is that the accused man, Vernon James, turns out to be not only someone he knows, but someone he loathes. This case could potentially make Terry's career, but how can he defend a former friend who betrayed him so badly?With the trial date looming, Terry delves deeper into Vernon's life and is forced to confront secrets from their shared past that could have devastating consequences for them both. For years he has wanted to witness Vernon's downfall, but with so much at stake, how can Terry be sure that he is guilty? And what choices must he make to ensure that justice is done?

    . . and to maintain an increasingly unbearable life-defining secret. So when her husband is offered a lucrative job in Luxembourg, she jumps at the chance to leave behind her double-life, to start anew.She begins to reinvent herself as an expat, finding her way in a language she doesn’t speak, doing the housewifely things she’s never before done—play-dates and coffee mornings, daily cooking and unending laundry. Meanwhile, her husband works incessantly, doing a job Kate has never understood, for a banking client she’s not allowed to know. He’s becoming distant and evasive; she’s getting lonely and bored.Then another American couple arrives. Kate soon becomes suspicious that these people are not who they claim to be, and terrified that her own past is catching up to her. So Kate begins to dig, to peel back the layers of deception that surround her. She discovers fake offices and shell corporations and a hidden gun; a mysterious farmhouse and numbered accounts with bewildering sums of money; a complex web of intrigue where no one is who they claim to be, and the most profound deceptions lurk beneath the most normal-looking of relationships; and a mind-boggling long-play con threatens her family, her marriage, and her life.