The story of Husain and Zammarrud fallen in the grip of the Assassins take us back to the last days of Hasan Bin Sabah's merciless followers, at the end of which the sect's stronghold, the famous fort of Alamoot, was destroyed by the even more merciless Mongol hordes. Sharar writes famously in the style of a Walter Scott novel, the novel itself being a new literary form in his day. But there are shades of an earlier indigenous genre - the Dastaan - in his work. Yet although he tells a gripping tale, part Scott and part Dastaan, he is not unaware of character. Husain may be credulous, and smitten silly by his love for Zammarrud, but he can still ask Shaikh Vujoodi intelligent questions which the Shaikh can only parry by the display of great wrath and superhuman knowledge. Husain's credulity in accepting his answers immediately has a lot to do with his fear that he would not be allowed to visit his beloved in 'Paradise.' There is a definite modern streak in Sharar's work. His treatment of Zamarrud is different from the usual portrayal of female characters in his day. Zamarrud has a mind of her own. She is observant and intelligent and capable of rebuffing her lover when he sounds credulous and foolish. No old fashioned perceptions of female 'duty' or the superior status of men holds her back from realizing that she is more clear-headed than Husain. She is moreover not mild of manner or adulatory of her man, as the prototypes of female perfection tend to be in Urdu literature of the day. Yet non of this detracts from her femininity, as she runs around 'like a delicate, fleet-footed doe' but fully determined to have her way. Much has been written about the Assassins in English and other languages. Sharar's novel has its own charm, and given a chance it should become a very popular book. Translated into Tajik, Sharar's works have quite a lot of readers in Tajikistan, where they are also the subject of a Ph.D. dissertation by Vladimir Lanikin.

    This Pamphlet can be effectively used as a dawah tool.

     This is the true story of Samina Younis, born in Britain to a strict, religious Muslim family - a family that practices the tradition of forced marriage which they brought back with them from their village in Pakistan. One of seven sisters and two brothers, she was a bitter disappointment to her parents who desperately wanted a son; as a result she suffered terrible physical and mental abuse at the hands of both her mother and father; later she was to fall victim to continued abuse from her very own siblings. At the age of just sixteen, on a trip to Pakistan Samina was told that she must marry her second cousin, a boy she had met only once in her life and for whom she had no affection whatsoever. The writing of this book was Samina's only way of coming to terms with the life that she had been forced into, the mental conflict over her enduring love for a mother, now dead, who even on her deathbed was compelled to dominate and control her future. The book recounts her struggle against her family and her dramatic escape to a life of her own. The publishers and author wish to thank the thousands of people who have already read this book and made it such a success in raising awareness to cruel and archaic practices forced on women and men around the world.

    In these marvellous essays on history, politics and society, cultural critic Nadeem Farooq Paracha upturns various reductive readings of the country by revealing its multi-layered reality. With wit and insight, he investigates past events and their implications for modern-day society. Thus, one piece explores how and why Mohenjo-daro has been neglected as a historical site, and another examines how Muhammad-bin-Qasim, who briefly invaded Sindh in 713 CE, has come to be lionised as the original founder of Pakistan. There is a story about a Pakistani Jimi Hendrix who plays the guitar like a dream and also one about a medieval emperor who lives on in the swear words of a Punjabi peasant. There are essays on Pakistani pop music, on Afro-Pakistanis and on how Jhuley Lal came to be more than just a folk deity for Sindhi immigrants in India. Points of Entry examines the constant struggle between two distinct tendencies in Pakistani civic-nationalism—one modernist, the other theocratic—and the complex society it has birthed.

    Is the emperor alive? Or is his death being kept a closely-guarded secret? It’s impossible to know for certain, since the spies and agents of the kingdom trade in misinformation and half-truths, and only heighten the tension between the brothers.In this atmosphere of palace intrigue and chicanery—as Murad acquires a reputation for overindulgence, Dara for sensitivity, and Shuja for impulsiveness—the stage seems set for a power-hungry Aurangzeb to make his ascent as emperor. However, will Aurangzeb’s quest for domination become his ultimate undoing? The Mughal High Noon, with master brushstrokes, explores questions of power, faith and contentment.

    On June 3, 1947 Lord Mountbatten announced that district of Gurdaspur was to be assigned to Pakistan but Redcliffe, Head of the Boundary Commission, conspired with Indian politicians such as Nehru and modified the geographic boundaries of the two newly formed countries in order to include the district of Gurdaspur in India’s map. As a result, the Muslim population of Gurdaspur set out in search of a safe home in Pakistan but many dangers awaited them on their journey to their new homeland

    She had been happily married to her lover, until four years later she and her husband becomes an estranged couple. The lady gets lost in a whirlpool of her monotonous life, a life without love and respect, a life of servile existence, a life repressed in every sense from joy and desires. She starts beating her wings to escape from the deadly clutches of expectations and social repressions to rise above the menial existence and achieve what she wanted for her life.She falls in love with another man, a man who is her teacher and mentor. but she is afraid to acknowledge her feelings for fear of social accusations. But an incident drives to her to an awareness of the temporality of life and she indulges in an ambitious and sexual relationship with her mentor. She enters a world led by her lover where ambition becomes real and where she begins to face the disorder of the human world, of women particularly.a time comes when she is asked to choose between the men, and this is where she shows her independence and strength.

    They were, after all, born as conjoined twins. But a horrific revelation drives a wedge between the siblings, plunging Chandan into a cycle of guilt and blame from which he cannot escape. One of Mahesh Dattani's most popular works, Tara was also one of the first Indian plays in English to highlight the dangers of gender discrimination, and the insidious ways in which it operates in our society.

    Writing with the same honesty and passion as her scandalous short-story, “The Quilt,” Chughtai exposes the complex relationships developed between women living and working in relative seclusion, and the intellectual and emotional contradictions lying in the heart of a rebellious country on the brink of independence from the British Raj and ultimately Partition.

    Keeping this joke in mind, Amrita Pritam penned her autobiography and entitled it 'Raseedi Ticket', or The Revenue Stamp.

    One day, their paths cross and their destinies are forever changed.Thirteen year old Aryan Khosla has no friends, rarely meets his busy and quarrelling parents, and is tormented by a gang of school bullies. He feels his birth was a mistake and thinks no one would notice if he disappeared from this world.Thirty-three year old Ria Marathe, a successful scriptwriter, lost her husband and only son in a terrible accident, and later came to know her childhood sweetheart husband was cheating on her for a long time. Faced with a lifetime of misery, she has decided to commit suicide.Sixty-three year old Rana Rathod, a long forgotten author, has carelessly lived off the trust created by his wealthy family and feels betrayed by his two children who sided with his wife during their brutal divorce thirty years back. He fears he is going to die a bitter man.Will Aryan lose his childhood to his loneliness? Will Ria lose her life to her tragedy? Will Rana lose his dignity to his past sins?Circle of Three is about finding a new beginning in life, of forgiving and ultimately, finding hope.

    This collection of the works of Iqbal, considered to be one of the greatest poets of the Urdu language, showcases the musicality of style and unique rhyme and assonance that has made his work memorable. A lengthy introduction, discussing the important aspects of Iqbal's life and art, is also included.

    But she's managed to find herself right in the middle of one. She's caught between a rock and a hard place as her faith and devotion to God clashes with the lustful passion she feels for the forbidden man who has forced his way into her heart. Her simple small-town girl life quickly begins to spin out of control as she battles her demons and tries desperately to keep her unholy desires a secret. Short story. Approximately 12,000 words.

    

    Mandira, a top MNC executive in New Delhi receives a letter.Shonali, a Corporate Slut in Mumbai receives a letter.Three unknown people; three different lives; one common thread that binds them together. Alok.Why is he calling them after so many years? What is it that he has, which he wants to return back to each one of them?Three times loser... it the story of love and friendship; of sacrifice and deceit and of victories and heart-breaks. The story meanders through the narrow by lanes of Paliwal Park in Agra to the politically alive corridors of Lucknow University and finally lights up the studios of Smile FM in New Delhi. The quest for love continues over years; over time; and over cities. Does it find its destination in the end?From the bestselling of 'It happened that Night' comes another intriguing tale that wrenches your heart, and makes you look fondly at the emotion called love; that is so hard to find; yet so easy to lose.